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Jaap Ter Linden|Bach, J.S. Suites / Concertos (Johann Sebastian Bach)

Bach, J.S. Suites / Concertos (Johann Sebastian Bach)

Johann Sebastian Bach

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Text in englischer Sprache verfügbar

The Montreal Baroque orchestra Arion has honed its skills and broadened its reach along with the rest of Montreal's vigorous early music scene, and it has attracted European soloists and conductors. Here the direction is by veteran Dutch gamba player Jaap ter Linden. He forges a rather cool but very finely detailed orchestral sound, with a really exquisite blend within and among the moderate-sized string sections. There isn't a strong accent to be found, and even the big cadenza at the end of the first movement of the Brandenburg Concerto No. 5 in D major, BWV 1050, receives a drama-free interpretation at the hands of harpsichordist Hank Knox. The balance among the soloists in the two multi-instrument concertos, and among the instruments in the genuinely orchestral Suite No. 1 in C major, BWV 1066, is carefully and expertly controlled. Except in the hands of a few adventurous soloists, the programs mounted by ensembles from Canada tend to be of the greatest-hits variety, and this one exemplifies the trend. The juxtaposition of these four much-played Bach orchestral works will tell those who've heard them before little new about them. As an introduction to Bach's instrumental music, however, this could make a solid choice. The booklet notes are in French and English, with the word "harpsichord" consistently misspelled in the tracklist.
© TiVo

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Bach, J.S. Suites / Concertos (Johann Sebastian Bach)

Jaap Ter Linden

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1
I. Overture
Jaap Ter Linden
00:05:46

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

2
II. Courante
Jaap Ter Linden
00:02:18

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

3
III. Gavotte I-II
Jaap Ter Linden
00:02:41

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

4
IV. Forlane
Jaap Ter Linden
00:01:22

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

5
V. Menuet I-II
Jaap Ter Linden
00:02:53

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

6
VI. Bourree I-II
Jaap Ter Linden
00:02:17

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

7
VII. Passepied I-II
Jaap Ter Linden
00:02:49

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

8
I. Allegro
Jaap Ter Linden
00:09:33

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

9
II. Affettuoso
Jaap Ter Linden
00:04:53

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

10
III. Allegro
Jaap Ter Linden
00:05:13

Jaap ter Linden, Conductor - Jaap ter Linden, Conductor

11
I. Allegro
Arion Baroque Orchestra
00:08:45

Jaap ter Linden, Conductor - Arion Baroque Orchestra, Orchestra - Jaap ter Linden, Conductor - Claire Guimond, flute - Chantal Remillard, violin

12
II. Adagio ma non tanto e dolce
Arion Baroque Orchestra
00:05:28

Jaap ter Linden, Conductor - Chantal Remillard, violin - Jaap ter Linden, Conductor - Arion Baroque Orchestra, Orchestra - Claire Guimond, flute

13
III. Alla breve
Jaap Ter Linden
00:07:19

Jaap ter Linden, Conductor - Chantal Remillard, violin - Jaap ter Linden, Conductor - Claire Guimond, flute - Arion Baroque Orchestra, Orchestra

14
I. [Allegro]
Jaap Ter Linden
00:07:00

Jaap ter Linden, Conductor - Luc Beausejour, harpsichord - Jaap ter Linden, Conductor - Arion Baroque Orchestra, Orchestra

15
II. Adagio
Arion Baroque Orchestra
00:04:01

Jaap ter Linden, Conductor - Arion Baroque Orchestra, Orchestra - Jaap ter Linden, Conductor - Luc Beausejour, harpsichord

16
III. Fuga
Jaap Ter Linden
00:05:45

Jaap ter Linden, Conductor - Luc Beausejour, harpsichord - Jaap ter Linden, Conductor - Arion Baroque Orchestra, Orchestra

Albumbeschreibung

The Montreal Baroque orchestra Arion has honed its skills and broadened its reach along with the rest of Montreal's vigorous early music scene, and it has attracted European soloists and conductors. Here the direction is by veteran Dutch gamba player Jaap ter Linden. He forges a rather cool but very finely detailed orchestral sound, with a really exquisite blend within and among the moderate-sized string sections. There isn't a strong accent to be found, and even the big cadenza at the end of the first movement of the Brandenburg Concerto No. 5 in D major, BWV 1050, receives a drama-free interpretation at the hands of harpsichordist Hank Knox. The balance among the soloists in the two multi-instrument concertos, and among the instruments in the genuinely orchestral Suite No. 1 in C major, BWV 1066, is carefully and expertly controlled. Except in the hands of a few adventurous soloists, the programs mounted by ensembles from Canada tend to be of the greatest-hits variety, and this one exemplifies the trend. The juxtaposition of these four much-played Bach orchestral works will tell those who've heard them before little new about them. As an introduction to Bach's instrumental music, however, this could make a solid choice. The booklet notes are in French and English, with the word "harpsichord" consistently misspelled in the tracklist.
© TiVo

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