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La Main Harmonique|Ockeghem & Compère : Musiques au temps d'Anne de France

Ockeghem & Compère : Musiques au temps d'Anne de France

La Main Harmonique, Frédéric Bétous

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Text in englischer Sprache verfügbar

French group La Main Harmonique is named for the "Guidonian hand," known to generations of music history graduate students, which teaches solmization syllables by means of labeled finger joints. That suggests the basic orientation here, which is toward specialists; the booklet dutifully lists library sources but does not provide anything so helpful as translations of the 15th-century French texts (there are some almost completely black photos of the performers, though). It's nice, however, to have recordings of this secular chanson repertoire, which in the case of Johannes Ockeghem is not so well represented on recordings as his intellectually fearsome masses. With the chansons it's a different story, as the medieval conventions of courtly love began to give way to the more direct sentiments and the closer connection between words and music that would be heard in Josquin's music a generation later. The delicate performances of La Main Harmonique seem to capture the individual moods of each piece, featuring constantly shifting accompaniments (or none at all in the case of the massive Mort, tu as navré, track 7, a French-Latin lament for the deceased Gilles Binchois) that become part of the overall interpretation. This is extremely effective, and the singing, playing, and sonics interact more convincingly than is usual in academic recordings of this type. This disc should find a place in library collections devoted to Renaissance music.
© TiVo

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Ockeghem & Compère : Musiques au temps d'Anne de France

La Main Harmonique

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1
S'elle m'amera - Petite camusette
La Main Harmonique
00:03:53

Didier Chevalier, MainArtist, BaritoneVocals - Johannes Ockeghem, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Marc Busnel, MainArtist, BassVocals - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

2
Vous me faittes morir
Edouard Hazebrouck
00:05:13

Loyset Compère, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

3
Aultre Venus
Didier Chevalier
00:04:12

Didier Chevalier, MainArtist, BaritoneVocals - La Main Harmonique, MainArtist, MusicalEnsemble - Diego Salamanca, Lute, MainArtist - Frédéric Bétous, MainArtist, MusicDirector - Jacques Ockeghem, Composer

2010 Ligia 2010 Ligia

4
Pensant au bien
Frédéric Betous
00:06:01

Didier Chevalier, MainArtist, BaritoneVocals - Loyset Compère, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

5
Belles sur toutes - Tota pulchra es amica mea
Frédéric Betous
00:04:56

Didier Chevalier, MainArtist, BaritoneVocals - Alexander Agricola, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

6
O florens rosa
La Main Harmonique
00:02:40

La Main Harmonique, MainArtist, MusicalEnsemble - Johannes Ghiselin, Composer - Frédéric Bétous, MainArtist, MusicDirector

2010 Ligia 2010 Ligia

7
Mort, tu as navré - Miserere
Frédéric Betous
00:09:00

Didier Chevalier, MainArtist, BaritoneVocals - Johannes Ockeghem, Composer - La Main Harmonique, MusicalEnsemble - Marc Busnel, MainArtist, BassVocals - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

8
La despourveue
Axelle Bernage
00:04:15

Johannes Ockeghem, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, MusicDirector - Axelle Bernage, MainArtist, SopranoSolo

2010 Ligia 2010 Ligia

9
Je n'ay dueil
La Main Harmonique
00:07:47

Didier Chevalier, MainArtist, BaritoneVocals - Alexander Agricola, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Marc Busnel, MainArtist, BassVocals - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

10
Plaine d'ennuy de longue main - Anima mea
Axelle Bernage
00:04:37

Loyset Compère, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, MusicDirector - Axelle Bernage, MainArtist, SopranoSolo

2010 Ligia 2010 Ligia

11
Presque transi
La Main Harmonique
00:04:54

Johannes Ockeghem, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Frédéric Bétous, MainArtist, Countertenor, MusicDirector

2010 Ligia 2010 Ligia

12
Permanent vierge - Pulcra es - Sancta dei
La Main Harmonique
00:06:26

Didier Chevalier, MainArtist, BaritoneVocals - Johannes Ockeghem, Composer - La Main Harmonique, MainArtist, MusicalEnsemble - Marc Busnel, MainArtist, BassVocals - Frédéric Bétous, MainArtist, Countertenor, MusicDirector - Edouard Hazebrouck, MainArtist, TenorSolo

2010 Ligia 2010 Ligia

Albumbeschreibung

French group La Main Harmonique is named for the "Guidonian hand," known to generations of music history graduate students, which teaches solmization syllables by means of labeled finger joints. That suggests the basic orientation here, which is toward specialists; the booklet dutifully lists library sources but does not provide anything so helpful as translations of the 15th-century French texts (there are some almost completely black photos of the performers, though). It's nice, however, to have recordings of this secular chanson repertoire, which in the case of Johannes Ockeghem is not so well represented on recordings as his intellectually fearsome masses. With the chansons it's a different story, as the medieval conventions of courtly love began to give way to the more direct sentiments and the closer connection between words and music that would be heard in Josquin's music a generation later. The delicate performances of La Main Harmonique seem to capture the individual moods of each piece, featuring constantly shifting accompaniments (or none at all in the case of the massive Mort, tu as navré, track 7, a French-Latin lament for the deceased Gilles Binchois) that become part of the overall interpretation. This is extremely effective, and the singing, playing, and sonics interact more convincingly than is usual in academic recordings of this type. This disc should find a place in library collections devoted to Renaissance music.
© TiVo

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