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Patty Waters|Patty Waters Sings (1965)

Patty Waters Sings (1965)

Patty Waters

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An album that could have just as well been titled The Two Sides of Patty Waters, divided between seven short, almost minimal, whispery piano ballads and the 13-minute outburst of "Black Is the Color of My True Love's Hair," in which Waters unveils her arsenal of vocal improvisations. Building from haunting, barely audible moans to angst-ridden bleats, it is the performance that established her as a vocal innovator, albeit one that was too edgy for most listeners.
© Richie Unterberger /TiVo

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Patty Waters Sings (1965)

Patty Waters

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Moon, Don't Come up Tonight

1
Moon, Don't Come up Tonight
00:02:59

Patty Waters, Performer - Sallie Wood, Lyricist - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Why Can't I Come to You

2
Why Can't I Come to You
00:02:51

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

You Thrill Me

3
You Thrill Me
00:01:20

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Sad Am I, Glad Am I

4
Sad Am I, Glad Am I
00:01:24

Patty Waters, Performer - Patty Waters, Lyricist

2012 ESP-Disk 2012 ESP-Disk

Why Is Love such a Funny Thing

5
Why Is Love such a Funny Thing
00:01:12

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

I Can't Forget You

6
I Can't Forget You
00:01:48

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

You Loved Me

7
You Loved Me
00:02:28

Patty Waters, Performer - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

Black is the Color of my True Love's Hair

8
Black Is the Color of My True Love's Hair
00:13:51

Patty Waters, Performer - Burton Greene Trio, Ensemble - Patty Waters, Composer

2012 ESP-Disk 2012 ESP-Disk

Albumbeschreibung

An album that could have just as well been titled The Two Sides of Patty Waters, divided between seven short, almost minimal, whispery piano ballads and the 13-minute outburst of "Black Is the Color of My True Love's Hair," in which Waters unveils her arsenal of vocal improvisations. Building from haunting, barely audible moans to angst-ridden bleats, it is the performance that established her as a vocal innovator, albeit one that was too edgy for most listeners.
© Richie Unterberger /TiVo

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