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Sounds of Blackness|Evolution Of Gospel

Evolution Of Gospel

Sounds of Blackness

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Text in englischer Sprache verfügbar

Though from beginning to end one of the best gospel albums of its era, The Evolution of Gospel became and remains noteworthy because of three songs in particular: "Optimistic," "The Pressure," and "Testify." These three songs rocketed to the upper reaches of the R&B charts in 1992, all three entering the Top 20 and "Optimistic" peaking at number three -- remarkable numbers for such unashamed gospel music. And these weren't flukes or novelty hits. No, these were amazing songs that captured the spirit of the time, in particular the new jack swing production sound that was all the rage in the early '90s. Furthermore, it didn't hurt that Sounds of Blackness teamed with the hottest production team of the time for these songs, Jimmy Jam and Terry Lewis, who were in the process of producing Janet Jackson's Rhythm Nation at the time. The result was three definitive songs that synthesized Jam and Lewis' incredibly dense rhythms with Sounds of Blackness' uplifting gospel technique. The remainder of the album unfortunately didn't feature Jam and Lewis' production, but group mastermind Gary Hines obviously knew he had a winning formula and stuck with the new jack motifs, even if he's a second-rate Teddy Riley at best. As a further testament to this album's monolithic status, it's important to note that much of this album remains as charged as it did at its prime, while all the other Bobby Browns and Color Me Badds of the time admittedly haven't aged nearly as well. Sounds of Blackness never could duplicate the success of Evolution of Gospel, the undisputed zenith of the group's career.

© Jason Birchmeier /TiVo

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Evolution Of Gospel

Sounds of Blackness

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1
Chains (Album Version)
00:01:02

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

2
Optimistic
00:05:18

Sounds of Blackness, MainArtist - JIMMY JAM, Producer, Executive Producer, ComposerLyricist - TERRY LEWIS, Producer, Executive Producer, ComposerLyricist - Carrie Harrington, Vocals, AssociatedPerformer - Gary Hines, Producer, ComposerLyricist - Ann Bennett-Nesby, Vocals, AssociatedPerformer - Patricia Lacy, Vocals, AssociatedPerformer - Jamecia Bennett, Vocals, AssociatedPerformer - Core Cotton, Vocals, AssociatedPerformer

℗ 1991 A&M Records

3
Ah Been Workin (Album Version)
00:00:42

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

4
The Pressure Pt. 1 (Album Version)
00:06:04

Sounds of Blackness, MainArtist - JIMMY JAM, Producer, Executive Producer - TERRY LEWIS, Producer, Executive Producer, ComposerLyricist - JAMES HARRIS, ComposerLyricist - Gary Hines, Producer

℗ 1991 A&M Records

5
Testify (Album Version)
00:04:57

Sounds of Blackness, MainArtist - JIMMY JAM, Producer - TERRY LEWIS, Producer, ComposerLyricist - JAMES HARRIS, ComposerLyricist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

6
Gonna Be Free One Day (Album Version)
00:00:37

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

7
Stand (Album Version)
00:04:24

Sounds of Blackness, MainArtist - Sly Stone, ComposerLyricist - Gary Hines, Producer

℗ 1991 A&M Records

8
The Pressure Pt. 2 (Album Version)
00:05:41

Sounds of Blackness, MainArtist - JIMMY JAM, Producer, ComposerLyricist - TERRY LEWIS, Producer, ComposerLyricist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

9
Your Wish Is My Command (Album Version)
00:05:00

Willie Clarke, ComposerLyricist - Sounds of Blackness, MainArtist - JIMMY JAM, Producer, Executive Producer - TERRY LEWIS, Producer, Executive Producer - Clarence Reid, ComposerLyricist - Gary Hines, Producer, ComposerLyricist - Tony Ray Haynes, ComposerLyricist - Tim Wortham, ComposerLyricist

℗ 1991 A&M Records

10
Hallelujah Lord! (Album Version)
00:01:44

Sounds of Blackness, MainArtist - Carrie Harrington, ComposerLyricist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

11
We Give You Thanks (Album Version)
00:06:15

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

12
He Holds The Future (Album Version)
00:05:00

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

13
What Shall I Call Him? (Album Version)
00:04:04

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

14
Better Watch Your Behavior (Album Version)
00:01:53

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

15
Please Take My Hand (Album Version)
00:04:36

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

16
I'll Fly Away (Album Version)
00:03:48

Sounds of Blackness, MainArtist - Gary Hines, Producer - Albert E. Brumley, Sr., ComposerLyricist

℗ 1991 A&M Records

17
Harambee (Album Version)
00:01:03

Sounds of Blackness, MainArtist - Gary Hines, Producer, ComposerLyricist

℗ 1991 A&M Records

Albumbeschreibung

Though from beginning to end one of the best gospel albums of its era, The Evolution of Gospel became and remains noteworthy because of three songs in particular: "Optimistic," "The Pressure," and "Testify." These three songs rocketed to the upper reaches of the R&B charts in 1992, all three entering the Top 20 and "Optimistic" peaking at number three -- remarkable numbers for such unashamed gospel music. And these weren't flukes or novelty hits. No, these were amazing songs that captured the spirit of the time, in particular the new jack swing production sound that was all the rage in the early '90s. Furthermore, it didn't hurt that Sounds of Blackness teamed with the hottest production team of the time for these songs, Jimmy Jam and Terry Lewis, who were in the process of producing Janet Jackson's Rhythm Nation at the time. The result was three definitive songs that synthesized Jam and Lewis' incredibly dense rhythms with Sounds of Blackness' uplifting gospel technique. The remainder of the album unfortunately didn't feature Jam and Lewis' production, but group mastermind Gary Hines obviously knew he had a winning formula and stuck with the new jack motifs, even if he's a second-rate Teddy Riley at best. As a further testament to this album's monolithic status, it's important to note that much of this album remains as charged as it did at its prime, while all the other Bobby Browns and Color Me Badds of the time admittedly haven't aged nearly as well. Sounds of Blackness never could duplicate the success of Evolution of Gospel, the undisputed zenith of the group's career.

© Jason Birchmeier /TiVo

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