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Gewandhausorchester Leipzig|Beethoven: Symphonies Nos.3 & 4

Beethoven: Symphonies Nos.3 & 4

Gewandhausorchester, Riccardo Chailly

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Langue disponible : anglais

The Gewandhaus Orchestra's history of playing the nine symphonies of Ludwig van Beethoven extends back to 1825, when the composer was still alive, and these masterworks have been a mainstay of its repertoire ever since. After Riccardo Chailly took the helm of the Gewandhaus Orchestra in 2005, the idea of performing the full cycle for Decca under his direction became an imperative, and these recordings of the Symphony No. 3 in E flat major, "Eroica," and the Symphony No. 4 in B flat major were made in 2008 and 2009 respectively, with the Fidelio Overture also recorded in 2009. Chailly's Beethoven draws on the traditions of performance long honored in Leipzig, so the interpretations of the symphonies have more than a little of historically informed practice about them, while still being mainstream performances. Tempos are generally brisk, and textures are immaculate, while the strings play with minimal vibrato, and the winds offer distinctive and colorful sonorities. So the ideals of authentic period practice are realized without annoying mannerisms, and the music has the dynamic flexibility and robust qualities that everyone wants in Beethoven. Decca's sound quality is crisp and clean, with nearly ideal resonance.

© TiVo

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Beethoven: Symphonies Nos.3 & 4

Gewandhausorchester Leipzig

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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Ludwig van Beethoven)

1
I. Allegro con brio
Riccardo Chailly
00:15:10

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

2
II. Marcia funebre. Adagio assai
Riccardo Chailly
00:12:10

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

3
III. Scherzo. Allegro vivace
Riccardo Chailly
00:05:29

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

4
IV. Finale. Allegro molto
Riccardo Chailly
00:09:29

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

Fidelio, Op. 72 (Ludwig van Beethoven)

5
Overture
Riccardo Chailly
00:06:35

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Joseph von Sonnleithner, Author - Friedrich Treitschke, Author - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

Symphony No. 4 in B-Flat Major, Op. 60 (Ludwig van Beethoven)

6
I. Adagio - Allegro vivace
Riccardo Chailly
00:10:27

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

7
II. Adagio
Riccardo Chailly
00:07:42

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

8
III. Allegro vivace
Riccardo Chailly
00:05:10

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

9
IV. Allegro ma non troppo
Riccardo Chailly
00:06:18

Ludwig van Beethoven, Composer - Riccardo Chailly, Conductor, MainArtist - Andrew Cornall, Producer, Recording Producer - Gewandhausorchester, Orchestra, MainArtist - Philip Siney, Recording Engineer, StudioPersonnel - Thomas Haendel, Asst. Recording Engineer, StudioPersonnel - Eike Boehm, Asst. Recording Engineer, StudioPersonnel

℗ 2011 Decca Music Group Limited

Chronique

The Gewandhaus Orchestra's history of playing the nine symphonies of Ludwig van Beethoven extends back to 1825, when the composer was still alive, and these masterworks have been a mainstay of its repertoire ever since. After Riccardo Chailly took the helm of the Gewandhaus Orchestra in 2005, the idea of performing the full cycle for Decca under his direction became an imperative, and these recordings of the Symphony No. 3 in E flat major, "Eroica," and the Symphony No. 4 in B flat major were made in 2008 and 2009 respectively, with the Fidelio Overture also recorded in 2009. Chailly's Beethoven draws on the traditions of performance long honored in Leipzig, so the interpretations of the symphonies have more than a little of historically informed practice about them, while still being mainstream performances. Tempos are generally brisk, and textures are immaculate, while the strings play with minimal vibrato, and the winds offer distinctive and colorful sonorities. So the ideals of authentic period practice are realized without annoying mannerisms, and the music has the dynamic flexibility and robust qualities that everyone wants in Beethoven. Decca's sound quality is crisp and clean, with nearly ideal resonance.

© TiVo

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