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Fischer-z|Reveal

Reveal

Fischer-z

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After two solo albums and an album with the Cry, Watts reactivated Fischer-Z without bothering to bring in any other original members. Whether it was a calculated move to shift units or a sign that Watts had rediscovered his original vision is up to the listener, but there's no denying that he remained a distinct and exceptional songwriter. Steering the band into a "modern" direction, this album reintroduced a heavier keyboard presence into their sound. "The Perfect Day," the first single, was a hit in Europe and Australia and paved the way for more chart success. Watts had pulled himself out of his dark mood and was actually having fun again. "Leave It to the Businessmen to Die Young," "Tallulah Tomorrow" and "Realistic Man" were some of his finest songs to date. A grand return to form.

© Steve Schnee /TiVo

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1
The Perfect Day
00:04:21

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

2
Leave It to the Businessmen to Die Young
00:04:57

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

3
I Can't Wait that Long
00:04:42

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

4
Tallulah Tomorrow
00:04:37

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

5
Realistic Man
00:03:25

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

6
Fighting Back the Tears
00:04:50

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

7
Big Drum
00:03:43

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

8
Heartbeat
00:03:06

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

9
It Takes Love
00:04:07

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

10
So Far
00:04:03

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

11
Marguerite
00:03:20

Tim Moore, Keyboards - Lorenza Johnson, Backing Vocals - Geoff Dugmore, Drums - Mark Fox, Percussion - John Watts, Composer, Guitar, Lead Vocals, Writer - Fischer-z, MainArtist - Alan Morrison, Guitar - Ian Porter, Keyboards, Percussion, Programmer, Bass - Denis Haines, Keyboards - Steve Kellner, Drums - Judy La Rose and The Sapphires, Backing Vocals - Mick Donnelly, Saxophone - Pete Sinden, Bass - Steve Greatham, Bass - Steve Skolnik, Keyboards

© 1987 John Watts under exclusive license to BMG Rights Management GmbH ℗ 1987 John Watts under exclusive license to BMG Rights Management GmbH

Albumbeschreibung

After two solo albums and an album with the Cry, Watts reactivated Fischer-Z without bothering to bring in any other original members. Whether it was a calculated move to shift units or a sign that Watts had rediscovered his original vision is up to the listener, but there's no denying that he remained a distinct and exceptional songwriter. Steering the band into a "modern" direction, this album reintroduced a heavier keyboard presence into their sound. "The Perfect Day," the first single, was a hit in Europe and Australia and paved the way for more chart success. Watts had pulled himself out of his dark mood and was actually having fun again. "Leave It to the Businessmen to Die Young," "Tallulah Tomorrow" and "Realistic Man" were some of his finest songs to date. A grand return to form.

© Steve Schnee /TiVo

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