Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
On 2009's New Leaves, Mike Kinsella uses his solo project Owen to explore unintentional maturing, shifting comfort zones, and -- could it be? -- romantic contentment, if still unassured. Now married and a father, Kinsella's characteristically direct and witty observations and self-analyses examine this new stage of his life: his thirties. Introspective and revelatory throughout, in "Good Friends, Bad Habits" he admits "Sometimes/Like every time a train passes/I get jealous of the long nights/The blurred lights/The red eyes/The bar fights," before reckoning "Sometimes/Like every time she breathes/I embrace my routine." On "Never Been Born," he shares the intimate "The way your skin sticks to your ribs/The way my hips fit in your hips/I'm 18 again/Dependent like an infant/Content like I've never been." While Kinsella is still grappling, world-weary, and utterly relatable to the likewise pensive and uneasy, those who have settled into couplehood may especially connect with this collection. Musically, the arrangements are complex but understated, utilizing drums, strings, keyboards, piano, even xylophone and other melodic percussion voices over his base of guitars. "A Trenchant Critique" features rhythmic interplay between guitar fingerpicking and percussion, with strings and bass providing an overarching, almost sentimental flow to the song's flashes of memory and self-evaluation. "Never Been Born" develops into an orchestral interlude, an electric and acoustic web of droning sounds with tinkling acoustic guitar and bells. The sweet "Amnesia and Me" lays sustained strings over catchy strummed guitars and a driving rhythm section that propel momentum forward as he sings of forgetting the past. He still wields a few odd meters and time-signature changes, as in the serene, fluttering "Brown Hair in a Bird's Nest," but all gracefully arranged. Acknowledging a few somewhat graphic descriptions and swears, New Leaves is a pretty-sounding work, with relatively sophisticated and balanced sounds supporting the unusually, for Owen, romantic lyrics. On the whole, the album comes off as a good place for Kinsella; still uncertain -- "Curtain Call" complains about playing shows -- but like taking a breath and trying to enjoy the view after climbing a hill and realizing "Now I know who I am/A housebroken one-woman man." He sounds OK with it, and the music does, too.
© Marcy Donelson /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2010 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Owen, MainArtist
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Albumbeschreibung
On 2009's New Leaves, Mike Kinsella uses his solo project Owen to explore unintentional maturing, shifting comfort zones, and -- could it be? -- romantic contentment, if still unassured. Now married and a father, Kinsella's characteristically direct and witty observations and self-analyses examine this new stage of his life: his thirties. Introspective and revelatory throughout, in "Good Friends, Bad Habits" he admits "Sometimes/Like every time a train passes/I get jealous of the long nights/The blurred lights/The red eyes/The bar fights," before reckoning "Sometimes/Like every time she breathes/I embrace my routine." On "Never Been Born," he shares the intimate "The way your skin sticks to your ribs/The way my hips fit in your hips/I'm 18 again/Dependent like an infant/Content like I've never been." While Kinsella is still grappling, world-weary, and utterly relatable to the likewise pensive and uneasy, those who have settled into couplehood may especially connect with this collection. Musically, the arrangements are complex but understated, utilizing drums, strings, keyboards, piano, even xylophone and other melodic percussion voices over his base of guitars. "A Trenchant Critique" features rhythmic interplay between guitar fingerpicking and percussion, with strings and bass providing an overarching, almost sentimental flow to the song's flashes of memory and self-evaluation. "Never Been Born" develops into an orchestral interlude, an electric and acoustic web of droning sounds with tinkling acoustic guitar and bells. The sweet "Amnesia and Me" lays sustained strings over catchy strummed guitars and a driving rhythm section that propel momentum forward as he sings of forgetting the past. He still wields a few odd meters and time-signature changes, as in the serene, fluttering "Brown Hair in a Bird's Nest," but all gracefully arranged. Acknowledging a few somewhat graphic descriptions and swears, New Leaves is a pretty-sounding work, with relatively sophisticated and balanced sounds supporting the unusually, for Owen, romantic lyrics. On the whole, the album comes off as a good place for Kinsella; still uncertain -- "Curtain Call" complains about playing shows -- but like taking a breath and trying to enjoy the view after climbing a hill and realizing "Now I know who I am/A housebroken one-woman man." He sounds OK with it, and the music does, too.
© Marcy Donelson /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:38:32
- Künstler: Owen
- Label: Polyvinyl Records
- Genre: Pop/Rock Rock Alternativ und Indie
2009 Polyvinyl Record Co. 2009 Polyvinyl Record Co.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.