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Deborah Cox|Destination Moon

Destination Moon

Deborah Cox

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Text in englischer Sprache verfügbar

Artist tributes are tricky pieces of work. Most of the time, they aren't recorded by the biggest names of the moment, and they're usually sub-par. Instead of putting out an album of new music after a five-year hiatus, and twelve years into her career, Canadian R&B diva Deborah Cox released Destination Moon, a tribute to jazz legend Dinah Washington. Cox refers to this album as a personal tribute to her legend growing up. Frankly, she does justice to the works, which make for a strong representation of Washington's hits over her far too brief career. Cox's voice, in all its purity, has never sounded better, with the honey tones in her raspy instrument flourishing throughout the album's big moments. Unfortunately, the album is full of awkward missteps that steer this work off course: Cox doesn't always connect with the songs. Many of the tracks seem robotic; Cox sings them well, but doesn't emote to the best of her ability, something that has always been a flaw of hers in the past. Therefore, Moon appears to be more of a lifetime biopic of Dinah Washington's musical career than a genuine blockbuster. For an artist like Washington, who has garnered much respect even to this day for her creativeness and emotional capacity, Cox suffers in both attributes. Considering Moon is supposed to be a tribute, as such it seems flat. In addition, the timing of the album seems like an odd choice for Cox; there is a five-year gap between this album and The Morning After (excluding Remixed, a collection of dance re-recordings), but this may be because of her label shift from J-Records to Decca. And because she has stayed out of the limelight for some time, jumping back into the music scene with a tribute doesn't seem like the smartest move on her part. In addition, Cox is an R&B diva who is known for her dance tracks and smooth grooves. Jazz seems awkward for the Canadian superstar, who handles the shift well vocally, but seems to have missed the mark in most other places. Ultimately, the album is too indulgent on Cox's part, and in order for the whole piece to be credible, especially for Cox, whose popularity has slowly faded since her newest album, she needed to nail every part of the album, not just the vocals.

© Matthew Chisling /TiVo

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Destination Moon

Deborah Cox

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1
Destination Moon
00:02:41

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - MARVIN FISHER, ComposerLyricist - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel - Alfred Roy, ComposerLyricist

℗ 2007 Decca Label Group

2
What A Difference A Day Made
00:04:07

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Maria Grever, Composer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Stanley Adams, Author - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

3
Misery
00:03:41

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Dinah Washington, ComposerLyricist - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel - Louis Howard, ComposerLyricist

℗ 2007 Decca Label Group

4
Baby, You've Got What It Takes
00:03:34

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - CLYDE OTIS, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Murray Stein, ComposerLyricist - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

5
This Bitter Earth
00:04:04

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - CLYDE OTIS, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

6
Squeeze Me
00:02:22

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - Clarence Williams, Author - Fats Waller, Composer - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

7
New Blowtop Blues
00:02:59

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Leonard Feather, ComposerLyricist - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Jane Feather, ComposerLyricist - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

8
Blue Skies
00:04:06

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - Irving Berlin, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

9
I Don't Hurt Anymore
00:03:26

Deborah Cox, Producer, Co-Producer, MainArtist - Donald Robertson, ComposerLyricist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Jack Rollins, ComposerLyricist - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

10
Smoke Gets In Your Eyes
00:04:32

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - Jerome Kern, Composer - ELLIOT SCHEINER, Mixer, StudioPersonnel - Otto Harbach, Author - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

11
September In The Rain
00:03:22

Deborah Cox, Producer, Co-Producer, MainArtist - David Spinozza, Guitar, AssociatedPerformer - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - AL DUBIN, Author - Harry Warren, Composer - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - Yvan Bing, Asst. Recording Engineer, StudioPersonnel - David Finck, Double Bass, AssociatedPerformer - Brian Montgomery, Asst. Recording Engineer, StudioPersonnel - VICTOR LEWIS, Drums, AssociatedPerformer - Brian Pugh, Asst. Recording Engineer, StudioPersonnel - Seamus Tyson, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Decca Label Group

12
Look To The Rainbow
00:03:55

Deborah Cox, Producer, Co-Producer, MainArtist - ROB MOUNSEY, Producer, Piano, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - DAVE O'DONNELL, Recording Engineer, StudioPersonnel - E.Y. HARBURG, Author - Burton Lane, Composer

℗ 2007 Decca Label Group

Albumbeschreibung

Artist tributes are tricky pieces of work. Most of the time, they aren't recorded by the biggest names of the moment, and they're usually sub-par. Instead of putting out an album of new music after a five-year hiatus, and twelve years into her career, Canadian R&B diva Deborah Cox released Destination Moon, a tribute to jazz legend Dinah Washington. Cox refers to this album as a personal tribute to her legend growing up. Frankly, she does justice to the works, which make for a strong representation of Washington's hits over her far too brief career. Cox's voice, in all its purity, has never sounded better, with the honey tones in her raspy instrument flourishing throughout the album's big moments. Unfortunately, the album is full of awkward missteps that steer this work off course: Cox doesn't always connect with the songs. Many of the tracks seem robotic; Cox sings them well, but doesn't emote to the best of her ability, something that has always been a flaw of hers in the past. Therefore, Moon appears to be more of a lifetime biopic of Dinah Washington's musical career than a genuine blockbuster. For an artist like Washington, who has garnered much respect even to this day for her creativeness and emotional capacity, Cox suffers in both attributes. Considering Moon is supposed to be a tribute, as such it seems flat. In addition, the timing of the album seems like an odd choice for Cox; there is a five-year gap between this album and The Morning After (excluding Remixed, a collection of dance re-recordings), but this may be because of her label shift from J-Records to Decca. And because she has stayed out of the limelight for some time, jumping back into the music scene with a tribute doesn't seem like the smartest move on her part. In addition, Cox is an R&B diva who is known for her dance tracks and smooth grooves. Jazz seems awkward for the Canadian superstar, who handles the shift well vocally, but seems to have missed the mark in most other places. Ultimately, the album is too indulgent on Cox's part, and in order for the whole piece to be credible, especially for Cox, whose popularity has slowly faded since her newest album, she needed to nail every part of the album, not just the vocals.

© Matthew Chisling /TiVo

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