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Lesley Gore - I'll Cry If I Want To

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I'll Cry If I Want To

Lesley Gore

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Text in englischer Sprache verfügbar

Lesley Gore's debut album was rushed out on the heels of her debut smash, "It's My Party," and suffered from being made into a contrived concept album of sorts. Most of the songs were about -- as the title indicated -- crying, since the key hook of "It's My Party" had Gore boasting that she could cry if she wanted to. The effect, if only temporarily, was to make her out to be something of a novelty artist, even if one of the songs other than "It's My Party" (its inferior follow-up, "Judy's Turn to Cry") turned out be a big hit as well. Aside from the limited lyrical themes, a bigger problem was that the material, other than the two big hits, largely veered between tame treatments of pop standards ("Misty," "Cry Me a River," "What Kind of Fool Am I") and unmemorable soppy pop ballads by contemporary writers that tapped into the weaker aspects of doo wop-influenced girl group music. At this point, Gore seemed to be as interested in being an adult torch singer as a teen rocker, but her teenaged pipes were simply far more suited toward girl group-style songs than trying to be another Julie London. The big flaw is one that seems obvious in retrospect, but probably wasn't even seen by many who were helping to direct her career at the time: Aside from the hits, nothing here rocked respectably, or swung as Quincy Jones' arrangements were capable of doing, though "Cry Me a River" wasn't too bad. Gore would, perhaps to the surprise of many, go on to establish a respectable career with a series of hits that didn't always milk the self-pity bucket, though this first effort gave all the indication of her being a one-hit wonder.
© Richie Unterberger /TiVo

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I'll Cry If I Want To

Lesley Gore

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1
It's My Party
00:02:20

Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Wally Gold, ComposerLyricist - Claus Ogermann, Recording Arranger, AssociatedPerformer - Cy Crane, ComposerLyricist - Herbert Wiener, ComposerLyricist - Lesley Gore, MainArtist - John Gluck Jr., ComposerLyricist

℗ 1963 Island Records, a division of UMG Recordings, Inc.

2
Cry Me A River
00:02:14

Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Arthur Hamilton, ComposerLyricist - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

3
Cry
00:02:07

Churchill Kohlman, ComposerLyricist - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

4
Just Let Me Cry
00:02:15

Ben Raleigh, ComposerLyricist - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist - Marcus H. Barkan, ComposerLyricist

℗ 1963 The Island Def Jam Music Group

5
Cry And You Cry Alone
00:02:02

Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist - Hilda Earnhart, ComposerLyricist

℗ 1963 The Island Def Jam Music Group

6
No More Tears
00:02:23

Mark Barkan, ComposerLyricist - Quincy Jones, Producer - Lesley Gore, MainArtist - Sandy Baron, ComposerLyricist

℗ 1963 The Island Def Jam Music Group

7
Judy's Turn To Cry
00:02:11

Beverly Ross, ComposerLyricist - Edna Lewis, ComposerLyricist - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Lesley Gore, MainArtist

℗ 1963 Island Records, a division of UMG Recordings, Inc.

8
I Understand
00:01:54

Quincy Jones, Producer - CLAUS OGERMAN, Conductor - KIM GANNON, Composer - Mabel Wayne, Composer - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

9
I Would
00:02:25

Werner Scharfenberger, ComposerLyricist - Edna Lewis, ComposerLyricist - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Kurt Feltz, ComposerLyricist - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

10
Misty
00:02:18

Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Johnny Burke, ComposerLyricist - Erroll Garner, Composer - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

11
What Kind Of Fool Am I?
00:01:45

Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

12
The Party's Over
00:01:59

Jule Styne, Composer - Quincy Jones, Producer - CLAUS OGERMAN, Conductor - Adolph Green, Composer - Betty Comden, Composer - Claus Ogermann, Recording Arranger, AssociatedPerformer - Lesley Gore, MainArtist

℗ 1963 The Island Def Jam Music Group

Albumbeschreibung

Lesley Gore's debut album was rushed out on the heels of her debut smash, "It's My Party," and suffered from being made into a contrived concept album of sorts. Most of the songs were about -- as the title indicated -- crying, since the key hook of "It's My Party" had Gore boasting that she could cry if she wanted to. The effect, if only temporarily, was to make her out to be something of a novelty artist, even if one of the songs other than "It's My Party" (its inferior follow-up, "Judy's Turn to Cry") turned out be a big hit as well. Aside from the limited lyrical themes, a bigger problem was that the material, other than the two big hits, largely veered between tame treatments of pop standards ("Misty," "Cry Me a River," "What Kind of Fool Am I") and unmemorable soppy pop ballads by contemporary writers that tapped into the weaker aspects of doo wop-influenced girl group music. At this point, Gore seemed to be as interested in being an adult torch singer as a teen rocker, but her teenaged pipes were simply far more suited toward girl group-style songs than trying to be another Julie London. The big flaw is one that seems obvious in retrospect, but probably wasn't even seen by many who were helping to direct her career at the time: Aside from the hits, nothing here rocked respectably, or swung as Quincy Jones' arrangements were capable of doing, though "Cry Me a River" wasn't too bad. Gore would, perhaps to the surprise of many, go on to establish a respectable career with a series of hits that didn't always milk the self-pity bucket, though this first effort gave all the indication of her being a one-hit wonder.
© Richie Unterberger /TiVo

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