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Dmitri Ensemble|Seven Last Words from the Cross

Seven Last Words from the Cross

James MacMillan

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Text in englischer Sprache verfügbar

The Seven Last Words from the Cross exemplifies a conundrum not uncommon in the work of James MacMillan: the juxtaposition of sections of exceptional beauty and power with sections that are merely very good. Father, forgive them, for they know not what they do, The first movement of Seven Last Words from the Cross, for chorus and string orchestra, is overwhelming, using overlapping and conflicting layers of various texts, tonalities, vocal techniques textures, and languages to depict the wrenching physical and emotional chaos of the crucifixion. The second movement, "Woman, Behold, Thy Son!," in contrast, is a largely straightforward choral setting, which, heard on its own, would be impressive, but its conventionality and lack of probing insight make it come across as a letdown after the staggering first movement. The majority of the movements, fortunately, have the musical and emotional depth and complexity of the opening, giving the work as a whole the power, intensity, inventiveness, and originality that make MacMillan such an outstanding composer when he's at his best. The CD includes three attractive but fiendishly difficult a cappella choral works, performed with confidence and energy by the Dmitri Ensemble, led by Graham Ross. Naxos' sound is clear and vibrant.
© TiVo

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Seven Last Words from the Cross

Dmitri Ensemble

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7 Last Words from the cross (James MacMillan)

1
Father, forgive them, for they know not what they do
00:06:10

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

2
Woman, Behold They son!… Behold, Thy Mother!
00:05:54

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

3
Verily, I say unto, today thou shalt be with me in Paradise
00:08:16

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

4
Eli, Eli, lama sabachtani?
00:07:10

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

5
I thirst
00:05:46

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

6
It Is finished
00:06:48

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

7
Father, into Thy hands I commend my Spirit
00:07:22

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

Christus Vincit (James MacMillan)

8
Christus Vincit
00:06:12

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

Nemo te condemnavit (James MacMillan)

9
Nemo te condemnavit
00:05:18

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

…here in hiding… (version for chorus) (James MacMillan)

10
…Here in hiding… (Version for chorus)
00:11:33

James MacMillan, Composer - Graham Ross, Conductor - Dmitri Ensemble, Ensemble, MainArtist

(C) 2009 Naxos (P) 2009 Naxos

Albumbeschreibung

The Seven Last Words from the Cross exemplifies a conundrum not uncommon in the work of James MacMillan: the juxtaposition of sections of exceptional beauty and power with sections that are merely very good. Father, forgive them, for they know not what they do, The first movement of Seven Last Words from the Cross, for chorus and string orchestra, is overwhelming, using overlapping and conflicting layers of various texts, tonalities, vocal techniques textures, and languages to depict the wrenching physical and emotional chaos of the crucifixion. The second movement, "Woman, Behold, Thy Son!," in contrast, is a largely straightforward choral setting, which, heard on its own, would be impressive, but its conventionality and lack of probing insight make it come across as a letdown after the staggering first movement. The majority of the movements, fortunately, have the musical and emotional depth and complexity of the opening, giving the work as a whole the power, intensity, inventiveness, and originality that make MacMillan such an outstanding composer when he's at his best. The CD includes three attractive but fiendishly difficult a cappella choral works, performed with confidence and energy by the Dmitri Ensemble, led by Graham Ross. Naxos' sound is clear and vibrant.
© TiVo

Informationen zur Originalaufnahme : 70:37 - DDD - Enregistré du 27 au 29 mars 2008 à All Hallows, Gospel Oak, Londres - Notes en anglais

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