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Ensemble Obsidienne|Carmina Burana - Version médiévale (Ensemble Obsidienne)

Carmina Burana - Version médiévale (Ensemble Obsidienne)

Ensemble Obsidienne

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Buyers should note this is not the Carl Orff Carmina Burana, but the collection of medieval pieces that inspired Orff; to call it a "medieval version," as the packaging here does, implies a closer relationship than that which actually exists. The Carmina Burana are named for a manuscript at the Benediktbeuern abbey in Germany, where some of the medieval songs were found; the title means "songs of Beuern." Orff set the texts of some of these songs in his famed choral work. The texts here, mixing Latin and Old French (sometimes in the same song), may be familiar, and their mixture of sexy fun and gloomy philosophy actually comes through better in these settings than in Orff's; here they lack the monumental choral distraction. The performances by France's Ensemble Obsidienne, with singers accompanied by a rotating small ensemble of medieval wind instruments, are especially lively, with a drinking song like In taberna quando sumus (track 4) given a bit of the rollicking humor that gets lost in Orff's settings. The performances are cleanly done, enthusiastic, and recommended for anyone interested in the Carmina Burana and where they came from.

© TiVo

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Carmina Burana - Version médiévale (Ensemble Obsidienne)

Ensemble Obsidienne

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1
Hiemali tempore
00:02:34
2
Bache bene venies
00:03:40
3
Alte clamat epicurus
00:02:55
4
In taberna quando sumus
00:03:08
5
Messe des joueurs: Lugeamus, Victime novali
00:02:44
6
Michi confer venditor
00:01:39
7
Aristipe quamvis sero
00:01:03
8
Pleurez ce qui est déplorable…
00:01:41
9
Ecce torpet probitas
00:00:45
10
Procurans odium
00:01:55
11
Veritas veritatum
00:02:35
12
Licet eger cum egrotis
00:00:42
13
Fas et nefas
00:01:33
14
Bonum est confidere
00:02:49
15
Vite perdite me legi
00:00:44
16
Non te lusisse pudeat
00:02:01
17
Crucifigat omnes
00:01:22
18
In gedeonis area
00:01:10
19
Deduc Syon
00:02:51
20
Dic christi veritas
00:01:22
21
Nomen a sollempnibus
00:01:13
22
A globo veteri
00:02:10
23
Exiit diluculo rustica puella
00:01:23
24
Clauso Chronos
00:04:41
25
Veris dulcis in tempore
00:02:04
26
Tempus transit gelidum
00:01:19
27
Sic mea fata
00:02:22
28
Dulce solum natalis patrie
00:02:11
29
Virent prata hiemata
00:02:09
30
Ich was ein schint so wolgetan
00:03:42
31
O Fortuna (extrait)
00:01:04

Albumbeschreibung

Buyers should note this is not the Carl Orff Carmina Burana, but the collection of medieval pieces that inspired Orff; to call it a "medieval version," as the packaging here does, implies a closer relationship than that which actually exists. The Carmina Burana are named for a manuscript at the Benediktbeuern abbey in Germany, where some of the medieval songs were found; the title means "songs of Beuern." Orff set the texts of some of these songs in his famed choral work. The texts here, mixing Latin and Old French (sometimes in the same song), may be familiar, and their mixture of sexy fun and gloomy philosophy actually comes through better in these settings than in Orff's; here they lack the monumental choral distraction. The performances by France's Ensemble Obsidienne, with singers accompanied by a rotating small ensemble of medieval wind instruments, are especially lively, with a drinking song like In taberna quando sumus (track 4) given a bit of the rollicking humor that gets lost in Orff's settings. The performances are cleanly done, enthusiastic, and recommended for anyone interested in the Carmina Burana and where they came from.

© TiVo

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