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Philippa Hyde|Musical London, from Purcell to Handel

Musical London, from Purcell to Handel

Philippa Hyde, The Parley Of Instruments

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This release from veteran English historical-instrument group the
Parley of Instruments promises music "from Purcell to Handel," which is true enough, but the emphasis is on the intervening period, between Purcell's death in 1695 and Handel's arrival in England in 1710, not on those two composers themselves. They are represented by fairly obscure works, the Italian-style soprano cantata Tell me, some pitying angel, Z. 196, in Purcell's case and the possibly spurious cantata Venus and Adonis, HWV 85, which features original recitatives from ensemble leader Peter Holman. The news here resides not in those works but in those by the other composers who populated the London scene. They were English, French, Italian, and German, all making their way to the great city whose population had more than doubled over the last century. Not only did imported French dance suites and Italian trio sonatas gain favor, but the foreigners also tried to emulate what they heard as English styles. Thus the Trio Sonata in G minor of Giovanni Battista Draghi (tracks 2-6), which you might expect to be a pure essay in the Corellian style, with endless chains of suspensions, turns out to be a somber work in the vein of English consort music, with a good deal of chromatic shading that was unknown to the Italians. The program alternates vocal and instrumental works, offering something closer to a typical London evening's music than the usual anthology-like programming, and a good deal of it is enjoyable if not profoud: hear the lovely pastoral aria Creep softly, purling streams of Raphael Courteville (track 8) or the oddly titled "Smallcoal" trio sonata of Johann Christoph Pepusch, so named because it was written for a music room maintained by a coal seller. That work, like much of the other music here, receives its premiere recording, and any Handel enthusiast who wants to hear something of the world of sound that greeted Handel on his arrival in London might make the minimal investment in this recording. Booklet notes and texts are in English, French, and German, and the recording venue is the absolutely ideal Potton Hall in Suffolk.

© TiVo

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Musical London, from Purcell to Handel

Philippa Hyde

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1
Romulus and Hersilia: Where art thou, God of Dreams?
The Parley Of Instruments
00:02:57

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

Trio Sonata in G minor (Giovanni Battista Draghi)

2
I. Adagio
The Parley Of Instruments
00:01:46

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer

2011 Chandos Records 2011 Chandos Records

3
II. Canzona. Allegro - Adagio - Presto
The Parley Of Instruments
00:02:07

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer

2011 Chandos Records 2011 Chandos Records

4
III. Adagio
The Parley Of Instruments
00:02:34

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer

2011 Chandos Records 2011 Chandos Records

5
IV. Minuet
The Parley Of Instruments
00:00:18

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer

2011 Chandos Records 2011 Chandos Records

6
V. Vivace - Adagio
The Parley Of Instruments
00:01:36

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Giovanni Battista Draghi, Composer

2011 Chandos Records 2011 Chandos Records

7
Tell me, some pitying angel, Z. 196
The Parley Of Instruments
00:06:39

Henry Purcell, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

8
Creep softly, purling streams
The Parley Of Instruments
00:03:58

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo - Raphael Courteville, Composer

2011 Chandos Records 2011 Chandos Records

Suite in D minor (Raphael Courteville)

9
I. Preludio. Prestissimo
The Parley Of Instruments
00:00:43

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Raphael Courteville, Composer

2011 Chandos Records 2011 Chandos Records

10
II. Fuga in fantasia. Presto
The Parley Of Instruments
00:01:45

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Raphael Courteville, Composer

2011 Chandos Records 2011 Chandos Records

11
III. Grave. Adagio
The Parley Of Instruments
00:02:08

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Raphael Courteville, Composer

2011 Chandos Records 2011 Chandos Records

12
IV. Ground per fa la mano. Allegro
The Parley Of Instruments
00:03:06

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Raphael Courteville, Composer

2011 Chandos Records 2011 Chandos Records

For rural and sincerer joys (William Croft)

13
I. Overture. Grave - Allegro
The Parley Of Instruments
00:01:50

William Croft, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

14
II. Recitative. For rural and sincerer joys
The Parley Of Instruments
00:01:06

William Croft, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

15
III. Air. Damon, for song and fight renown'd
The Parley Of Instruments
00:01:23

William Croft, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

16
IV. Ground. His arms and voice o'er all prevail
The Parley Of Instruments
00:03:23

William Croft, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

Suite in D minor (John Weldon)

17
I. Overture. Slow - Brisk
The Parley Of Instruments
00:02:38

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - John Weldon, Composer

2011 Chandos Records 2011 Chandos Records

18
II. Minuet
The Parley Of Instruments
00:00:59

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - John Weldon, Composer

2011 Chandos Records 2011 Chandos Records

19
III. Almain. Slow
The Parley Of Instruments
00:02:16

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - John Weldon, Composer

2011 Chandos Records 2011 Chandos Records

20
IV. Courant
The Parley Of Instruments
00:01:48

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - John Weldon, Composer

2011 Chandos Records 2011 Chandos Records

21
V. Two in one on a ground
The Parley Of Instruments
00:02:21

The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - John Weldon, Composer

2011 Chandos Records 2011 Chandos Records

Venus and Adonis, HWV 85 (Georg Friedrich Händel)

22
I. Recitative. Behold, where weeping Venus stands!
The Parley Of Instruments
00:01:03

George Frideric Handel, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

23
II. Aria. Dear Adonis, beauty's treasure
The Parley Of Instruments
00:04:43

George Frideric Handel, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

24
III. Recitative. Thus, queen of beauty
The Parley Of Instruments
00:00:49

George Frideric Handel, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

25
IV. Aria. Transporting joy
The Parley Of Instruments
00:03:35

George Frideric Handel, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

Sonata for Two Violins in D Major, "Smallcoal" (Johann Christoph Pepusch)

26
I. Vivace
The Parley Of Instruments
00:00:47

Johann Christoph Pepusch, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

27
II. Adagio
The Parley Of Instruments
00:00:34

Johann Christoph Pepusch, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

28
III. Allegro
The Parley Of Instruments
00:00:40

Johann Christoph Pepusch, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

29
IV. Adagio
The Parley Of Instruments
00:01:06

Johann Christoph Pepusch, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

30
V. Presto
The Parley Of Instruments
00:00:42

Johann Christoph Pepusch, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

Have mercy upon me, O God (Nicola Francesco Haym)

31
I. Sonata. Largo - Andante
The Parley Of Instruments
00:02:04

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble

2011 Chandos Records 2011 Chandos Records

32
II. Recitative. Have mercy upon me, O God
The Parley Of Instruments
00:00:55

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

33
III. Aria. Wash me thoroughly from my wickedness. Largo
The Parley Of Instruments
00:01:38

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

34
IV. Recitative. Against thee only have I sinned
The Parley Of Instruments
00:00:42

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

35
V. Aria. Behold, I was shapen in iniquity. Andante
The Parley Of Instruments
00:01:58

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

36
VI. Aria. Thou shalt purge me with hyssop. Vivace
The Parley Of Instruments
00:01:13

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

37
VII. Aria. Thou shalt make me hear of joy and gladness. Allegro
The Parley Of Instruments
00:01:28

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

38
VIII. Aria. Thou shalt open my lips, O Lord. Andante
The Parley Of Instruments
00:01:57

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

39
IX. Aria. Alleluia. Allegro
The Parley Of Instruments
00:02:07

Nicola Francesco Haym, Composer - The Parley Of Instruments, MainArtist, ChamberMusicEnsemble - Philippa Hyde, MainArtist, SopranoSolo

2011 Chandos Records 2011 Chandos Records

Albumbeschreibung

This release from veteran English historical-instrument group the
Parley of Instruments promises music "from Purcell to Handel," which is true enough, but the emphasis is on the intervening period, between Purcell's death in 1695 and Handel's arrival in England in 1710, not on those two composers themselves. They are represented by fairly obscure works, the Italian-style soprano cantata Tell me, some pitying angel, Z. 196, in Purcell's case and the possibly spurious cantata Venus and Adonis, HWV 85, which features original recitatives from ensemble leader Peter Holman. The news here resides not in those works but in those by the other composers who populated the London scene. They were English, French, Italian, and German, all making their way to the great city whose population had more than doubled over the last century. Not only did imported French dance suites and Italian trio sonatas gain favor, but the foreigners also tried to emulate what they heard as English styles. Thus the Trio Sonata in G minor of Giovanni Battista Draghi (tracks 2-6), which you might expect to be a pure essay in the Corellian style, with endless chains of suspensions, turns out to be a somber work in the vein of English consort music, with a good deal of chromatic shading that was unknown to the Italians. The program alternates vocal and instrumental works, offering something closer to a typical London evening's music than the usual anthology-like programming, and a good deal of it is enjoyable if not profoud: hear the lovely pastoral aria Creep softly, purling streams of Raphael Courteville (track 8) or the oddly titled "Smallcoal" trio sonata of Johann Christoph Pepusch, so named because it was written for a music room maintained by a coal seller. That work, like much of the other music here, receives its premiere recording, and any Handel enthusiast who wants to hear something of the world of sound that greeted Handel on his arrival in London might make the minimal investment in this recording. Booklet notes and texts are in English, French, and German, and the recording venue is the absolutely ideal Potton Hall in Suffolk.

© TiVo

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