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Mark Owen|In Your Own Time

In Your Own Time

Mark Owen

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It might not have received the same rapturous response as Take That's unexpected reunion, but three years before the boy band returned to rule the world, it was Mark Owen's second solo album, In Your Own Time, that provided the first collaborative effort between its members since their split in 1996. Despite chasing an indie pop credibility that eluded him on his flop debut album Green Man, it was the band's chief songwriter, Gary Barlow, who at the time was in the career doldrums -- and not his stadium-selling closest ally Robbie Williams -- who the tousle-haired, elfin-like singer turned to for his second career reprieve, buoyed by his victory on the second series of Celebrity Big Brother. Barlow's two contributions, "Turn the Light On," a pedestrian slice of polished pop/rock and "If You Weren't Leaving Me," a lumpy attempt at Shed Seven-esque Brit-pop, don't offer any indication that his previous, glowing, songwriting reputation would later be restored. But, luckily, the tracks co-written with the likes of Echo and the Bunnymen's Ian McCulloch, Danny Wilson's Nigel Clark, and the Yachts's Henry Priestman are more successful at realizing Owen's NME-friendly ambitions. Lead single "Four Minute Warning," a thought-provoking alt-country-influenced tale inspired by the concept of the Cold War alert system, is about as far removed from the slush-fest of his only solo Take That lead, "Babe," as he is likely to get, and is more than entitled to be held in the same breath as Williams' finest. Elsewhere, the brooding "Kill with Your Smile" echoes the punchy driving rock of New Order's recent comeback; closing track "My Life" is a gorgeously introspective, trippy ballad perfectly complemented by a wave of cinematic orchestral strings, while "Head in the Clouds" is a Jeff Buckley-influenced, bluesy number which sensitively addresses the issue of domestic abuse. However, the MOR sheen of "Gravity" sounds like a Darius B-side; "Baby I'm No Good" is a self-pitying, minimal acoustic ballad where he clairvoyantly appears to apologize for his recent much-publicized infidelities, while his reedy, whiney, and nasal vocal delivery can sometimes be a little too overbearing, particularly on the sparsely produced "How Do You Love." But where Green Man sounded like a boy bander trying to gate crash a much cooler alternative scene, In Your Own Time feels like a natural progression which doesn't appear so desperate.

© Jon O'Brien /TiVo

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In Your Own Time

Mark Owen

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1
Four Minute Warning
00:04:05

Gary Barlow, Keyboards, AssociatedPerformer - Eliot Kennedy, ComposerLyricist - Mark Owen, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jeremy Wheatley, Mixer, Programmer, StudioPersonnel - Yoad Nevo, Programmer - Elliott Kennedy, Guitar, AssociatedPerformer - Robbie Adams, Engineer, StudioPersonnel - Ryan Carline, Asst. Recording Engineer, StudioPersonnel - Henry Priestman, Producer - Mark Feltham, Harmonica, AssociatedPerformer - James Eller, AssociatedPerformer, Bass (Vocal) - True North Music Company, Producer, Additional Producer, Recording Engineer, StudioPersonnel - Katy Stephenson, Unknown, Other

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

2
Gravity
00:03:22

Steve Robson, Producer, Keyboards, AssociatedPerformer, ComposerLyricist - Mark Owen, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Tom Elmhirst, Mixer, StudioPersonnel - Andy Caine, Background Vocalist, AssociatedPerformer - John McLaughlin, ComposerLyricist - Rohan Thomas, Keyboards, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

3
Alone Without You (Album Version)
00:03:57

Mark Owen, Electric Guitar, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - GARY CLARK, Producer, Background Vocalist, AssociatedPerformer - Alison Clark, Background Vocalist, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

4
Head In The Clouds
00:03:23

Steve Robson, Producer, Keyboards, AssociatedPerformer - Mark Owen, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Harris, ComposerLyricist - Andy Caine, Background Vocalist, AssociatedPerformer - Rohan Thomas, Keyboards, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

5
Kill With Your Smile
00:04:48

Mark Owen, Electric Guitar, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - GARY CLARK, Producer, Engineer, Acoustic Guitar, Electric Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Keith Uddin, Asst. Recording Engineer, StudioPersonnel - Matthew Ollivier, Engineer, StudioPersonnel - John Savannah, Electric Guitar, Synthesizer Programming, Background Vocalist, AssociatedPerformer - Alison Clark, Background Vocalist, AssociatedPerformer - Gary Clarke, Background Vocalist, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

6
Close To The Edge
00:04:17

Gavyn Wright, Orchestra Leader, AssociatedPerformer - London Session Orchestra, Orchestra/Member, AssociatedPerformer - Peter-John Vettese, Producer, String Arranger, Drums, Guitar, Programmer, AssociatedPerformer - Mark Owen, MainArtist, ComposerLyricist - Simon Hale, String Arranger, AssociatedPerformer - Henry Priestman, ComposerLyricist - Guy Batson, ComposerLyricist - Robbie Mackintosh, Guitar, AssociatedPerformer - Mark Tufty Evans, Mixer, Guitar, Programmer, AssociatedPerformer, StudioPersonnel - Hugo Draggenhart, Drums, AssociatedPerformer - Reg Ad Gwyne, AssociatedPerformer, Bass (Vocal)

