Martha Modl
When Martha Mödl died at the age of 89, she had still not retired. The mezzo soprano turned dramatic soprano turned mezzo once more was a stage creature of rare magnetism. After a late start in music, she sang principal roles in the mezzo repertory during most of her thirties, but made a leap into the front rank of singing actresses with her engagement at the Bayreuth Festival, beginning with its re-opening in 1951. She alternated the three Brünnhildes and Isolde with Astrid Varnay and created a complex, tortured Kundry in Wieland Wagner's revolutionary production of Parsifal during the festival's first postwar season. Her ascent into dramatic soprano roles came gradually, first in such equivocally placed roles as Lady Macbeth and Venus, later in the higher reaches of the Ring heroines, and Isolde. While her beautiful, but softer timbre lacked the cutting edge of a Varnay, Nilsson, or Grob-Prandl, and failed her by the end of many performances, she brought a supreme measure of womanliness to her work. The all-out passion of her Isolde, captured live at the 1953 Bayreuth Festival, shares the top-most level of Wagner performance, along with more vocally reliable artists such as Leider, Flagstad, and the aforementioned trio of contemporaries.
Mödl studied at the Nuremberg Conservatory and made her debut as Hänsel in Remscheid in 1942. She was then 30 and had spent her earlier years as a secretary for a large business operation. That same year in Remscheid, she also sang Azucena, evidence that even at that point in her career, her vocal placement was somewhat in question. From 1945 to 1949, she was engaged at nearby Düsseldorf, where her roles included such diverse ladies as Dorabella and Klytemnestra, Marie (Wozzeck), and Eboli. Another of the roles in which she enjoyed success was Carmen and the gypsy subsequently served for her debut at Covent Garden in October 1949. Her London Carmen, which she had re-learned in English, was deemed surprisingly successful. Her Kundry in Berlin that same year also won high praise.
With her slender figure, immense and expressive eyes, and gift for powerful stillness, Mödl perfectly fitted Wieland Wagner's concept of simplified staging. She sang at Bayreuth until 1967 and her fame there led to other important engagements in Europe: Stuttgart, Edinburgh, and Vienna (where her Leonore re-opened the restored Staatsoper in 1955). She was admired by Wilhelm Furtwängler and with him recorded a complete Ring for Italian Radio, Fidelio, and a studio Die Walküre completed shortly before the conductor's death in 1954. Mödl's Metropolitan Opera career lasted just three seasons and a mere dozen performances. The high-lying Siegfried Brünnhilde with which she made her first appearance on January 30, 1957, was the most problematic of the three Ring heroines and her modern style of acting seemed out of place in the aging Metropolitan production. By that time, too, and in two following seasons, she was experiencing difficulties with her high register. By the early '60s, she had dropped back into mezzo roles, her voice sounding increasingly frayed, but her histrionic acuity entirely intact. In subsequent years, she sang mezzo parts large and small and even presented herself in Fiddler on the Roof. She participated in premieres of works by Von Einem, Eötvös, Fortner, Cerha, Klebe, and Reimann. Just weeks before her death, she had been acclaimed as the Nurse in a Berlin production of Boris Godunov.
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Wagner: Parsifal, WWV 111 (Live)
Oper - Erschienen bei Profil Edition Guenter Haenssler am 02.06.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Die Walküre (Remastered)
Martha Modl, Ludwig Suthaus, Leonie Rysanek, Wiener Philharmonic Orchestra, Wilhelm Furtwängler
Klassik - Erschienen bei Warner Classics am 01.01.1955
24-Bit 192.0 kHz - Stereo -
Beethoven: Fidelio, Op. 72 (Remastered)
Wolfgang Windgassen, Martha Modl, Wiener Philharmonic Orchestra, Wilhelm Furtwängler
Klassik - Erschienen bei Warner Classics am 01.01.1954
24-Bit 192.0 kHz - Stereo -
La Walkyrie (Intégrale)
Oper - Erschienen bei Naxos am 02.10.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Die Walküre
Wolfgang Windgassen, Hilde Konetzni, Martha Modl, Orchestra Sinfonica Di Roma Della RAI, Wilhelm Furtwängler
Oper - Erschienen bei Warner Classics am 01.01.1990
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Götterdämmerung
Martha Modl, Ludwig Suthaus, Josef Greindl, Orchestra Sinfonica Di Roma Della RAI, Wilhelm Furtwängler
Oper - Erschienen bei Warner Classics am 01.01.1990
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Siegfried
Ludwig Suthaus, Martha Modl, Ferdinand Frantz, Orchestra Sinfonica Di Roma Della RAI, Wilhelm Furtwängler
Oper - Erschienen bei Warner Classics am 01.01.1972
16-Bit CD Quality 44.1 kHz - Stereo -
Singers of the Century: Martha Mödl sings Bizet, Verdi & Wagner
Oper - Erschienen bei Jube Classic am 12.04.2024
24-Bit 48.0 kHz - Stereo -
Wagner: Die Walküre by Wilhelm Furtwängler
Wilhelm Furtwängler, Orchestra del Teatro dell'Opera di Roma, Martha Modl
Oper - Erschienen bei Alexandre Bak - Classical Music Reference Recording am 15.04.2022
24-Bit 44.1 kHz - Stereo -
Wagner: Tristan und Isolde, WWV 90 (Remastered 2023)
Martha Modl, Wolfgang Windgassen, Artur Rother, Orchester Der Städtischen Oper Berlin
Oper - Erschienen bei Archipel am 07.07.2023
24-Bit 96.0 kHz - Stereo -
Dokumente einer Sängerkarriere - Martha Mödl
Klassik - Erschienen bei Preiser Records am 10.08.2009
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Tristan und Isolde
Herbert von Karajan, Martha Modl, Ramón Vinay
Oper - Erschienen bei Urania am 05.02.2008
16-Bit CD Quality 44.1 kHz - Stereo -
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Beethoven: Fidelio
Klassik - Erschienen bei Infinity am 29.10.2020
16-Bit CD Quality 44.1 kHz - Stereo -
Wesendonck Lieder; Overtures
Oper - Erschienen bei Archipel am 27.11.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Tristan et Isolde, Extraits (Mono Version)
Martha Modl, Wolfgang Windgassen, Orchester Der Städtischen Oper Berlin, Arthur Rother
Verschiedenes - Erschienen bei BNF Collection am 01.01.1958
24-Bit 96.0 kHz - Stereo -
The Queen of Drama in Opera, Vol.6
Oper - Erschienen bei Documents 2 am 13.12.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Martha Mödl singt
Klassik - Erschienen bei Preiser Records am 25.09.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Richard Wagner: Gralsmystik
Ferdinand Leitner, L'orchestre de l'Opéra de Paris, Wolfgang Windgassen, Martha Modl
Oper - Erschienen bei Profil Medien am 01.01.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Die Walküre
Martha Modl, Leonie Rysanek, Ferdinand Frantz
Oper - Erschienen bei Urania am 01.01.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Schillings: Das Hexenlied
Cologne Radio Orchestra, Elisabeth Glass, Martha Modl, Jan Stulen, Alban Gerhardt
Klassik - Erschienen bei CPO am 28.06.1994
16-Bit CD Quality 44.1 kHz - Stereo