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Academy of St. Martin in the Fields|The English Patient (Original Soundtrack Recording)

The English Patient (Original Soundtrack Recording)

Academy of St Martin in the Fields, Gabriel Yared

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Text in englischer Sprache verfügbar

Gabriel Yared composed most of the music for the soundtrack of one of 1996's most acclaimed dramas, which was largely performed by the Academy of St. Martin in the Fields; John Constable (on solo piano) and Marta Sebestyen (vocals) are also featured. Yared's score is mostly typical wide-screen epic stuff--nothing special. More interesting are Hungarian folk singer Sebestyen's occasional contributions. A few period pop/jazz cuts by Benny Goodman, Ella Fitzgerald, and Fred Astaire are interspersed throughout, and are most likely more effective on screen than on disc, where they juxtapose uncomfortably with the orchestral instrumental pieces.

© Richie Unterberger /TiVo

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The English Patient (Original Soundtrack Recording)

Academy of St. Martin in the Fields

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1
The English Patient
Academy of St. Martin in the Fields
00:03:37

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

2
A Retreat
Academy of St. Martin in the Fields
00:01:26

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

3
Rupert Bear
Academy of St. Martin in the Fields
00:01:27

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

4
What Else Do You Love?
Academy of St. Martin in the Fields
00:01:05

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

5
Why Picton?
Academy of St. Martin in the Fields
00:01:09

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

6
Cheek To Cheek
Fred Astaire
00:03:19

Irving Berlin, ComposerLyricist - Fred Astaire, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

7
Kip's Lights
Academy of St. Martin in the Fields
00:01:28

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

8
Hana's Curse
Academy of St. Martin in the Fields
00:02:11

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

9
I'll Always Go Back To That Church
Academy of St. Martin in the Fields
00:01:53

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

10
Black Nights
Academy of St. Martin in the Fields
00:01:56

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

11
Swoon, I'll Catch You
Academy of St. Martin in the Fields
00:01:52

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

12
Am I K. In Your Book?
Academy of St. Martin in the Fields
00:00:59

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

13
Let Me Come In!
Academy of St. Martin in the Fields
00:02:40

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

14
Wang Wang Blues
Benny Goodman
00:02:51

Henry Busse, ComposerLyricist - Benny Goodman, MainArtist - Leo Wood, ComposerLyricist - Gus Mueller, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer - De Witt Johnson, ComposerLyricist

℗ 1996 Fantasy Records

15
Convento Di Sant'anna
Academy of St. Martin in the Fields
00:09:12

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

16
Herodotus
Academy of St. Martin in the Fields
00:01:11

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

17
Szerelem, Szerelem
Muzsikás
00:04:35

Marta Sebestyen, Vocals, FeaturedArtist, AssociatedPerformer - Muzsikas, MainArtist - Traditional, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer - Károly Cserepes, Arranger, Work Arranger

℗ 1996 Fantasy Records

18
Ask Your Saint Who He's Killed
Academy of St. Martin in the Fields
00:01:09

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

19
One O'Clock Jump (Music From The Motion Picture)
Benny Goodman
00:03:15

Count Basie, ComposerLyricist - Benny Goodman, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1955 UMG Recordings, Inc.

20
I'll Be Back
Academy of St. Martin in the Fields
00:04:03

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

21
Let Me Tell You About Winds
Academy of St. Martin in the Fields
00:01:00

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

22
Read Me To Sleep
Academy of St. Martin in the Fields
00:05:01

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

23
The Cave Of Swimmers
Academy of St. Martin in the Fields
00:02:00

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

24
Where Or When
Shepheard's Hotel Jazz Orchestra
00:02:18

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - John Timperley, Recording Engineer, StudioPersonnel - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer - Ronnie Hazelhurst, Conductor - Shepheard's Hotel Jazz Orchestra, MainArtist

℗ 1996 Fantasy Records

25
Aria (From The Goldberg Variations)
Julie Steinberg
00:03:03

Johann Sebastian Bach, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer - Julie Steinberg, MainArtist

℗ 1996 Fantasy Records

26
Cheek To Cheek
Ella Fitzgerald
00:03:46

Ella Fitzgerald, Vocals, MainArtist, AssociatedPerformer - Irving Berlin, ComposerLyricist - Norman Granz, Producer - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer - Hugo Cipolatti, Adapter

℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.

27
As Far As Florence
Academy of St. Martin in the Fields
00:05:12

Harry Rabinowitz, Conductor - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist, ComposerLyricist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

28
Én Czak Azt Csodálom (Lullabye For Katharine)
Academy of St. Martin in the Fields
00:01:10

Harry Rabinowitz, Conductor - Unknown, ComposerLyricist - KEITH GRANT, Recording Engineer, StudioPersonnel - Gabriel Yared, MainArtist - John Constable, Piano, AssociatedPerformer - Academy of St Martin in the Fields, MainArtist - George Horn, Mastering Engineer, StudioPersonnel - Robert Randles, Producer, Recording Producer

℗ 1996 Fantasy Records

Albumbeschreibung

Gabriel Yared composed most of the music for the soundtrack of one of 1996's most acclaimed dramas, which was largely performed by the Academy of St. Martin in the Fields; John Constable (on solo piano) and Marta Sebestyen (vocals) are also featured. Yared's score is mostly typical wide-screen epic stuff--nothing special. More interesting are Hungarian folk singer Sebestyen's occasional contributions. A few period pop/jazz cuts by Benny Goodman, Ella Fitzgerald, and Fred Astaire are interspersed throughout, and are most likely more effective on screen than on disc, where they juxtapose uncomfortably with the orchestral instrumental pieces.

© Richie Unterberger /TiVo

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