Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
John Zorn and Fred Frith are both master improvisers with a long history between them. Late Works documents an October 2009 session, the first time the two improvised in a studio rather than a live setting. Fans know what to expect. Zorn's palette of alto sounds is unsurpassed, but he's not the all-out aural terrorist he once was (don't worry, he can still peel the paint when he wants to). Now mixed in with the squeaks and squonks are some melodic elements which only expand his improvising vocabulary. Frith also wrangles some truly amazing sounds from his electric guitar, often sounding like there's more than one guitarist (by the way, these are live improvisations done in real time: no editing or overdubs). The really amazing thing about these two in performance is how they listen and react to one another. They can mimic each other tonally to a ridiculous degree: Zorn gets a metallic edge to his sound to match Frith's prepared guitarisms, or Frith can make his guitar squeal like a wounded cat to match Zorn's alto wailing. At one point in "Slow Lattice," Frith's tapping on the fretboard meshes perfectly with Zorn's tapping on the sax keys. It borders on telepathic. Most of the tracks are dynamic and energetic, but they do slow it down for a couple tracks. The aforementioned "Slow Lattice" is languid and haunting. "The Fourth Mind" is slow, pensive, and melodic (and a definite album highlight). "Horse Rehab" also features some nice melodic playing from Zorn. But tracks like "Foetid Ceremony" have all the skronk and fire that one would expect from these two. Free improv isn't for everyone (listeners or performers), but it doesn't get much better than this.
© Sean Westergaard /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Fred Frith, Composer, MainArtist - John Zorn, Composer, MainArtist
2010 Tzadik 2010 Tzadik
Albumbeschreibung
John Zorn and Fred Frith are both master improvisers with a long history between them. Late Works documents an October 2009 session, the first time the two improvised in a studio rather than a live setting. Fans know what to expect. Zorn's palette of alto sounds is unsurpassed, but he's not the all-out aural terrorist he once was (don't worry, he can still peel the paint when he wants to). Now mixed in with the squeaks and squonks are some melodic elements which only expand his improvising vocabulary. Frith also wrangles some truly amazing sounds from his electric guitar, often sounding like there's more than one guitarist (by the way, these are live improvisations done in real time: no editing or overdubs). The really amazing thing about these two in performance is how they listen and react to one another. They can mimic each other tonally to a ridiculous degree: Zorn gets a metallic edge to his sound to match Frith's prepared guitarisms, or Frith can make his guitar squeal like a wounded cat to match Zorn's alto wailing. At one point in "Slow Lattice," Frith's tapping on the fretboard meshes perfectly with Zorn's tapping on the sax keys. It borders on telepathic. Most of the tracks are dynamic and energetic, but they do slow it down for a couple tracks. The aforementioned "Slow Lattice" is languid and haunting. "The Fourth Mind" is slow, pensive, and melodic (and a definite album highlight). "Horse Rehab" also features some nice melodic playing from Zorn. But tracks like "Foetid Ceremony" have all the skronk and fire that one would expect from these two. Free improv isn't for everyone (listeners or performers), but it doesn't get much better than this.
© Sean Westergaard /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:50:17
- Künstler: John Zorn Fred Frith
- Komponist: Various Composers
- Label: Tzadik
- Genre: Jazz
2010 Tzadik 2010 Tzadik
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.