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Parker Ramsay|The Street: Nico Muhly & Alice Goodman

The Street: Nico Muhly & Alice Goodman

Parker Ramsay

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Born in 1991, Parker Ramsay is one of the most talented harpists of his generation. After his first album, which contained arrangements of the Goldberg Variations and received high praise from Gramophone and BBC Music Magazine, he’s back with a second album released by Kings College Recordings - the label belonging to the eponymous choir. Similar to the previous album, this release opens with a new arrangement of the Partita for keyboard No. 2 in C minor BWV 826 by Bach. It’s impossible to find fault with this sublime interpretation that’s nothing short of flawless. The impeccable articulation; the meticulous care given to the different ranges; the perfectly measured suspension and phrasing: it all makes this rereading a true gem. It’s made all the more impressive since a harpist is faced with a challenge that doesn’t arise in the piano or harpsichord version: maintaining the legibility of the melodic lines despite the resonance of the instrument. It's fair to say that Ramsay gets off without a hitch here. The next part of the release presents The Street, a contemporary work by American post-minimalist composer Nico Muhly, known for his various collaborations with singer Björk, composer Philip Glass and choreographer Benjamin Millepied, amongst others. Conceived as a variation on the Fourteen Stations of the Cross, a part of the Christian tradition, The Street is performed in two versions. The first is for solo harp, which gives the listener the option to follow along with Alice Goodman’s text provided in the booklet. The second is a full version featuring the Kings College Choir singing and reading Goodman's texts. The choir singing interspersed with the reading and the harp score prevents the text from becoming an oratorio libretto and entails a much more interesting and introspective product. It’s fascinating how listening to these two versions in conjunction highlights the depth of the musical part, which works just as well in its purely instrumental version as it does in its textual arrangement. Whether or not the listener is one of faith, it’s impossible to remain unmoved by the driving force behind this stunning work, which expresses an overwhelming yet ultimately soothing spirituality. This is a fascinating record that’s only enhanced by the unique acoustics of the Kings College Chapel. © Pierre Lamy/Qobuz

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The Street: Nico Muhly & Alice Goodman

Parker Ramsay

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1
Partita No. 2 In C Minor, BWV 826: I. Sinfonia
00:07:42

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

2
Partita No. 2 In C Minor, BWV 826: II. Allemande
00:03:36

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

3
Partita No. 2 In C Minor, BWV 826: III. Courante
00:01:48

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

4
Partita No. 2 In C Minor, BWV 826: IV. Sarabande
00:02:31

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

5
Partita No. 2 In C Minor, BWV 826: V. Rondeau
00:01:57

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

6
Partita No. 2 In C Minor, BWV 826: VI. Capriccio
00:03:22

Johann Sebastian Bach, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

The Street (harp solo) (Nico Muhly)

7
Station I. Jesus is condemned to death
00:03:09

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

8
Station II. Jesus takes up his Cross
00:02:14

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

9
Station III. Jesus falls for the first time
00:02:19

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

10
Station IV. Jesus meets his Mother
00:03:20

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

11
Station V. Simon of Cyrene helps Jesus carry the Cross
00:01:52

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

12
Station VI. Veronica wipes the face of Jesus
00:02:18

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

13
Station VII. Jesus falls for the second time
00:02:41

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

14
Station VIII. Jesus meets the women of Jerusalem
00:02:48

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

15
Station IX. Jesus falls for the third time
00:04:16

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

16
Station X. Jesus is stripped of his garments
00:02:39

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

17
Station XI. Jesus is nailed to the Cross
00:03:38

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

18
Station XII. Jesus dies on the Cross
00:02:41

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

19
Station XIII. Jesus is taken down from the Cross
00:03:36

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

20
Station XIV. Jesus is laid in the tomb
00:04:48

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

DISC 2

The Street (full version) (Nico Muhly)

1
Station I. Jesus is condemned to death
00:05:41

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

2
Station II. Jesus takes up his Cross
00:04:17

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

3
Station III. Jesus falls for the first time
00:05:28

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

4
Station IV. Jesus meets his Mother
00:05:50

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

5
Station V. Simon of Cyrene helps Jesus carry the Cross
00:04:00

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

6
Station VI. Veronica wipes the face of Jesus
00:04:51

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

7
Station VII. Jesus falls for the second time
00:05:17

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

8
Station VIII. Jesus meets the women of Jerusalem
00:04:59

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

9
Station IX. Jesus falls for the third time
00:06:22

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

10
Station X. Jesus is stripped of his garments
00:05:08

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

11
Station XI. Jesus is nailed to the Cross
00:05:32

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

12
Station XII. Jesus dies on the Cross
00:06:27

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

13
Station XIII. Jesus is taken down from the Cross
00:04:26

Nico Muhly, Composer - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

14
Station XIV. Jesus is laid in the tomb
00:08:07

Nico Muhly, Composer - Choir of King's College, Cambridge, Choir, MainArtist - Alice Goodman, Composer - Parker Ramsay, Harp, MainArtist - Rosie Hilal, MainArtist

2022 King's College, Cambridge 2022 King's College, Cambridge

Albumbeschreibung

Born in 1991, Parker Ramsay is one of the most talented harpists of his generation. After his first album, which contained arrangements of the Goldberg Variations and received high praise from Gramophone and BBC Music Magazine, he’s back with a second album released by Kings College Recordings - the label belonging to the eponymous choir. Similar to the previous album, this release opens with a new arrangement of the Partita for keyboard No. 2 in C minor BWV 826 by Bach. It’s impossible to find fault with this sublime interpretation that’s nothing short of flawless. The impeccable articulation; the meticulous care given to the different ranges; the perfectly measured suspension and phrasing: it all makes this rereading a true gem. It’s made all the more impressive since a harpist is faced with a challenge that doesn’t arise in the piano or harpsichord version: maintaining the legibility of the melodic lines despite the resonance of the instrument. It's fair to say that Ramsay gets off without a hitch here. The next part of the release presents The Street, a contemporary work by American post-minimalist composer Nico Muhly, known for his various collaborations with singer Björk, composer Philip Glass and choreographer Benjamin Millepied, amongst others. Conceived as a variation on the Fourteen Stations of the Cross, a part of the Christian tradition, The Street is performed in two versions. The first is for solo harp, which gives the listener the option to follow along with Alice Goodman’s text provided in the booklet. The second is a full version featuring the Kings College Choir singing and reading Goodman's texts. The choir singing interspersed with the reading and the harp score prevents the text from becoming an oratorio libretto and entails a much more interesting and introspective product. It’s fascinating how listening to these two versions in conjunction highlights the depth of the musical part, which works just as well in its purely instrumental version as it does in its textual arrangement. Whether or not the listener is one of faith, it’s impossible to remain unmoved by the driving force behind this stunning work, which expresses an overwhelming yet ultimately soothing spirituality. This is a fascinating record that’s only enhanced by the unique acoustics of the Kings College Chapel. © Pierre Lamy/Qobuz

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