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Marc-André Hamelin|Schumann: Scenes from Childhood; Waldszenen – Janáček: On the Overgrown Path, Book 1

Schumann: Scenes from Childhood; Waldszenen – Janáček: On the Overgrown Path, Book 1

Marc-Andre Hamelin

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French Canadian pianist Marc-André Hamelin is known for his recordings of ultra-virtuoso music, starting with Liszt and going up from there to the likes of Alkan, Godowsky, and the iconoclast Leo Ornstein. As his career has developed, though, he has sought to avoid being stereotyped, offering some fine recordings of sonatas by Haydn and proceeding to the generally non-virtuosic Schumann. In this one, he programs Schumann's Waldszenen, Op. 82 (Forest Scenes), with Book I of Leos Janácek's On the Overgrown Path, its natural successor. Both works superimpose murky psychological threads on nature imagery, naturally much more explicitly in Janácek's case. This would seem to be anything but Hamelin's home ground, but he succeeds in setting a mood and keeping it going. His performances run almost completely counter to type: they are low-key, not fast, and in places almost impressionistic. With the Kinderszenen, Op. 15, as a sort of encore, the entire program has an impressively sustained intimacy and quiet allusiveness. Of course there is room for performances that do a bit more with the music, but it's clear that Hamelin is anything but a one-note pianist. Hyperion's engineers do much to make London's Henry Wood Hall sound smaller than it actually is.

© TiVo

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Schumann: Scenes from Childhood; Waldszenen – Janáček: On the Overgrown Path, Book 1

Marc-André Hamelin

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1
On an Overgrown Path, JW VIII/17, Book 1: I. Our Evenings
00:04:01

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

2
On an Overgrown Path, JW VIII/17, Book 1: II. A Blown-Away Leaf
00:03:12

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

3
On an Overgrown Path, JW VIII/17, Book 1: III. Come with Us
00:01:43

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

4
On an Overgrown Path, JW VIII/17, Book 1: IV. The Frýdek Madonna
00:03:17

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

5
On an Overgrown Path, JW VIII/17, Book 1: V. They Chattered Like Swallows
00:02:51

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

6
On an Overgrown Path, JW VIII/17, Book 1: VI. Words Fail
00:02:15

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

7
On an Overgrown Path, JW VIII/17, Book 1: VII. Good Night
00:03:32

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

8
On an Overgrown Path, JW VIII/17, Book 1: VIII. Unutterable Anguish
00:03:48

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

9
On an Overgrown Path, JW VIII/17, Book 1: IX. In Tears
00:03:34

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

10
On an Overgrown Path, JW VIII/17, Book 1: X. The Barn Owl Has Not Flown Away
00:03:46

Leos Janácek, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

11
Waldszenen, Op. 82: I. Eintritt
00:02:27

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

12
Waldszenen, Op. 82: II. Jäger auf der Lauer
00:01:24

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

13
Waldszenen, Op. 82: III. Einsame Blumen
00:02:24

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

14
Waldszenen, Op. 82: IV. Verrufene Stelle
00:02:41

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

15
Waldszenen, Op. 82: V. Freundliche Landschaft
00:01:09

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

16
Waldszenen, Op. 82: VI. Herberge
00:02:07

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

17
Waldszenen, Op. 82: VII. Vogel als Prophet
00:03:45

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

18
Waldszenen, Op. 82: VIII. Jagdlied
00:02:25

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

19
Waldszenen, Op. 82: IX. Abschied
00:04:07

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

20
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen
00:01:58

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

21
Kinderszenen, Op. 15: II. Kuriose Geschichte
00:01:00

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

22
Kinderszenen, Op. 15: III. Hasche-Mann
00:00:33

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

23
Kinderszenen, Op. 15: IV. Bittendes Kind
00:01:08

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

24
Kinderszenen, Op. 15: V. Glückes genug
00:01:12

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

25
Kinderszenen, Op. 15: VI. Wichtige Begebenheit
00:00:56

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

26
Kinderszenen, Op. 15: VII. Träumerei
00:02:50

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

27
Kinderszenen, Op. 15: VIII. Am Kamin
00:00:53

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

28
Kinderszenen, Op. 15: IX. Ritter vom Steckenpferd
00:00:38

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

29
Kinderszenen, Op. 15: X. Fast zu ernst
00:01:55

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

30
Kinderszenen, Op. 15: XI. Fürchtenmachen
00:01:36

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

31
Kinderszenen, Op. 15: XII. Kind im Einschlummern
00:02:13

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

32
Kinderszenen, Op. 15: XIII. Der Dichter spricht
00:02:47

Robert Schumann, Composer - Marc-Andre Hamelin, Piano, MainArtist, AssociatedPerformer

℗ 2014 Hyperion Records Limited

Albumbeschreibung

French Canadian pianist Marc-André Hamelin is known for his recordings of ultra-virtuoso music, starting with Liszt and going up from there to the likes of Alkan, Godowsky, and the iconoclast Leo Ornstein. As his career has developed, though, he has sought to avoid being stereotyped, offering some fine recordings of sonatas by Haydn and proceeding to the generally non-virtuosic Schumann. In this one, he programs Schumann's Waldszenen, Op. 82 (Forest Scenes), with Book I of Leos Janácek's On the Overgrown Path, its natural successor. Both works superimpose murky psychological threads on nature imagery, naturally much more explicitly in Janácek's case. This would seem to be anything but Hamelin's home ground, but he succeeds in setting a mood and keeping it going. His performances run almost completely counter to type: they are low-key, not fast, and in places almost impressionistic. With the Kinderszenen, Op. 15, as a sort of encore, the entire program has an impressively sustained intimacy and quiet allusiveness. Of course there is room for performances that do a bit more with the music, but it's clear that Hamelin is anything but a one-note pianist. Hyperion's engineers do much to make London's Henry Wood Hall sound smaller than it actually is.

© TiVo

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