Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Miles Davis|Miles Ahead (Mono Version)

Miles Ahead (Mono Version)

Miles Davis, Gil Evans and His Orchestra

Digitales Booklet

Verfügbar in
24-Bit/96 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years.

© Stacia Proefrock /TiVo

Weitere Informationen

Miles Ahead (Mono Version)

Miles Davis

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Springsville
00:03:26

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Caris, Composer

1958 - BNF Collection 2014 1958 - BNF Collection 2014

2
The Maids of Cadiz
00:03:39

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Delibes, Composer

1958 - BNF Collection 2014 2014 Believe Digital

3
The Duke
00:03:49

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Brubeck, Composer

1958 - BNF Collection 2014 2014 Believe Digital

4
My Ship
00:04:01

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - I. Gershwin, Composer - Weill, Composer

1958 - BNF Collection 2014 2014 Believe Digital

5
Miles Ahead
00:03:59

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - M. Davis, Composer - G.Evans, Composer

1958 - BNF Collection 2014 2014 Believe Digital

6
Blues for Pablo
00:05:22

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - G.Evans, Composer

1958 - BNF Collection 2014 2014 Believe Digital

7
New Rhumba
00:04:38

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Jamal, Composer

1958 - BNF Collection 2014 2014 Believe Digital

8
The Meaning of the Blues
00:02:24

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Worth, Composer - Troups, Composer

1958 - BNF Collection 2014 2014 Believe Digital

9
Lament
00:02:43

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Johnson, Composer

1958 - BNF Collection 2014 2014 Believe Digital

10
I Don't Wanna Be Kissed
00:03:06

Miles Davis, Performer - Gil Evans and His Orchestra, Performer - Spina, Composer - J. Eliott, Composer

1958 - BNF Collection 2014 2014 Believe Digital

Albumbeschreibung

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige). Davis was also expected to carry the album as its only soloist, and manage not to get lost among a cast of supporting musicians that included a huge horn section. To a large extent, he succeeds. Evans' arrangements in particular are well-suited to the format, and he and Davis formed a deep and close partnership where ideas were swapped back and forth, nurtured, and developed long before they were expressed in the studio. Davis gets off to a great start, with the hyper-kinetic "Springsville," which seems to almost perfectly embody Evans' and Davis' partnership with its light, flexible exchanges between soloist and orchestra. He is strongest on the ballads, though, where his subdued and wistful tone rises high above the hushed accompaniment, especially on "Miles Ahead" and "Blues for Pablo" (which foreshadows the bluesy, Latin-tinged sound of Sketches of Spain). The upbeat "I Don't Want to Be Kissed (By Anyone but You)" is another strong song, but shows the weakness of the format as Davis intersperses a charming, bright, technically challenging solo with a blasting horn section that occasionally buries him. It is a fine end, however, to an album that gave a hint of the greatness that would come as Evans and Davis fine-tuned their partnership over the course of the next several years.

© Stacia Proefrock /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

Blue Train

John Coltrane

Blue Train John Coltrane
Mehr auf Qobuz
Von Miles Davis

'Round About Midnight

Miles Davis

Miles Davis Quintet in Concert Live at the Olympia, Paris, November 30 - 1957 (Live)

Miles Davis

Bitches Brew

Miles Davis

Bitches Brew Miles Davis

Ascenseur pour l'échafaud

Miles Davis

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

Playlists

Das könnte Ihnen auch gefallen...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Somethin' Else

Cannonball Adderley

Somethin' Else Cannonball Adderley

Orchestras

Bill Frisell

Orchestras Bill Frisell

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Shadow

Lizz Wright

Shadow Lizz Wright