Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Tegner's flute leads off the opening notes of Stereo's first track, the instrumental "Sisters," a good way of demonstrating what helps them stand out from the early '90s U.K. shoegazing crowd. Blind Mr. Jones' fusion of fuzzblast and melancholy Cure-inspired undercurrents continues to serve them in good stead on the quintet's full debut record, and though the album is not a truly great one, it's definitely very good. Not much immediately distinguishes them from their contemporaries per se -- they lack the hushed gravitas of Slowdive or Chapterhouse's increasing embrace of technological means to achieve similar ends. But with what they've got, they know how to kick up a storm more often than not, while Tegner adds a lovely element of pastoralism and sweet performance to temper the din. James Franklin's lead and Richard Moore's rhythm guitars do the rest of the skybound business quite nicely, while Teversham's bass and John White's drums keep the pace going well enough (Teversham in particular betrays his Simon Gallup/Peter Hook playing roots more than once). If Teversham's lyrics aren't much beyond general blissout romance, they at least suit the songs, which often do more with the sentiments than the singing, which is not always as strong here as on the earlier EPs. Nearly everything on Stereo will be manna to shoegazing fanatics, but all-around standouts appear as well. "Regular Disease" has a particularly strong guitar line mixed with a lovely wash of effects, while the appropriately paced "Unforgettable Waltz" and the quietly triumphant feeling of the final, untitled bonus track. One interesting touch is the low-key but still striking cover version halfway through -- "Lonesome Boatman," a neo-Celtic folk classic from 1980 by the Furey Brothers. Tegner's flute perfectly suits its haunting feeling, while White's percussion further adds to the overall atmosphere.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 2016 Cherry Red Records Ltd Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Blind Mr. Jones, MainArtist
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Albumbeschreibung
Tegner's flute leads off the opening notes of Stereo's first track, the instrumental "Sisters," a good way of demonstrating what helps them stand out from the early '90s U.K. shoegazing crowd. Blind Mr. Jones' fusion of fuzzblast and melancholy Cure-inspired undercurrents continues to serve them in good stead on the quintet's full debut record, and though the album is not a truly great one, it's definitely very good. Not much immediately distinguishes them from their contemporaries per se -- they lack the hushed gravitas of Slowdive or Chapterhouse's increasing embrace of technological means to achieve similar ends. But with what they've got, they know how to kick up a storm more often than not, while Tegner adds a lovely element of pastoralism and sweet performance to temper the din. James Franklin's lead and Richard Moore's rhythm guitars do the rest of the skybound business quite nicely, while Teversham's bass and John White's drums keep the pace going well enough (Teversham in particular betrays his Simon Gallup/Peter Hook playing roots more than once). If Teversham's lyrics aren't much beyond general blissout romance, they at least suit the songs, which often do more with the sentiments than the singing, which is not always as strong here as on the earlier EPs. Nearly everything on Stereo will be manna to shoegazing fanatics, but all-around standouts appear as well. "Regular Disease" has a particularly strong guitar line mixed with a lovely wash of effects, while the appropriately paced "Unforgettable Waltz" and the quietly triumphant feeling of the final, untitled bonus track. One interesting touch is the low-key but still striking cover version halfway through -- "Lonesome Boatman," a neo-Celtic folk classic from 1980 by the Furey Brothers. Tegner's flute perfectly suits its haunting feeling, while White's percussion further adds to the overall atmosphere.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 01:02:33
- Künstler: Blind Mr. Jones
- Label: Right Honourable Records
- Genre: Pop/Rock Rock
© 1992 Cherry Red Records ℗ 1992 Cherry Red Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.