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Alina Ibragimova|Hartmann: Concerto funebre; Violin Sonatas & Suites

Hartmann: Concerto funebre; Violin Sonatas & Suites

Alina Ibragimova, Britten Sinfonia

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The sacred line of the great Austro-German composers of the twentieth century goes Mahler, Berg, Hindemith, Hartmann -- and the common listeners' affection for those composers' music goes in exactly the same order. Most listeners like Mahler's music, a fraction of them like Berg's, a fraction of them like Hindemith's, and a fraction of them like Hartmann's. Despite its undeniable dramatic mastery, lyrical intensity, and compositional virtuosity, Hartmann's music remains little known outside the German-speaking homelands.
Perhaps the reason for this neglect is its extravagant expressionist emotionality. As this uncompromising disc coupling his Concerto funebre for violin and string orchestra with his pairs of suites and sonatas for solo violin shows, Hartmann's harmonies were sometimes at the dissonant edges of tonality, his melodies frequently on the far side of clarity, and his attacks as often as not over the top into blatant brutality. Still, as performed here with astounding technical brilliance and complete self-assurance by young Russian violinist Alina Ibragimova, Hartmann's music can be a transformative experience. With the enthusiastic support of the Britten Sinfonia, Ibragimova leans into the big tunes and the grand climaxes of the four-movement concerto, making the work seem nearly as compelling as Berg's concerto. And alone in the four- and five-movement suites and sonatas, Ibragimova persuades the casual listener to attend closely to the works' reckless daring, extraordinary beauty, and enormous musicality. Recorded in close, warm, and clean sound in Henry Wood Hall in London by producer Andrew Keener, this disc may do its bit to raise Hartmann's music in the pantheon of the great Austro-German composers of the twentieth century.

© TiVo

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Hartmann: Concerto funebre; Violin Sonatas & Suites

Alina Ibragimova

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1
Concerto funebre: I. Introduction. Largo
Britten Sinfonia
00:01:41

Karl Amadeus Hartmann, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

2
Concerto funebre: II. Adagio
Alina Ibragimova
00:07:02

Karl Amadeus Hartmann, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

3
Concerto funebre: III. Allegro di molto
Alina Ibragimova
00:08:34

Karl Amadeus Hartmann, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

4
Concerto funebre: IV. Choral. Langsamer Marsch
Alina Ibragimova
00:04:32

Karl Amadeus Hartmann, Composer - Britten Sinfonia, Chamber Ensemble, MainArtist, AssociatedPerformer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

5
Suite No. 1 for Solo Violin: I. Canon. Lebhaft
Alina Ibragimova
00:03:38

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

6
Suite No. 1 for Solo Violin: II. Fuge. Munter
Alina Ibragimova
00:03:25

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

7
Suite No. 1 for Solo Violin: III. Rondo. Nicht zu schnell
Alina Ibragimova
00:04:52

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

8
Suite No. 1 for Solo Violin: IV. Dreiteilige Liedform. Breit
Alina Ibragimova
00:04:21

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

9
Suite No. 1 for Solo Violin: V. Ciaccona. Lebhaft
Alina Ibragimova
00:03:40

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

10
Suite No. 2 for Solo Violin: I. Lebhaft
Alina Ibragimova
00:02:13

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

11
Suite No. 2 for Solo Violin: II. Fließend
Alina Ibragimova
00:03:28

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

12
Suite No. 2 for Solo Violin: III. Stürmisch
Alina Ibragimova
00:01:48

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

13
Suite No. 2 for Solo Violin: IV. Jazz Tempo. Sehr robust
Alina Ibragimova
00:02:06

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

14
Sonata No. 1 for Solo Violin: I. Toccata. Sehr lebhaft achtel
Alina Ibragimova
00:01:51

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

15
Sonata No. 1 for Solo Violin: II. Ruhig viertel, sehr fließend
Alina Ibragimova
00:04:00

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

16
Sonata No. 1 for Solo Violin: III. Verrücht schnell, unschön spielen
Alina Ibragimova
00:02:05

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

17
Sonata No. 1 for Solo Violin: IV. Breit! Mit viel Ausdruck
Alina Ibragimova
00:04:40

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

18
Sonata No. 1 for Solo Violin: V. Fuge (Toccata). Heiter, burschikos
Alina Ibragimova
00:02:27

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

19
Sonata No. 2 for Solo Violin: I. Langsam, breite
Alina Ibragimova
00:02:19

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

20
Sonata No. 2 for Solo Violin: II. Variationen über eine rythmische Idee. Äusserst lebhaft
Alina Ibragimova
00:02:48

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

21
Sonata No. 2 for Solo Violin: III. Sehr langsame … mit viel Empfindung
Alina Ibragimova
00:05:47

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

22
Sonata No. 2 for Solo Violin: IV. Fuge. Sehr wild und roh im Vortrag
Alina Ibragimova
00:03:18

Karl Amadeus Hartmann, Composer - Alina Ibragimova, Violin, MainArtist, AssociatedPerformer

℗ 2007 Hyperion Records Limited

Albumbeschreibung

The sacred line of the great Austro-German composers of the twentieth century goes Mahler, Berg, Hindemith, Hartmann -- and the common listeners' affection for those composers' music goes in exactly the same order. Most listeners like Mahler's music, a fraction of them like Berg's, a fraction of them like Hindemith's, and a fraction of them like Hartmann's. Despite its undeniable dramatic mastery, lyrical intensity, and compositional virtuosity, Hartmann's music remains little known outside the German-speaking homelands.
Perhaps the reason for this neglect is its extravagant expressionist emotionality. As this uncompromising disc coupling his Concerto funebre for violin and string orchestra with his pairs of suites and sonatas for solo violin shows, Hartmann's harmonies were sometimes at the dissonant edges of tonality, his melodies frequently on the far side of clarity, and his attacks as often as not over the top into blatant brutality. Still, as performed here with astounding technical brilliance and complete self-assurance by young Russian violinist Alina Ibragimova, Hartmann's music can be a transformative experience. With the enthusiastic support of the Britten Sinfonia, Ibragimova leans into the big tunes and the grand climaxes of the four-movement concerto, making the work seem nearly as compelling as Berg's concerto. And alone in the four- and five-movement suites and sonatas, Ibragimova persuades the casual listener to attend closely to the works' reckless daring, extraordinary beauty, and enormous musicality. Recorded in close, warm, and clean sound in Henry Wood Hall in London by producer Andrew Keener, this disc may do its bit to raise Hartmann's music in the pantheon of the great Austro-German composers of the twentieth century.

© TiVo

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