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Various Artists|The 5000 Fingers Of Dr. T

The 5000 Fingers Of Dr. T

Various Artists

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Cherry Red Records deserves some kind of award simply for the act of issuing this soundtrack CD to Stanley Kramer and Roy Rowland's The 5000 Fingers of Dr. T. A cult favorite among children's film and musical enthusiasts (with a score by Frederick Hollander, no less) for a half-century, the 1954 movie has been reissued and restored in various venues, even running again theatrically in New York around the start of the 21st century to great success (and it would be a prime candidate for a stage adaptation, which was rumored to be in the works around the time of the feature film's reissue). The music is strong enough to stand on its own, with its mix of wit, camp, and kitsch (of the best kind), all within a framework nearly as surreal as the movie itself. The first half of the CD consists of the music as recorded and represented in the finished film, which stands rather neatly on its own as a surreal mix of pop and classical influences, making especially fine use of tuned percussion at various points as well as strings and harps drenched in enough reverb to qualify as quasi-psychedelic (or downright delirious). The second half is comprised 15 minutes of outtakes from the score, retrieved from Lord-knows-where, that are about as good as anything used in the finished film, and add some wonderfully outrageous moments as Hans Conried singing "My Favorite Note" -- the quality isn't quite as good as that of the finished film material, but it's all easy enough to enjoy as long as one allows for the diminished resolution and spaciousness. Additionally, these outtakes show how close this movie came to being a full-blown, fully scored musical. The annotation is respectful to the subject, and one can only hope that this release will further spread the word about the worth of this film (and maybe -- who knows? -- lead to that stage production?).

© Bruce Eder /TiVo

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The 5000 Fingers Of Dr. T

Various Artists

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1
Opening Credits / Butterfly Ballet (Dream Sequence)
Orchestre
00:05:05

Orchestra, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

2
Ten Happy Fingers
Mary Healy And Tommy Rettig
00:01:05

Mary Healy And Tommy Rettig, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

3
Piano Concerto (Ten Happy Fingers Variation)
Orchestre
00:01:10

Orchestra, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

4
Dream Stuff
Peter Lind Hayes And Tommy Rettig
00:02:45

Peter Lind Hayes And Tommy Rettig, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

5
Hypnotic Duel
Hans Conried
00:01:39

Hans Conried, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

6
Get Together Weather
Hans Conried, Mary Healy And Peter Lind Hayes
00:02:21

Hans Conried, Mary Healy And Peter Lind Hayes, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

7
Because We're Kids
Tommy Rettig
00:01:47

Tommy Rettig, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

8
Dungeon Ballet
Orchestre
00:05:47

Orchestra, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

9
We Are Victorious
Chorus-Dr. T's Soldiers
00:02:40

Chorus-Dr. T's Soldiers, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

10
Elevator Song
Elevator Operator
00:01:22

Elevator Operator, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

11
Dressing Song Do-Me-Do Duds
Hans Conried And Chorus
00:02:41

Hans Conried And Chorus, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

12
End Credit
Orchestre
00:00:34

Orchestra, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

13
My Favourite Note (Outtake)
Hans Conried
00:02:00

Hans Conried, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

14
Oh! We Are The Guards (Outtake)
Chorus-Dr. T's Soldiers
00:03:07

Chorus-Dr. T's Soldiers, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

15
I Will Not Get Involved, Part 1 (Outtake)
Peter Lind Hayes
00:00:42

Peter Lind Hayes, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

16
I Will Not Get Involved, Part 2 (Outtake)
Peter Lind Hayes
00:00:24

Peter Lind Hayes, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

17
Grindstone (Outtake)
Peter Lind Hayes
00:00:47

Peter Lind Hayes, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

18
Money (Outtake)
Peter Lind Hayes
00:01:06

Peter Lind Hayes, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

19
Terwilliker (Outtake)
Hans Conried And Mary Healy
00:00:55

Hans Conried And Mary Healy, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

20
I Will Not Go To Sleep (Outtake)
Hans Conried
00:02:49

Hans Conried, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

21
Many Questions (Outtake)
Mary Healy
00:02:16

Mary Healy, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

22
One Moment Ago (Outtake)
Chorus
00:00:34

Chorus, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

23
One Moment Ago (Outtake)
Orchestre
00:00:34

Orchestra, MainArtist

© 2007 Cherry Red ℗ 2007 Cherry Red

Albumbeschreibung

Cherry Red Records deserves some kind of award simply for the act of issuing this soundtrack CD to Stanley Kramer and Roy Rowland's The 5000 Fingers of Dr. T. A cult favorite among children's film and musical enthusiasts (with a score by Frederick Hollander, no less) for a half-century, the 1954 movie has been reissued and restored in various venues, even running again theatrically in New York around the start of the 21st century to great success (and it would be a prime candidate for a stage adaptation, which was rumored to be in the works around the time of the feature film's reissue). The music is strong enough to stand on its own, with its mix of wit, camp, and kitsch (of the best kind), all within a framework nearly as surreal as the movie itself. The first half of the CD consists of the music as recorded and represented in the finished film, which stands rather neatly on its own as a surreal mix of pop and classical influences, making especially fine use of tuned percussion at various points as well as strings and harps drenched in enough reverb to qualify as quasi-psychedelic (or downright delirious). The second half is comprised 15 minutes of outtakes from the score, retrieved from Lord-knows-where, that are about as good as anything used in the finished film, and add some wonderfully outrageous moments as Hans Conried singing "My Favorite Note" -- the quality isn't quite as good as that of the finished film material, but it's all easy enough to enjoy as long as one allows for the diminished resolution and spaciousness. Additionally, these outtakes show how close this movie came to being a full-blown, fully scored musical. The annotation is respectful to the subject, and one can only hope that this release will further spread the word about the worth of this film (and maybe -- who knows? -- lead to that stage production?).

© Bruce Eder /TiVo

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