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Samuel Mariño calls himself a male soprano, but this is not just a novel billing to make him stand out from a crowd of countertenors. He is an example of a much rarer voice type, a true natural male soprano voice, produced because his youthful voice never broke. He is sometimes likened to a castrato, of course, without having undergone the barbaric procedure, but even this is not quite right. The castrati were vocal athletes, capable of the big, heroic arias in opera seria. Mariño's voice is a more delicate thing, more suited to lyrical tunes than to vocal acrobatics. It may be unsatisfying to say that listeners have to hear Mariño's voice for themselves, but the age of sampling makes this easily possible. This is Mariño's second solo recital, following on 2020's Care Pupille. That album focused closely on Handel and Gluck, but here, the soprano chooses arias by Mozart, Cimarosa, one by Gluck, and several selections (instrumental and vocal) by Black composer Joseph Bologne, Chevalier de Saint-Georges. With the latter, Mariño kills two birds with one stone, for this composer is the subject of intense interest right now, and his moderate, charming French style fits well with Mariño's sound. So does "Voi che sapete" from Mozart's Le nozze di Figaro, which opens the program, and in general, Mariño sounds relaxed and playful here (as one can see perhaps in the gender-bending album graphics), perhaps more so than on his debut. The understated support he gets from the La Cetra Baroque Orchestra under Andrea Marcon also contributes to the uncanny effect, which listeners are heartily encouraged to experience for themselves.
© TiVo
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Le nozze di Figaro, K. 492 / Act 2 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Pierre Augustin Caron de Beaumarchais, Author, Original Text Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Le feste d'Apollo / Orfeo (Christoph Willibald von Gluck)
Christoph Willibald Gluck, Composer - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Ranieri de' Calzabigi, Author - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Il re pastore, K. 208 / Act 1 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Pietro Metastasio, Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Il re pastore, K. 208 / Act 2 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Pietro Metastasio, Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Gli Orazi e i Curiazi / Act 3 (Domenico Cimarosa)
Domenico Cimarosa, Composer - Pierre Corneille, Author, Original Text Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Antonio Simone Sografi, Author - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
La clemenza di Tito, K. 621 / Act 2 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Pietro Metastasio, Author, Original Text Author - Caterino Mazzolà, Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
L'Amant anonyme (Joseph Bologne, Chevalier de Saint-Georges)
Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Joseph Bologne, Chevalier de Saint-Georges, Composer
℗ 2022 Universal Music Operations Limited
Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Joseph Bologne, Chevalier de Saint-Georges, Composer
℗ 2022 Universal Music Operations Limited
Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Joseph Bologne, Chevalier de Saint-Georges, Composer
℗ 2022 Universal Music Operations Limited
L'Amant anonyme / Act 1 (Joseph Bologne, Chevalier de Saint-Georges)
Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer - Joseph Bologne, Chevalier de Saint-Georges, Composer
℗ 2022 Universal Music Operations Limited
L'Amant anonyme / Act 2 (Joseph Bologne, Chevalier de Saint-Georges)
Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer - Joseph Bologne, Chevalier de Saint-Georges, Composer
℗ 2022 Universal Music Operations Limited
Mitridate, rè di Ponto, K. 87 / Act 2 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Vittorio Amadeo Cigna-Santi, Author - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jean Racine, Author, Original Text Author - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Alessandro Denabian, Horn, MainArtist, AssociatedPerformer - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Oreste (Domenico Cimarosa)
Domenico Cimarosa, Composer - Andrea Marcon, Conductor, MainArtist - Helen Lewis, Producer, Executive Producer - Jakob Händel, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Luigi Serio, Author - La Cetra Barockorchester Basel, Orchestra, MainArtist - Samuel Marino, Soprano, MainArtist, AssociatedPerformer
℗ 2022 Universal Music Operations Limited
Albumbeschreibung
Samuel Mariño calls himself a male soprano, but this is not just a novel billing to make him stand out from a crowd of countertenors. He is an example of a much rarer voice type, a true natural male soprano voice, produced because his youthful voice never broke. He is sometimes likened to a castrato, of course, without having undergone the barbaric procedure, but even this is not quite right. The castrati were vocal athletes, capable of the big, heroic arias in opera seria. Mariño's voice is a more delicate thing, more suited to lyrical tunes than to vocal acrobatics. It may be unsatisfying to say that listeners have to hear Mariño's voice for themselves, but the age of sampling makes this easily possible. This is Mariño's second solo recital, following on 2020's Care Pupille. That album focused closely on Handel and Gluck, but here, the soprano chooses arias by Mozart, Cimarosa, one by Gluck, and several selections (instrumental and vocal) by Black composer Joseph Bologne, Chevalier de Saint-Georges. With the latter, Mariño kills two birds with one stone, for this composer is the subject of intense interest right now, and his moderate, charming French style fits well with Mariño's sound. So does "Voi che sapete" from Mozart's Le nozze di Figaro, which opens the program, and in general, Mariño sounds relaxed and playful here (as one can see perhaps in the gender-bending album graphics), perhaps more so than on his debut. The understated support he gets from the La Cetra Baroque Orchestra under Andrea Marcon also contributes to the uncanny effect, which listeners are heartily encouraged to experience for themselves.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:58:28
- Künstler: Samuel Marino La Cetra Barockorchester Basel Andrea Marcon
- Komponist: Various Composers
- Label: Decca Music Group Ltd.
- Genre: Klassik
© 2022 Universal Music Operations Limited ℗ 2022 Universal Music Operations Limited
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