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Man|And In the Beginning … the Complete Early Man 1968-69

And In the Beginning … the Complete Early Man 1968-69

Man

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Text in englischer Sprache verfügbar

The title of this two-CD set is on the grand side, considering it's basically a straight reissue of Man's first two albums, Revelation and 2 Ozs. of Plastic With a Hole in the Middle, with a few marginal extras. Those extras are a few mono single mixes of three Revelation tracks and, from the second album sessions, alternate versions of "My Name Is Jesus Smith" and "Spunk Box" (here retitled "Walkin' the Dogma"), as well as the previously unreleased "A Sad Song." Fans of the slightly more pop-aligned side of psychedelia will prefer the Revelation material on disc one, as Man try on several shades of psych for style with both imagination and awkwardness, uneasily flitting between heavy blues-rock, operatic backup vocals, West Coast-influenced moody organ-based passages, early space rock, and even an instrumental ("Erotica") that sounds like nothing less than the freaked-out soundtrack to a porn movie, complete with quite convincing wordless female moans. (For those who diligently track the rarest of variations, the mono single mix of "Erotica" is from a "non-U.K. issue" -- presumably the version used in one, some, or all European territories in which the track was issued as a single.) On disc two, 2 Ozs. of Plastic With a Hole in the Middle finds the band moving toward a harder, more progressive style of rock with lengthy instrumental passages, sometimes with casual similarity to the astral sound of groups like Pink Floyd, though retaining a bent for lumpy bluesy rock. Of the bonuses here, "A Sad Song" is a modest instrumental ballad with blues slide guitar that sounds like a vocal-less backing track; the "early version" of "Spunk Box" isn't much different from the finished one; and the alternate of "My Name Is Jesus Smith" just combines a previously unissued extended instrumental version with a previously unissued extended vocal version. In all it's not enough to make a case for Man as a major psychedelic/progressive band, but it's certainly impressively packaged, and David Wells' excellent lengthy liner notes are quite entertaining.

© Richie Unterberger /TiVo

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And In the Beginning … the Complete Early Man 1968-69

Man

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1
And In the Beginning
00:04:22

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, MainArtist - Micky Jones, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant, Other

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

2
Sudden Life
00:04:40

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Clive John, Composer, Keyboards - Deke Leonard, Composer, Electric Guitar - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

3
Empty Room
00:03:43

Jeff Jones, Drums - Ray Williams, Composer, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Clive John, Composer, Keyboards - Deke Leonard, Electric Guitar - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

4
Puella! Puella!
00:03:34

Jeff Jones, Drums - Mike Jones, Composer - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

5
Love
00:02:52

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, MainArtist - Micky Jones, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant, Other

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

6
Erotica
00:04:07

Jeff Jones, Composer, Drums - Ray Williams, Bass - Terry Williams, Composer - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Clive John, Composer, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

7
Blind Man
00:04:17

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

8
And Castles Rise in Children's Eyes
00:03:21

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

9
Don't Just Stand There (Come Out In the Rain)
00:04:15

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

10
The Missing Pieces
00:01:55

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Martin Ace, Composer - Clive John, Composer, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Clive Reynolds, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

11
The Future Hides Its Face
00:05:25

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, MainArtist - Micky Jones, Vocals - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Malcolm Eade, Assistant, Other

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

12
Sudden Life (Mono Single Version)
00:04:10

Man, Performance, MainArtist - Clive John, Composer - Deke Leonard, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Spiritualized / Sanctuary Records Group Ltd., a BMG Company

13
Love (Mono Single Mix)
00:02:51

Man, Performance, MainArtist - Roger Leonard, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

14
Erotica (Mono Single Mix)
00:04:11

Jeff Jones, Composer - Terry Williams, Composer - Man, Performance, MainArtist - Micky Jones, Composer - Clive John, Composer - Roger Leonard, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

DISC 2

1
Prelude / The Storm
00:12:24

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Brian Humphries, Engineer - Clive John, Keyboards - Deke Leonard, Composer, Electric Guitar - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

2
It Is As It Must Be
00:08:28

Jeff Jones, Drums - