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Zurich Wind Octet|Mozart, W.A.: Don Giovanni (Arr. for Wind Ensemble) (Wolfgang Amadeus Mozart - Joseph Triebensee - Antonio Salieri)

Mozart, W.A.: Don Giovanni (Arr. for Wind Ensemble) (Wolfgang Amadeus Mozart - Joseph Triebensee - Antonio Salieri)

Wolfgang Amadeus Mozart - Joseph Triebensee - Antonio Salieri

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Text in englischer Sprache verfügbar

Operas were known for their big tunes long before the Three Tenors came along, and prior to the age of mechanical reproduction, chamber arrangements were the most frequent way of reproducing those tunes in the home. The wind ensemble was a common medium for such arrangements at the end of the eighteenth century, and there is a good deal of interest in the various resurrections of these operas for winds that have appeared on CD. This disc offers an arrangement of Don Giovanni by oboist, composer, and conductor Josef Triebensee, for wind octet -- paired oboes, clarinets, horns, and bassoons. The music is both pleasant and intellectually stimulating. The skill of the wind writing falls as gracefully on modern ears as it did on those of Mozart's time. Especially notable is the handling of the bassoon, which wouldn't seem quite capable of handling the Don's big arias, but does so nicely in Triebensee's arrangements. For the theorist and reception historian it is Triebensee's abridgements of Mozart's music that will compel the most attention. What were the parts of Don Giovanni that Mozart's audiences most wanted to hear? This disc offers a possible answer. Triebensee omits all the recitatives but transcribes 19 of Mozart's 24 arias (including two inserted for the Viennese premiere). He also makes cuts, trimming the overture to about half its original length -- but it's done so artfully that you have to pay attention to pick the cuts out. The performance by La Gran Partita (or the Zurich Wind Octet -- these are, confusingly, two different names for the same group) is terrific, with scrupulous attention to the subtle balance demands of these arrangements, and the inclusion of a small piece of night music by the much-maligned Salieri is both appropriate and enjoyable. Highly recommended as both an enjoyable hour of wind music and for libraries as a ready-made source of term-paper topics.
© TiVo

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Mozart, W.A.: Don Giovanni (Arr. for Wind Ensemble) (Wolfgang Amadeus Mozart - Joseph Triebensee - Antonio Salieri)

Zurich Wind Octet

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1
Overture
00:03:50

Zurich Wind Octet, Ensemble

2
Act I Scene 1: Introduzione: Notte e giorno faticar
00:02:14

Zurich Wind Octet, Ensemble

3
Act I Scene 5: Aria: Ah chi mi dice mai
00:02:50

Zurich Wind Octet, Ensemble

4
Act I Scene 5: Aria: Madamina, il catalogo e questo
00:03:38

Zurich Wind Octet, Ensemble

5
Act I Scene 7: Coro: Giovinette che fate all'amore
00:01:10

Zurich Wind Octet, Ensemble

6
Act I Scene 9: Duettino: La ci darem la mano
00:02:49

Zurich Wind Octet, Ensemble

7
Act I Scene 12: Quartetto: Non ti fidar, o misera
00:03:27

Zurich Wind Octet, Ensemble

8
Act I Scene 13 Appendix: Aria: Dalla sua pace, K. 540
00:03:19

Zurich Wind Octet, Ensemble

9
Act I Scene 15: Aria: Fin ch'han dal vino
00:01:06

Zurich Wind Octet, Ensemble

10
Act I Scene 16: Aria: Batti, batti, o bel Masetto
00:03:00

Zurich Wind Octet, Ensemble

11
Act I Scene 16: Finale: Presto, presto pria ch'ei ven
00:06:44

Zurich Wind Octet, Ensemble

12
Act II Scene 1: Duetto: Eh, via, buffone, non mi secc
00:01:13

Zurich Wind Octet, Ensemble

13
Act II Scene 2: Terzetto: Ah taci ingiusto core
00:02:29

Zurich Wind Octet, Ensemble

14
Act II Scene 3: Canzonetta: Deh, vieni alla finestra
00:01:42

Zurich Wind Octet, Ensemble

15
Act II Scene 4: Aria: Meta di voi qua vadano
00:02:19

Zurich Wind Octet, Ensemble

16
Act II Scene 6: Aria: Vedrai, carino
00:02:35

Zurich Wind Octet, Ensemble

17
Act II Scene 10 Appendix 2: Recitativo accompagnato e
00:01:44

Zurich Wind Octet, Ensemble

18
Act II Scene 12: Rondo: Non mi dir, bell' idol mio
00:03:42

Zurich Wind Octet, Ensemble

19
Act II Scene 13: Finale: Gia la mensa e preparata
00:03:18

Zurich Wind Octet, Ensemble

20
Armonia per un tempio della notte
00:06:41

Zurich Wind Octet, Ensemble

Albumbeschreibung

Operas were known for their big tunes long before the Three Tenors came along, and prior to the age of mechanical reproduction, chamber arrangements were the most frequent way of reproducing those tunes in the home. The wind ensemble was a common medium for such arrangements at the end of the eighteenth century, and there is a good deal of interest in the various resurrections of these operas for winds that have appeared on CD. This disc offers an arrangement of Don Giovanni by oboist, composer, and conductor Josef Triebensee, for wind octet -- paired oboes, clarinets, horns, and bassoons. The music is both pleasant and intellectually stimulating. The skill of the wind writing falls as gracefully on modern ears as it did on those of Mozart's time. Especially notable is the handling of the bassoon, which wouldn't seem quite capable of handling the Don's big arias, but does so nicely in Triebensee's arrangements. For the theorist and reception historian it is Triebensee's abridgements of Mozart's music that will compel the most attention. What were the parts of Don Giovanni that Mozart's audiences most wanted to hear? This disc offers a possible answer. Triebensee omits all the recitatives but transcribes 19 of Mozart's 24 arias (including two inserted for the Viennese premiere). He also makes cuts, trimming the overture to about half its original length -- but it's done so artfully that you have to pay attention to pick the cuts out. The performance by La Gran Partita (or the Zurich Wind Octet -- these are, confusingly, two different names for the same group) is terrific, with scrupulous attention to the subtle balance demands of these arrangements, and the inclusion of a small piece of night music by the much-maligned Salieri is both appropriate and enjoyable. Highly recommended as both an enjoyable hour of wind music and for libraries as a ready-made source of term-paper topics.
© TiVo

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