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Florilegium|In the Name of Bach

In the Name of Bach

Florilegium

Digitales Booklet

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The Bach family has for a long time been the focus of genealogical research. No other musical family of German origin has spanned so many generations and produced such highly talented performers as well as composers of the highest order. From very early on, the family seems to have adopted the position of propagators of musical tradition. LS. Bach's reference to his children as 'born musici' illustrates the strength of this tradition. The reasons for such an unusual concentration of musical talent are perhaps rooted in sound musical education, passed down through the various family members, especially the males. These members took the responsibility of training others in the immediate circle, as well as distant relatives, and this tradition remained strong in later generations. The Bach solidarity was probably achieved by several factors: self-sufficiency, extreme professionalism, guild-like regulation, intermarriage and strict religious observance, creating very close unity in the family, and thereby cementing social status and a self-propagating musical lineage. The members of the Bach family selected for this recording are represented in the simplified family tree. (page 2) Undoubtedly, the most famous among them was Johann Sebastian; however, this disc concerns itself with the five composers in italics in order to illustrate the incredible worth of his lesser-known relatives. Three out of seven generations are represented with some wonderfully rare and unusual compositions which are seldom performed and even more rarely recorded.

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In the Name of Bach

Florilegium

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1
Siehe, wie fein und lieblich ist’s
00:06:17

Julian Podger, MainArtist - Anonymous, Lyricist - Copyright Control, MusicPublisher - Michael McCarthy, MainArtist - Florilegium, MainArtist - Georg Christoph Bach, Composer - Robert Evans, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

Violin Sonata No. 2 in F Major, BR-JEB B2 (Johann Ernst Bach)

2
I. Allegro
00:05:54

Copyright Control, MusicPublisher - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

3
II. Arioso
00:02:55

Copyright Control, MusicPublisher - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

4
III. Tempo di Minuetto
00:04:41

Copyright Control, MusicPublisher - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

Adagio e Fuga in D Minor, F. 65 (Wilhelm Friedemann Bach)

5
I. Adagio
00:03:05

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

6
II. Allegro
00:05:08

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

7
Sammlung auserlesener Fabein, Pt. 1: No. 13. Die ungleichen Freunde, "Ein Vogel von besondrer Schöne, ein Schmuck der bunten Pfauen Söhne"
00:05:41

Anonymous, Lyricist - Copyright Control, MusicPublisher - Catherine Bott, MainArtist - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

8
Sammlung auserlesener Fabein, Pt. 1: No. 12. Die Unzufriedenheit, "Ein Hänfling, dessen Artigkeit im Singen manches Ohr erfreut"
00:03:29

Anonymous, Lyricist - Copyright Control, MusicPublisher - Catherine Bott, MainArtist - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

9
Sammlung auserlesener Fabein, Pt. 1: No. 16. Der Affe und die Schäferin, "Ein Affe, den das Mohrenland nie feiner übers Meer gesandt"
00:04:19

Anonymous, Lyricist - Copyright Control, MusicPublisher - Catherine Bott, MainArtist - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

10
Sammlung auserlesener Fabein, Pt. 1: No. 6. Der Hund, ""Phylax ein getreuer Hund, der für allen Schaden stund"
00:04:27

Anonymous, Lyricist - Copyright Control, MusicPublisher - Catherine Bott, MainArtist - Johann Ernst Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

Sonata for Two Flutes No. 1 in E Minor, F. 54 (Wilhelm Friedemann Bach)

11
I.
00:03:02

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

12
II. Larghetto
00:02:44

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

13
III. Vivace
00:03:11

Copyright Control, MusicPublisher - Wilhelm Friedemann Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

Keyboard Quartet in G Major, W. B 66 (Johann Christian Bach)

14
I. Allegro
00:11:43

Copyright Control, MusicPublisher - Johann Christian Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

15
II. Rondo. Allegro
00:04:46

Copyright Control, MusicPublisher - Johann Christian Bach, Composer - Florilegium, MainArtist

1996 Channel Classics Records 1996 Channel Classics Records

Ouverture-Suite in D Major (Johann Bernhard Bach)

16
IV. Passepieds I & II
00:01:50

Copyright Control, MusicPublisher - Florilegium, MainArtist - Johann Bernhard Bach, Composer

1996 Channel Classics Records 1996 Channel Classics Records

17
VII. La Joye
00:01:25

Copyright Control, MusicPublisher - Florilegium, MainArtist - Johann Bernhard Bach, Composer

1996 Channel Classics Records 1996 Channel Classics Records

Albumbeschreibung

The Bach family has for a long time been the focus of genealogical research. No other musical family of German origin has spanned so many generations and produced such highly talented performers as well as composers of the highest order. From very early on, the family seems to have adopted the position of propagators of musical tradition. LS. Bach's reference to his children as 'born musici' illustrates the strength of this tradition. The reasons for such an unusual concentration of musical talent are perhaps rooted in sound musical education, passed down through the various family members, especially the males. These members took the responsibility of training others in the immediate circle, as well as distant relatives, and this tradition remained strong in later generations. The Bach solidarity was probably achieved by several factors: self-sufficiency, extreme professionalism, guild-like regulation, intermarriage and strict religious observance, creating very close unity in the family, and thereby cementing social status and a self-propagating musical lineage. The members of the Bach family selected for this recording are represented in the simplified family tree. (page 2) Undoubtedly, the most famous among them was Johann Sebastian; however, this disc concerns itself with the five composers in italics in order to illustrate the incredible worth of his lesser-known relatives. Three out of seven generations are represented with some wonderfully rare and unusual compositions which are seldom performed and even more rarely recorded.

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