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Second Hand|Reality

Reality

Second Hand

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Second Hand's debut, Reality, released in 1968 before progressive music had developed, is one of those odd records that mix psychedelic and garage-style music with some progressive touches. This is most evident on "Mainliner" and the title track, which are segued together by some classical music instrumentation. "Reality" adds other symphonic elements as well, and there's even a minute where one hears just organ and cello, a relaxed, slightly haunting moment before the rest of the band kicks back in. "Mainliner" is a nightmarish track about heroin addiction with funeral-dirge organ riffing, and "The World Will End Yesterday" is another doom-laden piece. "Denis James the Clown" uses carnival music played at an amphetamine-hyperactive pace to create a strange little song. There are lots of long instrumental sections with guitar solos, which is fortunate because Ken Elliott's vocals are the weakest link, and a few of his song arrangements come off a little dated as well. Fortunately, those aspects are not enough to distract too much from this otherwise excellent record.

© Rolf Semprebon /TiVo

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Reality

Second Hand

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1
A Fairy Tale
00:03:19

Ken Elliott, Composer - Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 1968 Cherry Red Records Ltd Cherry Red Records Ltd

2
Rhubarb!
00:03:47

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

3
Denis James the Clown
00:02:21

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

4
Steam Tugs
00:03:14

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

5
Good Old '59 (We Are Slowly Gettin' Older)
00:02:19

Elliott, Composer - Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2018 Cherry Red Records Ltd Cherry Red Records Ltd

6
The World Will End Yesterday
00:03:50

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 1969 Cherry Red Records

7
Denis James (Ode to D.J.)
00:03:15

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

8
Mainliner
00:06:17

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

9
Reality
00:08:31

Ken Elliott, Composer - Second Hand, MainArtist - Bob Gibbons, Composer

© 2016 Cherry Red Records (catalogue) ℗ 1969 Cherry Red Records

10
The Bath Song
00:03:11

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

11
A Fairy Tale (Alternate Mix)
00:02:13

Ken Elliott, Composer - Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

12
Steam Tugs (Alternate Mix)
00:05:32

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

13
James in the Basement
00:02:48

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

14
I Am Nearly There
00:03:17

Second Hand, MainArtist

© 2016 Cherry Red Records (catalogue) ℗ 2016 Cherry Red Records

Albumbeschreibung

Second Hand's debut, Reality, released in 1968 before progressive music had developed, is one of those odd records that mix psychedelic and garage-style music with some progressive touches. This is most evident on "Mainliner" and the title track, which are segued together by some classical music instrumentation. "Reality" adds other symphonic elements as well, and there's even a minute where one hears just organ and cello, a relaxed, slightly haunting moment before the rest of the band kicks back in. "Mainliner" is a nightmarish track about heroin addiction with funeral-dirge organ riffing, and "The World Will End Yesterday" is another doom-laden piece. "Denis James the Clown" uses carnival music played at an amphetamine-hyperactive pace to create a strange little song. There are lots of long instrumental sections with guitar solos, which is fortunate because Ken Elliott's vocals are the weakest link, and a few of his song arrangements come off a little dated as well. Fortunately, those aspects are not enough to distract too much from this otherwise excellent record.

© Rolf Semprebon /TiVo

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