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Dazz Band|Jukebox

Jukebox

Dazz Band

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Infused with the true spirit of the new techno funk that came to define the genre's '80s output, the Dazz Band, with ten chart hits under their belts, had already made quite a name for themselves. 1984's Jukebox would keep the groove flowing, dipping into the Top Ten. It would be their last great effort. Keeping a fat beat across the bass, with guitar riffing that bordered on rock, the group spattered a light, tight contemporary funk across another punchy, slick set guaranteed to keep the Dazz Band on the dancefloors and at the front of the pack. A mix of slow movers and up-tempo beaters, the group's prowess is demonstrated best across the fiery Top Ten hit "Let It All Blow," although the ballad "Heartbeat" is quite a nice effort too, and rewarded the band with another chart entry. In hindsight, this collection of electronic, synthesized funk could be seen as a preemptive strike upon the similarly constructed sonics of English producer Trevor Horn, who would shortly achieve massive success with both Art of Noise and Frankie Goes to Hollywood. However, the Dazz Band would soon find themselves out of fashion as the tide turned in that direction.
© Amy Hanson /TiVo

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Jukebox

Dazz Band

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1
Let It All Blow
00:05:52

Reggie Andrews, Producer - Skip Martin, Vocals, AssociatedPerformer - Keith Harrison, Vocals, Vocal Arranger, AssociatedPerformer, ComposerLyricist - Dazz Band, MainArtist - Bobby Harris, Producer, Vocal Arranger, AssociatedPerformer, ComposerLyricist - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

℗ 1985 UMG Recordings, Inc.

2
Keep You Comin' Back For More
00:04:24

Reggie Andrews, Producer - Roland Bautista, Guitar, AssociatedPerformer - Dazz Band, MainArtist - Bobby Harris, Producer, Vocal Arranger, AssociatedPerformer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel - Kenny Pettus, Vocals, Synthesizer Arranger, AssociatedPerformer - Robert Lamont Harrison, ComposerLyricist - Kenneth Wayne Pettus, ComposerLyricist

℗ 1984 UMG Recordings, Inc.

3
She's The One
00:04:39

Reggie Andrews, Producer, Vocal Arranger, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - Skip Martin, Vocals, AssociatedPerformer - Keith Harrison, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - Dazz Band, MainArtist - Bobby Harris, Producer, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

℗ 1984 UMG Recordings, Inc.

4
Heartbeat (Single Version)
00:05:14

Reggie Andrews, Producer, Vocal Arranger, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - Skip Martin, Vocals, AssociatedPerformer - Keith Harrison, Vocals, AssociatedPerformer - Dazz Band, MainArtist - Bobby Harris, Producer, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

℗ 1985 UMG Recordings, Inc.

5
Dream Girl
00:03:45

Reggie Andrews, Producer, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - Skip Martin, Vocals, AssociatedPerformer - Dazz Band, MainArtist - Bobby Harris, Producer, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel - Kenny Pettus, Vocal Arranger, AssociatedPerformer - Kenneth Wayne Pettus, ComposerLyricist

℗ 1984 UMG Recordings, Inc.

6
Undercover Lover
00:04:27

Reggie Andrews, Producer, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - Skip Martin, Vocals, AssociatedPerformer - Keith Harrison, Vocals, AssociatedPerformer - Dazz Band, MainArtist - Reginald Andrews, ComposerLyricist - Bobby Harris, Producer, Vocal Arranger, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

℗ 1984 UMG Recordings, Inc.

7
I've Been Waiting
00:04:30

Reggie Andrews, Producer, String Arranger, Rhythm Arranger, AssociatedPerformer - Skip Martin, Vocals, Vocal Arranger, AssociatedPerformer - Keith Harrison, Vocal Arranger, Rhythm Arranger, AssociatedPerformer, ComposerLyricist - Dazz Band, MainArtist - Bobby Harris, Producer, Vocal Arranger, AssociatedPerformer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel - Sennie "Skip" Martin, ComposerLyricist - Eric Fearman, Guitar, AssociatedPerformer

℗ 1984 UMG Recordings, Inc.

8
Main Attraction
00:03:59

Reggie Andrews, Producer - Robert Harris, ComposerLyricist - Keith Harrison, Vocals, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer, ComposerLyricist - Dazz Band, MainArtist - Bobby Harris, Producer, Rhythm Arranger, AssociatedPerformer - Steve Cox, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel - Ralph Stephen Cox, ComposerLyricist

℗ 1984 UMG Recordings, Inc.

9
So Much Love
00:03:26

K. Harrison, ComposerLyricist - Reggie Andrews, Producer - Skip Martin, Vocals, AssociatedPerformer - Keith Harrison, Vocals, Vocal Arranger, Rhythm Arranger, Synthesizer Arranger, AssociatedPerformer - Dazz Band, MainArtist - Bobby Harris, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

℗ 1984 UMG Recordings, Inc.

Albumbeschreibung

Infused with the true spirit of the new techno funk that came to define the genre's '80s output, the Dazz Band, with ten chart hits under their belts, had already made quite a name for themselves. 1984's Jukebox would keep the groove flowing, dipping into the Top Ten. It would be their last great effort. Keeping a fat beat across the bass, with guitar riffing that bordered on rock, the group spattered a light, tight contemporary funk across another punchy, slick set guaranteed to keep the Dazz Band on the dancefloors and at the front of the pack. A mix of slow movers and up-tempo beaters, the group's prowess is demonstrated best across the fiery Top Ten hit "Let It All Blow," although the ballad "Heartbeat" is quite a nice effort too, and rewarded the band with another chart entry. In hindsight, this collection of electronic, synthesized funk could be seen as a preemptive strike upon the similarly constructed sonics of English producer Trevor Horn, who would shortly achieve massive success with both Art of Noise and Frankie Goes to Hollywood. However, the Dazz Band would soon find themselves out of fashion as the tide turned in that direction.
© Amy Hanson /TiVo

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