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Various Artists|Mahler: Symphony No.3/Das klagende Lied

Mahler: Symphony No.3/Das klagende Lied

Multi Interprètes, Royal Concertgebouw Orchestra, Bernard Haitink

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Originally released in 1966, Bernard Haitink's vivid recording of Gustav Mahler's Symphony No. 3 in D minor is coupled here with a 1973 performance of Das klagende Lied; since these are among the least performed and least familiar works in Mahler's catalog, the pairing is mutually beneficial to each, and listeners who have neither in their collections would do well to consider snapping up this affordable set. Perhaps the only flaw should be mentioned up front: though virtually no tape hiss is audible, there is a bit of an acoustic "vacuum" around the sound of the musicians, suggesting that the analog masters have been cleaned up a bit too efficiently and some resonance seems lost. Still, even if this recording is a little deficient in sonority and less than life-like in presence, the performance of the symphony is still worth having, not only for the Concertgebouw Orchestra's fully involved, utterly transparent playing and radiant singing from contralto Maureen Forrester, but also for the memorable choral fifth movement, sung with a magical lightness by the Netherlands Radio Choir and the Boys' Chorus of St. Willibrord Church, Amsterdam. Das klagende Lied is slightly less enjoyable, partly because this early cantata is less recognizably Mahlerian, a bit stilted, and possibly too operatic for its narrow parameters. Yet the compelling performances by soprano Heather Harper, contralto Norma Procter, and tenor Werner Hollweg make this work's strange tale of revenge more accessible, and Haitink and the Concertgebouw deliver clear, crisply articulated support that makes the work easier to appreciate in purely musical terms.

© TiVo

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Mahler: Symphony No.3/Das klagende Lied

Various Artists

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Symphony No. 3 in D minor - Part 1 (Gustav Mahler)

1
1. Kräftig. Entschieden
Royal Concertgebouw Orchestra
00:32:15

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Symphony No.3 in D minor - Part 2 (Gustav Mahler)

2
2. Tempo di minuetto. Sehr mäßig
Royal Concertgebouw Orchestra
00:10:21

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Symphony No. 3 in D minor - Part 2 (Gustav Mahler)

3
3. Comodo. Scherzando. Ohne Hast
Royal Concertgebouw Orchestra
00:16:53

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

4
4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
Maureen Forrester
00:08:42

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Maureen Forrester, Mezzo-Soprano, MainArtist, AssociatedPerformer - Friedrich Nietzsche, Author

℗ 1966 Universal International Music B.V.

5
5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
Maureen Forrester
00:04:07

Traditional, Author - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Maureen Forrester, Mezzo-Soprano, MainArtist, AssociatedPerformer - Boy's Choir Of The St. Willisbrorduskerk In Rotterdam, Choir, MainArtist - Women's Chorus Of The Netherlands Radio, Chorus, MainArtist, AssociatedPerformer

℗ 1966 Universal International Music B.V.

DISC 2

1
6. Langsam. Ruhevoll. Empfunden
Royal Concertgebouw Orchestra
00:22:04

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1966 Universal International Music B.V.

Das Klagende Lied / Pt. 1 (Gustav Mahler)

2
"Beim Weidenbaum, im kühlen Tann"
Royal Concertgebouw Orchestra
00:06:12

Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

3
"Ein Spielmann zog einst des Weges daher"
Royal Concertgebouw Orchestra
00:06:27

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

4
"Ach Spielmann, lieber Spielmann mein!"
Royal Concertgebouw Orchestra
00:05:56

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

Das Klagende Lied / Pt. 2 (Gustav Mahler)

5
"Von hohen Felsen erglänzt das Schloß"
Royal Concertgebouw Orchestra
00:03:58

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

6
"Was ist der König so stumm und bleich"
Royal Concertgebouw Orchestra
00:05:14

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

7
"Ach Spielmann, lieber Spielmann mein!"
Royal Concertgebouw Orchestra
00:02:19

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Norma Procter, Contralto, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

8
"Auf springt der König von seinem Thron"
Royal Concertgebouw Orchestra
00:01:07

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist

℗ 1973 Universal International Music B.V.

9
"Ach Bruder, lieber Bruder mein!"
Royal Concertgebouw Orchestra
00:06:49

Netherlands Radio Choir, Choir, MainArtist - Gustav Mahler, Composer - Bernard Haitink, Conductor, MainArtist - Royal Concertgebouw Orchestra, Orchestra, MainArtist - Werner Hollweg, Tenor, MainArtist, AssociatedPerformer - Heather Harper, Soprano, MainArtist, AssociatedPerformer

℗ 1973 Universal International Music B.V.

Albumbeschreibung

Originally released in 1966, Bernard Haitink's vivid recording of Gustav Mahler's Symphony No. 3 in D minor is coupled here with a 1973 performance of Das klagende Lied; since these are among the least performed and least familiar works in Mahler's catalog, the pairing is mutually beneficial to each, and listeners who have neither in their collections would do well to consider snapping up this affordable set. Perhaps the only flaw should be mentioned up front: though virtually no tape hiss is audible, there is a bit of an acoustic "vacuum" around the sound of the musicians, suggesting that the analog masters have been cleaned up a bit too efficiently and some resonance seems lost. Still, even if this recording is a little deficient in sonority and less than life-like in presence, the performance of the symphony is still worth having, not only for the Concertgebouw Orchestra's fully involved, utterly transparent playing and radiant singing from contralto Maureen Forrester, but also for the memorable choral fifth movement, sung with a magical lightness by the Netherlands Radio Choir and the Boys' Chorus of St. Willibrord Church, Amsterdam. Das klagende Lied is slightly less enjoyable, partly because this early cantata is less recognizably Mahlerian, a bit stilted, and possibly too operatic for its narrow parameters. Yet the compelling performances by soprano Heather Harper, contralto Norma Procter, and tenor Werner Hollweg make this work's strange tale of revenge more accessible, and Haitink and the Concertgebouw deliver clear, crisply articulated support that makes the work easier to appreciate in purely musical terms.

© TiVo

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