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Danny Elfman|Darkman (From "Darkman" Soundtrack)

Darkman (From "Darkman" Soundtrack)

Danny Elfman

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This album was sort of tossed out by MCA without fanfare after Darkman was released to only minor success. It's another in the series of dramatic, heavily orchestrated scores Elfman is known for, orchestrated by Steve Bartek with an assist from conductor Shirley Walker. While comparisons have been made between this score and that for Batman, there are major differences -- this score is brighter, often more obvious in its effects than Batman was, with a brassier overall tone that works well. There are also some delightfully demented moments -- "Carnival From Hell" is fairground music tilted at an angle, the funhouse mirrors peeking through. For some people, the differences in tone and attitude won't be enough to make it worthwhile, and it's certainly true that there's some repetitiveness involved here -- Elfman needs to break away for a while from fantasy/horror/science fiction/comic book scoring and develop his compositional abilities in other directions. However, it's not a bad release by all means; in some respects it's a stronger score than the one for Dick Tracy, and more dynamic in tone than Nightbreed.

© Steven McDonald /TiVo

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Darkman (From "Darkman" Soundtrack)

Danny Elfman

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1
Main Titles (From "Darkman" Soundtrack)
00:01:37

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

2
Woe, The Darkman... Woe (From "Darkman" Soundtrack)
00:06:09

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

3
Rebuilding/Failure (From "Darkman" Soundtrack)
00:03:15

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

4
Love Theme (From "Darkman" Soundtrack)
00:00:55

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

5
Julie Transforms (From "Darkman" Soundtrack)
00:01:10

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

6
Rage/Peppy Science (From "Darkman" Soundtrack)
00:01:36

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

7
Creating Pauley (From "Darkman" Soundtrack)
00:03:19

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

8
Double Durante (From "Darkman" Soundtrack)
00:01:50

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

9
The Plot Unfolds (Dancing Freak) (From "Darkman" Soundtrack)
00:07:00

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

10
Carnival From Hell (From "Darkman" Soundtrack)
00:03:16

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

11
Julie Discovers Darkman (From "Darkman" Soundtrack)
00:01:58

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

12
High Steel (From "Darkman" Soundtrack)
00:04:18

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

13
Finale/End Credits (From "Darkman" Soundtrack)
00:03:39

Danny Elfman, Producer, MainArtist, ComposerLyricist

℗ 1990 Geffen Records

Albumbeschreibung

This album was sort of tossed out by MCA without fanfare after Darkman was released to only minor success. It's another in the series of dramatic, heavily orchestrated scores Elfman is known for, orchestrated by Steve Bartek with an assist from conductor Shirley Walker. While comparisons have been made between this score and that for Batman, there are major differences -- this score is brighter, often more obvious in its effects than Batman was, with a brassier overall tone that works well. There are also some delightfully demented moments -- "Carnival From Hell" is fairground music tilted at an angle, the funhouse mirrors peeking through. For some people, the differences in tone and attitude won't be enough to make it worthwhile, and it's certainly true that there's some repetitiveness involved here -- Elfman needs to break away for a while from fantasy/horror/science fiction/comic book scoring and develop his compositional abilities in other directions. However, it's not a bad release by all means; in some respects it's a stronger score than the one for Dick Tracy, and more dynamic in tone than Nightbreed.

© Steven McDonald /TiVo

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