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Don Ellis|Live At Monterey

Live At Monterey

The Don Ellis Orchestra

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Text in englischer Sprache verfügbar

The first effort by the Don Ellis big band, as with all of his other orchestral projects, has yet to be reissued on CD. One of the most exciting new jazz big bands of the period, Ellis' ensemble became notorious for its ability to play coherently in odd time signatures. One of the four originals heard on this acclaimed outing from the 1966 Monterey Jazz Festival is titled "33 222 1 222" to show how the band manages to perform in 19/4 time. The other selections are Hank Levy's "Passacaglia And Fugue," "Concerto For Trumpet" (in 5/4) and "New Nine." In addition to the time signatures, Ellis enjoyed utilizing unusual combinations of instruments; the instrumentation on this date consists of five trumpets, three trombones, five saxes, piano, three bassists, two drummers and a percussionist. Among the more notable sidemen are a young Tom Scott (who solos on alto) and tenor-saxophonist Ira Schulman. Highly recommended but unfortunately this album will be difficult to find.

© Scott Yanow /TiVo

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Live At Monterey

Don Ellis

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1
Introduction By Jimmy Lyons (Remastered)
Don Ellis
00:01:17

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Non Music Work, Composer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - DON ELLIS, MainArtist

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

2
33 222 1 222 (Live At Monterey Jazz Festival, 1966 / Remastered 1997)
Don Ellis Orchestra
00:09:29

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - Don Ellis Orchestra, MainArtist - DON ELLIS, Composer

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

3
Passacaglia And Fugue (Live At Monterey Jazz Festival, 1966 / Remastered 1997)
Don Ellis Orchestra
00:06:39

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - Don Ellis Orchestra, MainArtist - Hank Levy, ComposerLyricist

(C) 1998 Blue Note Records ℗ 1998 Blue Note Records

4
Crete Idea
Don Ellis
00:06:26

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - DON ELLIS, Composer, MainArtist

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

5
Concerto For Trumpet (Live At Monterey Jazz Festival, 1966 / Remastered 1997)
Don Ellis Orchestra
00:12:50

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - Don Ellis Orchestra, MainArtist - DON ELLIS, Composer

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

6
27/16
Don Ellis
00:06:35

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - DON ELLIS, Composer, MainArtist

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

7
Beat Me Daddy, 7 To The Bar
Don Ellis
00:09:07

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - DON ELLIS, Composer, MainArtist

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

8
New Nine (Live At Monterey Jazz Festival, 1966 / Remastered 1997)
Don Ellis Orchestra
00:12:08

Ron McMaster, Mastering Engineer, StudioPersonnel - Richard Bock, Producer - Bob Belden, Producer, Remix Engineer, StudioPersonnel - PETER DOELL, Remix Engineer, StudioPersonnel - Don Ellis Orchestra, MainArtist - DON ELLIS, Composer

(C) 1998 Blue Note Records ℗ 1997 Blue Note Records

Albumbeschreibung

The first effort by the Don Ellis big band, as with all of his other orchestral projects, has yet to be reissued on CD. One of the most exciting new jazz big bands of the period, Ellis' ensemble became notorious for its ability to play coherently in odd time signatures. One of the four originals heard on this acclaimed outing from the 1966 Monterey Jazz Festival is titled "33 222 1 222" to show how the band manages to perform in 19/4 time. The other selections are Hank Levy's "Passacaglia And Fugue," "Concerto For Trumpet" (in 5/4) and "New Nine." In addition to the time signatures, Ellis enjoyed utilizing unusual combinations of instruments; the instrumentation on this date consists of five trumpets, three trombones, five saxes, piano, three bassists, two drummers and a percussionist. Among the more notable sidemen are a young Tom Scott (who solos on alto) and tenor-saxophonist Ira Schulman. Highly recommended but unfortunately this album will be difficult to find.

© Scott Yanow /TiVo

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