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New York Polyphony|Roma æterna

Roma æterna

New York Polyphony

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The main expressive goal of this release by New York Polyphony seems to be the vocal harmonies accomplished by the one-voice-per-part singers and their interaction with the spectacular acoustics of the St. Cecilia Cathedral in Omaha, Nebraska (a venue known to U.S. Midwesterners but not internationally, and the BIS label and the performers deserve kudos for finding it). It succeeds brilliantly on those counts: the singers of New York Polyphony control not only pitch but vocal timbre to remarkable degrees. The album isn't intended as historically informed performance, yet it actually comes close in some ways to what might have been heard in the time of Palestrina, Victoria, and Guerrero. Palestrina's choirs numbered a few dozen, yet there are records of his music being sung one to a part in smaller situations. And the interpolation of chants and motets into the larger works brings the listener closer to what a Roman churchgoer would have experienced. The end result is a performance of, especially, Palestrina's Missa Papæ Marcelli that's nothing short of revelatory: New York Polyphony's reading stands in the highest possible contrast to the usual choral readings of this work, whose density turns it into a big wash of sound when it is sung by a large group. Although Palestrina himself wouldn't have appreciated the comparison, New York Polyphony's sound in the work is almost madrigalian, and in their use of the timbres of individual voices to bring out Palestrina's control over register they accomplish something genuinely original. Victoria's Missa O quam gloriosum and the smaller pieces by all three composers are hardly less compelling. Highly recommended.

© TiVo

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New York Polyphony

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1
Regina cæli
New York Polyphony
00:02:34

Anonymous, Lyricist - Francisco Guerrero, Composer - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Missa "Papae Marcelli" (Palestrina)

2
Kyrie eleison
Andrew Fuchs
00:03:53

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

3
Gloria in excelsis Deo
Andrew Fuchs
00:05:13

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

4
Alleluia. Pascha nostrum
Andrew Fuchs
00:01:57

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer - Tim Keeler, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

5
Credo in unum Deum
Andrew Fuchs
00:07:57

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

6
Offertorium. Terra tremuit
Andrew Fuchs
00:01:12

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer - Tim Keeler, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

7
Sanctus
Andrew Fuchs
00:03:48

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

8
Benedictus
Andrew Fuchs
00:03:03

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

9
Agnus Dei I
Andrew Fuchs
00:03:09

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

10
Agnus Dei II
Andrew Fuchs
00:03:17

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer - Tim Keeler, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

11
Communio. Pascha nostrum
Andrew Fuchs
00:01:27

Giovanni Pierluigi da Palestrina, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer - Tim Keeler, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

12
Tu es Petrus
Tim Keeler
00:03:10

Anonymous, Lyricist - Giovanni Pierluigi da Palestrina, Composer - New York Polyphony, Ensemble, MainArtist - Jonathan Woody, MainArtist, AssociatedPerformer - Andrew Fuchs, MainArtist, AssociatedPerformer - Tim Keeler, MainArtist, AssociatedPerformer

2016 BIS 2016 (P) BIS

Missa "O quam gloriosum" (Tomás Luis de Victoria)

13
Kyrie eleison
New York Polyphony
00:01:51

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

14
Gloria in excelsis Deo
New York Polyphony
00:03:44

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Motecta festorum (Tomás Luis de Victoria)

15
No. 29, Gaudent in cœlis
New York Polyphony
00:02:14

Anonymous, Lyricist - Tomás Luis de Victoria, Composer - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Missa "O quam gloriosum" (Tomás Luis de Victoria)

16
Credo
New York Polyphony
00:05:54

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Motecta festorum, Book 1 (Palestrina)

17
No. 32, Gaudent in cœlis
New York Polyphony
00:03:28

Anonymous, Lyricist - Giovanni Pierluigi da Palestrina, Composer - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Missa "O quam gloriosum" (Tomás Luis de Victoria)

18
Sanctus
New York Polyphony
00:02:27

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

19
Benedictus
New York Polyphony
00:02:00

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

20
Agnus Dei
New York Polyphony
00:03:31

Tomás Luis de Victoria, Composer - Mass Text, Lyricist - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

21
Sicut cervus - Sitivit anima mea
New York Polyphony
00:06:05

Bible, Lyricist - Giovanni Pierluigi da Palestrina, Composer - New York Polyphony, Ensemble, MainArtist

2016 BIS 2016 (P) BIS

Albumbeschreibung

The main expressive goal of this release by New York Polyphony seems to be the vocal harmonies accomplished by the one-voice-per-part singers and their interaction with the spectacular acoustics of the St. Cecilia Cathedral in Omaha, Nebraska (a venue known to U.S. Midwesterners but not internationally, and the BIS label and the performers deserve kudos for finding it). It succeeds brilliantly on those counts: the singers of New York Polyphony control not only pitch but vocal timbre to remarkable degrees. The album isn't intended as historically informed performance, yet it actually comes close in some ways to what might have been heard in the time of Palestrina, Victoria, and Guerrero. Palestrina's choirs numbered a few dozen, yet there are records of his music being sung one to a part in smaller situations. And the interpolation of chants and motets into the larger works brings the listener closer to what a Roman churchgoer would have experienced. The end result is a performance of, especially, Palestrina's Missa Papæ Marcelli that's nothing short of revelatory: New York Polyphony's reading stands in the highest possible contrast to the usual choral readings of this work, whose density turns it into a big wash of sound when it is sung by a large group. Although Palestrina himself wouldn't have appreciated the comparison, New York Polyphony's sound in the work is almost madrigalian, and in their use of the timbres of individual voices to bring out Palestrina's control over register they accomplish something genuinely original. Victoria's Missa O quam gloriosum and the smaller pieces by all three composers are hardly less compelling. Highly recommended.

© TiVo

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