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Peter Wolf|Sleepless

Sleepless

Peter Wolf

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With each step he takes past his years as frontman to the J. Geils Band, Peter Wolf builds on his legacy as a solo artist of remarkable distinction. Bits of the jive caricature of his early years surface on Sleepless, especially when reunited with his old running buddies Keith Richards and Magic Dick on "Too Close Together," but most of the album documents much more skillful and sensitive approaches to interpretation. In fact, in his ability to slide from singing to a spoken word or two and back again, Wolf affirms his mastery of the Bob Dylan method for bringing a lyric to life. The musical settings throughout Sleepless vary dramatically, from roadhouse country on the highway epic "Nothing but the Wheel" through Mexican romanticism on "Oh Marianne" and to raw blues with a Tom Waits edge on "Homework." In each of these, Wolf's voice, recorded bone dry and boosted high in the mix, flawlessly nails the feel; on one track, the Stax-flavored ballad "A Lot of Good Ones Gone," his performance -- reflective, understated, delicately phrased, and soulful -- compares favorably to some of Van Morrison's best work. It is, in other words, about as good as a performance can be in this genre.

© Robert L. Doerschuk /TiVo

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Sleepless

Peter Wolf

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1
Growin' Pain
00:03:12

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

2
Nothing but the Wheel
00:04:34

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

3
A Lot of Good Ones Gone
00:03:33

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

4
Never Like This Before
00:03:21

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

5
Run Silent, Run Deep
00:04:13

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

6
Homework
00:02:39

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

7
Five O'Clock Angel
00:03:00

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

8
Hey Jordan
00:03:03

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

9
Too Close Together
00:02:24

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

10
Some Things You Don't Want to Know
00:02:31

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

11
Oh Marianne
00:04:19

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

12
Sleepless
00:04:05

Peter Wolf, MainArtist

(C) 2002 Sheridan Square Entertainment (P) 2002 Sheridan Square Entertainment

Albumbeschreibung

With each step he takes past his years as frontman to the J. Geils Band, Peter Wolf builds on his legacy as a solo artist of remarkable distinction. Bits of the jive caricature of his early years surface on Sleepless, especially when reunited with his old running buddies Keith Richards and Magic Dick on "Too Close Together," but most of the album documents much more skillful and sensitive approaches to interpretation. In fact, in his ability to slide from singing to a spoken word or two and back again, Wolf affirms his mastery of the Bob Dylan method for bringing a lyric to life. The musical settings throughout Sleepless vary dramatically, from roadhouse country on the highway epic "Nothing but the Wheel" through Mexican romanticism on "Oh Marianne" and to raw blues with a Tom Waits edge on "Homework." In each of these, Wolf's voice, recorded bone dry and boosted high in the mix, flawlessly nails the feel; on one track, the Stax-flavored ballad "A Lot of Good Ones Gone," his performance -- reflective, understated, delicately phrased, and soulful -- compares favorably to some of Van Morrison's best work. It is, in other words, about as good as a performance can be in this genre.

© Robert L. Doerschuk /TiVo

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