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

7
Pieces Of Heaven
00:03:12

Gavyn Wright, Orchestra Leader, AssociatedPerformer - London Session Orchestra, Chamber Orchestra, AssociatedPerformer - Peter-John Vettese, Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Mark Owen, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Simon Hale, Co-Arranger, AssociatedPerformer - Peter Vetesse, Producer, String Arranger, Drums, Programmer, AssociatedPerformer - Robbie McKintosh, Guitar, AssociatedPerformer - Mark Tufty Evans, Engineer, Programmer, StudioPersonnel - Hugo Draggenhart, Drums, AssociatedPerformer - Reg Ad Gwyne, Bass Guitar, AssociatedPerformer - Melanie Schallenberg, Flute, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

8
Turn The Light On
00:03:13

Gary Barlow, Unknown, Other, ComposerLyricist - Eliot Kennedy, Unknown, Other, ComposerLyricist - Mark Owen, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Robbie Adams, Mixer, StudioPersonnel - Ryan Carline, Assistant Mixer, StudioPersonnel - True North Music Company, Producer, Recording Engineer, StudioPersonnel

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

9
Crush
00:03:22

Steve Robson, Producer, Keyboards, AssociatedPerformer - Mark Owen, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Harris, ComposerLyricist - Tom Elmhirst, Mixer, StudioPersonnel - Andy Caine, Background Vocalist, AssociatedPerformer - Rohan Thomas, Keyboards, AssociatedPerformer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

10
Baby I'm No Good
00:03:15

Björklund, ComposerLyricist - Mark Owen, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lind, ComposerLyricist - Espionage, Producer, Unknown, Other - Jon Marius Aareskjold, Mixer, Recording Engineer, StudioPersonnel

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

11
My Life
00:04:25

Mark Owen, MainArtist, ComposerLyricist - Dave James, Producer, Engineer, StudioPersonnel - Ian Mcculloch, Guitar, AssociatedPerformer, ComposerLyricist - Pete Gleadall, Mixer, StudioPersonnel - Gordon Goudie, Producer, Electric Guitar, Additional Producer, AssociatedPerformer, ComposerLyricist - John McLaughlin, Producer, ComposerLyricist - Stuart Roslyn, Keyboards, AssociatedPerformer - Stuart Mcready, Producer, Additional Producer - Stuart McGredie, Programmer

℗ 2003 Universal Island Records Ltd. A Universal Music Company.

Albumbeschreibung

It might not have received the same rapturous response as Take That's unexpected reunion, but three years before the boy band returned to rule the world, it was Mark Owen's second solo album, In Your Own Time, that provided the first collaborative effort between its members since their split in 1996. Despite chasing an indie pop credibility that eluded him on his flop debut album Green Man, it was the band's chief songwriter, Gary Barlow, who at the time was in the career doldrums -- and not his stadium-selling closest ally Robbie Williams -- who the tousle-haired, elfin-like singer turned to for his second career reprieve, buoyed by his victory on the second series of Celebrity Big Brother. Barlow's two contributions, "Turn the Light On," a pedestrian slice of polished pop/rock and "If You Weren't Leaving Me," a lumpy attempt at Shed Seven-esque Brit-pop, don't offer any indication that his previous, glowing, songwriting reputation would later be restored. But, luckily, the tracks co-written with the likes of Echo and the Bunnymen's Ian McCulloch, Danny Wilson's Nigel Clark, and the Yachts's Henry Priestman are more successful at realizing Owen's NME-friendly ambitions. Lead single "Four Minute Warning," a thought-provoking alt-country-influenced tale inspired by the concept of the Cold War alert system, is about as far removed from the slush-fest of his only solo Take That lead, "Babe," as he is likely to get, and is more than entitled to be held in the same breath as Williams' finest. Elsewhere, the brooding "Kill with Your Smile" echoes the punchy driving rock of New Order's recent comeback; closing track "My Life" is a gorgeously introspective, trippy ballad perfectly complemented by a wave of cinematic orchestral strings, while "Head in the Clouds" is a Jeff Buckley-influenced, bluesy number which sensitively addresses the issue of domestic abuse. However, the MOR sheen of "Gravity" sounds like a Darius B-side; "Baby I'm No Good" is a self-pitying, minimal acoustic ballad where he clairvoyantly appears to apologize for his recent much-publicized infidelities, while his reedy, whiney, and nasal vocal delivery can sometimes be a little too overbearing, particularly on the sparsely produced "How Do You Love." But where Green Man sounded like a boy bander trying to gate crash a much cooler alternative scene, In Your Own Time feels like a natural progression which doesn't appear so desperate.

© Jon O'Brien /TiVo

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