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NDR Radiophilharmonie|Draeseke: Symphonies Nos. 1 & 4 - Gudrun Overture

Draeseke: Symphonies Nos. 1 & 4 - Gudrun Overture

Jorg-Peter Weigle

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Mildly original and fairly talented, Felix Draeseke (1835-1913) had only two problems as a composer: he wasn't as original as Wagner or as gifted as Strauss. While Wagner could compose brave new works, Draeseke could compose only modestly innovative works, and while Strauss had the ability to compose pretty much any work he wanted, Draeseke had the ability to compose variations on works that already existed. So while Draeseke's music is more original than, say, Brahms', it lacks the imagination to be memorable, and while Draeseke's music is more talented than, say, Bruckner's, it lacks the inspiration to be unforgettable. The works on this disc -- the First and Fourth symphonies and the Overture to Gudrun -- are testimony to Draeseke's abilities and his deficiencies. Although conductor Jörg-Peter Weigle and the Radio-Philharmonie NDR perform with commitment and dedication, their performance of the serious Symphony No. 1 reveals a work of fine craftsmanship but little melodic or harmonic significance, their performance of the comic Symphony No. 4 reveals a work of good intentions but little humor or wit, and their performance of Draeseke's Gudrun Overture reveals a work essentially indistinguishable from dozens of other late nineteenth century German opera overtures. For listeners already familiar with all the works of Wagner, Strauss, Brahms, Bruckner, Mahler, Bruch, and their contemporaries, Draeseke will be slightly interesting. For everyone else, he will be instantly forgettable. CPO's sound is clean and open, but not especially vivid.
© TiVo

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Draeseke: Symphonies Nos. 1 & 4 - Gudrun Overture

NDR Radiophilharmonie

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Symphony No. 1 in G major, Op. 12 (Félix Draeseke)

1
I. Introduzione ed allegro
00:10:18

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

2
II. Scherzo
00:05:59

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

3
III. Adagio
00:12:41

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

4
IV. Finale
00:06:34

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

Symphony No. 4 in E minor/G major, WoO 38, 'Symphonia comica' (Félix Draeseke)

5
I. Bewegt, feurig
00:05:03

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

6
II. Fliegenkrieg (Langsam ruhig)
00:05:45

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

7
III. Scherzo (Lebendig, flott)
00:05:58

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

8
IV. Lebhaft, schnell
00:05:09

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

Gudrun (Félix Draeseke)

9
Gudrun: Overture
00:11:31

Jorg-Peter Weigle, Conductor - North German Radio Philharmonic Orchestra, Orchestra - Félix Draeseke, Composer

(C) 2000 CPO (P) 2000 CPO

Albumbeschreibung

Mildly original and fairly talented, Felix Draeseke (1835-1913) had only two problems as a composer: he wasn't as original as Wagner or as gifted as Strauss. While Wagner could compose brave new works, Draeseke could compose only modestly innovative works, and while Strauss had the ability to compose pretty much any work he wanted, Draeseke had the ability to compose variations on works that already existed. So while Draeseke's music is more original than, say, Brahms', it lacks the imagination to be memorable, and while Draeseke's music is more talented than, say, Bruckner's, it lacks the inspiration to be unforgettable. The works on this disc -- the First and Fourth symphonies and the Overture to Gudrun -- are testimony to Draeseke's abilities and his deficiencies. Although conductor Jörg-Peter Weigle and the Radio-Philharmonie NDR perform with commitment and dedication, their performance of the serious Symphony No. 1 reveals a work of fine craftsmanship but little melodic or harmonic significance, their performance of the comic Symphony No. 4 reveals a work of good intentions but little humor or wit, and their performance of Draeseke's Gudrun Overture reveals a work essentially indistinguishable from dozens of other late nineteenth century German opera overtures. For listeners already familiar with all the works of Wagner, Strauss, Brahms, Bruckner, Mahler, Bruch, and their contemporaries, Draeseke will be slightly interesting. For everyone else, he will be instantly forgettable. CPO's sound is clean and open, but not especially vivid.
© TiVo

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