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Bruce Gilbert|The Shivering Man

The Shivering Man

Bruce Gilbert

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Bruce Gilbert's second solo album, originally released in 1986, has had a strange history in the marketplace. Never previously available in the U.S. on compact disc, it has been reissued in conjunction with his first solo album, This Way, as This Way to the Shivering Man, and in Japan as part of a three-disc box set. For the album's 25th anniversary, the Editions Mega label finally gave it a full individual reissue with the addition of a video for the title track. The music will come as no surprise to fans of either Gilbert's solo work or his only slightly less strange work with post-punk idols Wire: it's certainly of its time, and its sound is arguably dated, but it's interesting nonetheless. "Angel Food," the heavily episodic, eleven-minute-long opening track, starts out with sounds of industrial dub, then shifts abruptly into a sort of briskly minimalist rock, then descends into grumbling, ambient industrialism with creepily distant vocals. The ideas are strung end to end rather than integrated in any meaningful way, which gives the proceedings a strangely amateurish feel, but not an unattractive one. Elsewhere, "The Shivering Man" comes across like the work of a more intellectually serious version of the Residents; "Net in the Feather" combines the sound of clanging iron bars and an electronic train engine with a mutant one-drop beat and cut-up bagpipes, and "Eline Cout II" creates a stark, trancey ambience with the help of swelling samples and a robotic new wave drum-machine beat. A must for fans of vintage avant-post-punk.

© Rick Anderson /TiVo

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The Shivering Man

Bruce Gilbert

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1
Angel Food
00:10:44

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher

2011 Editions Mego 2011 Editions Mego

2
The Shivering Man
00:05:35

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher

2011 Editions Mego 2011 Editions Mego

3
Net In The Feather
00:05:52

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher

2011 Editions Mego 2011 Editions Mego

4
There Are
00:06:15

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher

2011 Editions Mego 2011 Editions Mego

5
Hommage
00:02:36

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher

2011 Editions Mego 2011 Editions Mego

6
Eline Cout II
00:04:48

Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song, MusicPublisher - A. Conway, Composer

2011 Editions Mego 2011 Editions Mego

7
Epitaph For Henran Brenlar
00:05:08

G. Lewis, Composer - Bruce Gilbert, MainArtist - B. Gilbert, Composer - Mute Song / Opal, MusicPublisher

2011 Editions Mego 2011 Editions Mego

Albumbeschreibung

Bruce Gilbert's second solo album, originally released in 1986, has had a strange history in the marketplace. Never previously available in the U.S. on compact disc, it has been reissued in conjunction with his first solo album, This Way, as This Way to the Shivering Man, and in Japan as part of a three-disc box set. For the album's 25th anniversary, the Editions Mega label finally gave it a full individual reissue with the addition of a video for the title track. The music will come as no surprise to fans of either Gilbert's solo work or his only slightly less strange work with post-punk idols Wire: it's certainly of its time, and its sound is arguably dated, but it's interesting nonetheless. "Angel Food," the heavily episodic, eleven-minute-long opening track, starts out with sounds of industrial dub, then shifts abruptly into a sort of briskly minimalist rock, then descends into grumbling, ambient industrialism with creepily distant vocals. The ideas are strung end to end rather than integrated in any meaningful way, which gives the proceedings a strangely amateurish feel, but not an unattractive one. Elsewhere, "The Shivering Man" comes across like the work of a more intellectually serious version of the Residents; "Net in the Feather" combines the sound of clanging iron bars and an electronic train engine with a mutant one-drop beat and cut-up bagpipes, and "Eline Cout II" creates a stark, trancey ambience with the help of swelling samples and a robotic new wave drum-machine beat. A must for fans of vintage avant-post-punk.

© Rick Anderson /TiVo

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