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University of South Dakota Chamber Singers|Out of the Ashes

Out of the Ashes

University of South Dakota Chamber Singers and David Holdhusen

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The University of South Dakota Chamber Singers punch well above their weight for a regional choir from a small institution and have released several well-executed thematic albums. This 2024 release on the Navona Records label is perhaps the most unusual of the group, coming in physical versions with a note by director David Holdhusen that alludes to "the overwhelming challenges of the last several years." The album even opens with an intriguing setting of the Dies Irae chant by Michael John Trotta, elaborating that medieval melody into contemporary choral polyphony. The most striking feature of the album is that almost half the works are African American spirituals, and there is one more, I'll Fly Away, from the realm of white hymnody. The spirituals are arranged by Moses Hogan and other well-known figures. The choir does have African American members, but it is still a bit surprising to hear these in such numbers, and the listener is left with the feeling that they were chosen in response to the external circumstances Holdhusen's note describes. The rest of the program is characteristically American as well, even Franz Biebl's Ave Maria from Germany, which did not become popular until American choirs adopted it. There is only one piece, a Palestrina motet, from traditional classical repertories. The Chamber Singers are in fine form, with strong soloists in some of the pieces, but it is the program that is the real draw here; it is unique and quite persuasive.

© James Manheim /TiVo

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Out of the Ashes

University of South Dakota Chamber Singers

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1
Dies irae
00:03:11

Anonymous, Lyricist - Michael John Trotta, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

2
Holding Our Breath
00:06:27

Julie Flanders, Lyricist - Carlos Cordero, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

3
Death Came A-Knockin' (Arr. for Choir by Paul Rardin)
00:04:20

Traditional, Composer - Ruthie Foster, Lyricist - Paul Rardin, Arranger - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

4
Give Me Jesus (Arr. for Choir by Larry L. Fleming)
00:04:30

Traditional, Composer, Lyricist - Larry L. Fleming, Arranger - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

5
Hold on Just a Little While Longer (Arr. for Choir by Remel Derrick)
00:02:51

Traditional, Composer, Lyricist - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist - Remel Derrick, Arranger

2024 Navona 2023 Navona

6
Ave Maria
00:07:02

Traditional, Lyricist - Franz Biebl, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

7
Freedom, Come for Me (Arr. for Choir by Patti Drennan)
00:02:51

Traditional, Composer - Patti Drennan, Arranger - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist - Rose Aspinall, Lyricist

2024 Navona 2023 Navona

8
Sleep
00:04:19

Eric Whitacre, Composer - Charles Anthony Silvestri, Lyricist - University of South Dakota Chamber Singers, Ensemble, MainArtist - Elizabeth Whitehead, Conductor, MainArtist

2024 Navona 2023 Navona

9
Heavenly Home: No. 1, Unclouded Day (Arr. for Choir by Shawn Kirchner)
00:02:55

Traditional, Composer - Shawn Kirchner, Arranger - J.K. Alwood, Lyricist - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

10
Healing Heart
00:04:07

Robert Bode, Lyricist - Jacob Narverud, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

11
Ain't That Good News (Arr. for Choir by Moses Hogan)
00:02:04

Traditional, Composer, Lyricist - Moses Hogan, Arranger - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

12
Sicut cervus
00:03:31

Traditional, Lyricist - Giovanni Pierluigi da Palestrina, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

13
This Little Light of Mine (Arr. for Choir by Dean Wedel)
00:03:12

Traditional, Composer, Lyricist - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist - Dean Wedel, Arranger

2024 Navona 2023 Navona

14
Dominus vobiscum
00:03:43

Anonymous, Lyricist - Jacob Narverud, Composer - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

15
I'll Fly Away (Arr. for Choir by Shawn Kirchner)
00:04:11

Albert E. Brumley, Lyricist - Traditional, Composer - Shawn Kirchner, Arranger - University of South Dakota Chamber Singers, Ensemble, MainArtist - David Holdhusen, Conductor, MainArtist

2024 Navona 2023 Navona

Albumbeschreibung

The University of South Dakota Chamber Singers punch well above their weight for a regional choir from a small institution and have released several well-executed thematic albums. This 2024 release on the Navona Records label is perhaps the most unusual of the group, coming in physical versions with a note by director David Holdhusen that alludes to "the overwhelming challenges of the last several years." The album even opens with an intriguing setting of the Dies Irae chant by Michael John Trotta, elaborating that medieval melody into contemporary choral polyphony. The most striking feature of the album is that almost half the works are African American spirituals, and there is one more, I'll Fly Away, from the realm of white hymnody. The spirituals are arranged by Moses Hogan and other well-known figures. The choir does have African American members, but it is still a bit surprising to hear these in such numbers, and the listener is left with the feeling that they were chosen in response to the external circumstances Holdhusen's note describes. The rest of the program is characteristically American as well, even Franz Biebl's Ave Maria from Germany, which did not become popular until American choirs adopted it. There is only one piece, a Palestrina motet, from traditional classical repertories. The Chamber Singers are in fine form, with strong soloists in some of the pieces, but it is the program that is the real draw here; it is unique and quite persuasive.

© James Manheim /TiVo

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