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Canned Heat|Future Blues (Expanded Edition)

Future Blues (Expanded Edition)

Canned Heat

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The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama." Dr. John appears, playing piano on the dark, ominous "London Blues," and arranges the horns on "Skat," which tries for a completely different kind of sound -- late-'40s-style jump blues -- than that for which the group was usually known. And the band also turns in a powerhouse heavy guitar version of Wilbert Harrison's "Let's Work Together."

© Bruce Eder /TiVo

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Future Blues (Expanded Edition)

Canned Heat

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1
Sugar Bee
00:02:39

Eddie Shuler, ComposerLyricist - Canned Heat, Producer, MainArtist - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

2
Shake It And Break It
00:02:35

Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Skip Taylor, Producer

℗ 1969 Capitol Records, LLC

3
That's All Right Mama
00:04:18

Canned Heat, Producer, MainArtist - Arthur Crudup, ComposerLyricist - Skip Taylor, Producer

℗ 1969 Capitol Records, LLC

4
My Time Ain't Long
00:03:48

Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

5
Skat
00:02:43

Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

6
Let's Work Together
00:02:50

Canned Heat, Producer, MainArtist - WILBERT HARRISON, ComposerLyricist - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

7
London Blues
00:05:30

Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

8
So Sad (The World's In A Tangle)
00:07:55

Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Larry Taylor, Composer - Skip Taylor, Producer - Fito De la Parra, Composer - Harvey Mandel, Composer - Robert Jnr Hite, Composer

℗ 1970 Capitol Records, LLC

9
Future Blues
00:03:04

CBSO Chorus, ComposerLyricist - Robert Tear, ComposerLyricist - City Of Birmingham Symphony Orchestra, ComposerLyricist - Sir Simon Rattle, ComposerLyricist - Canned Heat, Producer, MainArtist - Alan Wilson, ComposerLyricist - Simon Halsey, ComposerLyricist - Alison Hargan, ComposerLyricist - Willard White, ComposerLyricist - Skip Taylor, Producer - Mary King, ComposerLyricist - Adolfo De La Parra, ComposerLyricist - Samuel Taylor, ComposerLyricist - Harvey Mandel (USA 2), ComposerLyricist

℗ 1969 Capitol Records, LLC

10
Poor Moon (Remastered 2005)
00:03:26

Canned Heat, Producer, MainArtist - Alan Wilson, ComposerLyricist - Evren Göknar, Mastering Engineer, StudioPersonnel - Skip Taylor, Producer

℗ 2005 Capitol Records, LLC

11
Wooly Bully
00:02:31

Samudio, ComposerLyricist - Canned Heat, MainArtist - Skip Taylor, Producer

℗ 1970 Capitol Records, LLC

12
Let's Work Together
00:03:13

Canned Heat, Producer, MainArtist - WILBERT HARRISON, ComposerLyricist - Skip Taylor, Producer

℗ 1969 Capitol Records, LLC

13
Human Condition
00:05:24

CBSO Chorus, Composer - Robert Tear, Composer - City Of Birmingham Symphony Orchestra, Composer - Sir Simon Rattle, Composer - Canned Heat, Producer, MainArtist - Alan Wilson, Composer - Simon Halsey, Composer - Alison Hargan, Composer - Willard White, Composer - Mary King, Composer - Adolfo De La Parra, Composer - Mark L. Skyer, Composer - Chris Morgan, Composer

℗ 1970 Capitol Records, LLC

Albumbeschreibung

The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama." Dr. John appears, playing piano on the dark, ominous "London Blues," and arranges the horns on "Skat," which tries for a completely different kind of sound -- late-'40s-style jump blues -- than that for which the group was usually known. And the band also turns in a powerhouse heavy guitar version of Wilbert Harrison's "Let's Work Together."

© Bruce Eder /TiVo

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