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Luc Devos|Hummel: Septet Op. 74

Hummel: Septet Op. 74

Luc Devos / Solstice Ensemble / Isabelle Lamfalussy

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These performances affirm anew that the historical performance movement has much to offer music of the nineteenth century after Beethoven; the musicians of Belgium's Solstice Ensemble play a variety of instruments roughly from the period of Johann Nepomuk Hummel's life, or copies thereof (the strings are older). The one you notice the most is the 1850 horn (which is really French) in the Hummel Septet in D minor, Op. 74 -- the silken horn capable of whispering was a creation from later in the century, and this one still makes you aware that you're listening to an instrument originally meant for the hunt or the military field of action. That horn has a way of bringing to life the dense, expansive movements of Hummel's Septet, a work with the large-scale harmonic architecture of Schubert but without the Romantic inwardness to match. The horn propels the listener from section to section in the outer movements and adds punch to the ambivalently titled Menuetto o scherzo second movement; the Andante variation set remains the piece's weakest part. The cover doesn't make clear that the concluding arrangement of Mozart's Symphony No. 39 in E flat major, K. 543, is also by Hummel, who was present (at age nine, as a boarder in Mozart's household) at the work's creation. It's a splendid example of its type; Hummel chooses the four instruments, piano, flute, violin, and cello, that arguably enable him to extract the most possible music from Mozart's original score. He also marks it up with tempo indications that have been responsible for some of the blazing speeds heard in historically oriented performances of the original symphony; director Isabelle Lamfalussy doesn't push things quite as far as some other conductors have, but she divests the minuet completely of its latterly acquired tippy-toeing Viennese waltz overtones and produces a brisk interpretation ideally suited to the chamber group. Highly enjoyable from start to finish, and possibly a definitive performance of the Hummel Septet.
© TiVo

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Hummel: Septet Op. 74

Luc Devos

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Septet for Pianoforte, Flute, Oboe, Horn, Viola, Cello and Double-Bass in D Minor, Op. 74 (Johann Nepomuk Hummel)

1
I. Allegro con spirito
Christophe Feron
00:14:54

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Taka Kitazato, Performer - Christophe Feron, Performer - Stéphanie de Failly, Performer - Frans Vos, Performer - Bernard Woltèche, Performer - Eric Mathot, Performer - Johann Nepomuk Hummel, Composer

2007 Pavane Records 2007 Pavane Records

2
II. Menuetto o scherzo
Christophe Feron
00:06:25

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Taka Kitazato, Performer - Christophe Feron, Performer - Stéphanie de Failly, Performer - Frans Vos, Performer - Bernard Woltèche, Performer - Eric Mathot, Performer - Johann Nepomuk Hummel, Composer

2007 Pavane Records 2007 Pavane Records

3
III. Andante con variazioni
Christophe Feron
00:09:16

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Taka Kitazato, Performer - Christophe Feron, Performer - Stéphanie de Failly, Performer - Frans Vos, Performer - Bernard Woltèche, Performer - Eric Mathot, Performer - Johann Nepomuk Hummel, Composer

2007 Pavane Records 2007 Pavane Records

4
IV. Finale vivace
Christophe Feron
00:09:06

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Taka Kitazato, Performer - Christophe Feron, Performer - Stéphanie de Failly, Performer - Frans Vos, Performer - Bernard Woltèche, Performer - Eric Mathot, Performer - Johann Nepomuk Hummel, Composer

2007 Pavane Records 2007 Pavane Records

Symphony No. 39 in E Flat Major, K. 543 (Transcribed for Pianoforte, Flute, Violin and Cello) (Wolfgang Amadeus Mozart)

5
I. Adagio - Allegro
Stéphanie de Failly
00:10:15

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Stéphanie de Failly, Performer - Bernard Woltèche, Performer - Wolfgang Amadeus Mozart, Composer

2007 Pavane Records 2007 Pavane Records

6
II. Andante
Stéphanie de Failly
00:08:10

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Stéphanie de Failly, Performer - Bernard Woltèche, Performer - Wolfgang Amadeus Mozart, Composer

2007 Pavane Records 2007 Pavane Records

7
III. Minuetto allegretto
Stéphanie de Failly
00:03:10

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Stéphanie de Failly, Performer - Bernard Woltèche, Performer - Wolfgang Amadeus Mozart, Composer

2007 Pavane Records 2007 Pavane Records

8
IV. Finale allegro
Stéphanie de Failly
00:05:34

Luc Devos, Performer - Isabelle Lamfalussy, Performer - Stéphanie de Failly, Performer - Bernard Woltèche, Performer - Wolfgang Amadeus Mozart, Composer - Johann Nepomuk Hummel, Composer

2007 Pavane Records 2007 Pavane Records

Albumbeschreibung

These performances affirm anew that the historical performance movement has much to offer music of the nineteenth century after Beethoven; the musicians of Belgium's Solstice Ensemble play a variety of instruments roughly from the period of Johann Nepomuk Hummel's life, or copies thereof (the strings are older). The one you notice the most is the 1850 horn (which is really French) in the Hummel Septet in D minor, Op. 74 -- the silken horn capable of whispering was a creation from later in the century, and this one still makes you aware that you're listening to an instrument originally meant for the hunt or the military field of action. That horn has a way of bringing to life the dense, expansive movements of Hummel's Septet, a work with the large-scale harmonic architecture of Schubert but without the Romantic inwardness to match. The horn propels the listener from section to section in the outer movements and adds punch to the ambivalently titled Menuetto o scherzo second movement; the Andante variation set remains the piece's weakest part. The cover doesn't make clear that the concluding arrangement of Mozart's Symphony No. 39 in E flat major, K. 543, is also by Hummel, who was present (at age nine, as a boarder in Mozart's household) at the work's creation. It's a splendid example of its type; Hummel chooses the four instruments, piano, flute, violin, and cello, that arguably enable him to extract the most possible music from Mozart's original score. He also marks it up with tempo indications that have been responsible for some of the blazing speeds heard in historically oriented performances of the original symphony; director Isabelle Lamfalussy doesn't push things quite as far as some other conductors have, but she divests the minuet completely of its latterly acquired tippy-toeing Viennese waltz overtones and produces a brisk interpretation ideally suited to the chamber group. Highly enjoyable from start to finish, and possibly a definitive performance of the Hummel Septet.
© TiVo

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