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It's certainly hard not to love this; for the first time since its first Hyperion disc, Music from the Court of Maximilian II, Cinquecento returns to the music of Jacobus Vaet for a full-disc serving, only the second this composer has ever enjoyed. Vaet, who worked in Germany and lived from c.1529-1567 only, has nine surviving mass settings, and one of these is the main event, ergo the album title Jacobus Vaet: Missa Ego flos campi. As this mass utilizes a melody of Vaet's master, Jacob Clemens non Papa, the motet from which it is taken is included as one bookend to Vaet's mass, and the other is supplied in a glorious motet, Antivenins varies, written in honor of Duke Albrecht of Bavaria. Filling out the program is a Magnificat, a short Miserere, Salve regina, and four additional motets.
The whole disc is so good that one struggles at what to say about it; Antivenins varies is a six-voice piece that seldom strays from the purpose of projecting its heraldic text, yet delivers ample interest in rich vocal textures; interesting, surprising chromatic alterations and a sense of constant harmonic change while maintaining a sense of grounding and transparent stillness in a very busy texture. When it is done, it seems too short and you want to it took keep going. No wonder Vaet was so valued by his regal employers as he could praise them in a way fitting for the court, but did not dumb down his style in order to talk to them. Missa Ego flos campi is a vast bounty of polyphony, free floating, gentle, and persuasive and the six-voice texture moves to eight for the "Angus Dei." The individual motets, along with the contribution from Clemens, are all striking for different reasons, though when one listens through the whole disc there is a sense of unity and an overall impression of peace.
Obviously, Cinquecento really loves Jacobus Vaet, and the group makes it easy for the listener to love him, too. Such music is anything but easy to sing, let alone maintain a sense of softness, distance, uniformity of blend, and to make sure no details are sticking out of the texture in a way to distract from the whole. Cinquecento does what it has to do in order to make that work, and as a result, Hyperion's Jacobus Vaet: Missa Ego flos campi is magnificent, a disc that will please both Renaissance music junkies who maintain high standards of vocal performance and non-experts looking for something to take a load off with; it is a serene, yet challenging, and utterly fulfilling disc.
© TiVo
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Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Charles Utenhoven, Author
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Bernd Frohlich, Tenor, MainArtist, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Simon Whiteley, MainArtist, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Work Editor - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Work Editor - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Jacobus Clemens Non Papa, Composer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Bernd Frohlich, Tenor, MainArtist, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)
℗ 2009 Hyperion Records Limited
Albumbeschreibung
It's certainly hard not to love this; for the first time since its first Hyperion disc, Music from the Court of Maximilian II, Cinquecento returns to the music of Jacobus Vaet for a full-disc serving, only the second this composer has ever enjoyed. Vaet, who worked in Germany and lived from c.1529-1567 only, has nine surviving mass settings, and one of these is the main event, ergo the album title Jacobus Vaet: Missa Ego flos campi. As this mass utilizes a melody of Vaet's master, Jacob Clemens non Papa, the motet from which it is taken is included as one bookend to Vaet's mass, and the other is supplied in a glorious motet, Antivenins varies, written in honor of Duke Albrecht of Bavaria. Filling out the program is a Magnificat, a short Miserere, Salve regina, and four additional motets.
The whole disc is so good that one struggles at what to say about it; Antivenins varies is a six-voice piece that seldom strays from the purpose of projecting its heraldic text, yet delivers ample interest in rich vocal textures; interesting, surprising chromatic alterations and a sense of constant harmonic change while maintaining a sense of grounding and transparent stillness in a very busy texture. When it is done, it seems too short and you want to it took keep going. No wonder Vaet was so valued by his regal employers as he could praise them in a way fitting for the court, but did not dumb down his style in order to talk to them. Missa Ego flos campi is a vast bounty of polyphony, free floating, gentle, and persuasive and the six-voice texture moves to eight for the "Angus Dei." The individual motets, along with the contribution from Clemens, are all striking for different reasons, though when one listens through the whole disc there is a sense of unity and an overall impression of peace.
Obviously, Cinquecento really loves Jacobus Vaet, and the group makes it easy for the listener to love him, too. Such music is anything but easy to sing, let alone maintain a sense of softness, distance, uniformity of blend, and to make sure no details are sticking out of the texture in a way to distract from the whole. Cinquecento does what it has to do in order to make that work, and as a result, Hyperion's Jacobus Vaet: Missa Ego flos campi is magnificent, a disc that will please both Renaissance music junkies who maintain high standards of vocal performance and non-experts looking for something to take a load off with; it is a serene, yet challenging, and utterly fulfilling disc.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 01:15:14
- 1 digitales Booklet
- Künstler: Cinquecento
- Komponist: Various Composers
- Label: Hyperion
- Genre: Klassik
© 2009 Hyperion Records Limited ℗ 2009 Hyperion Records Limited
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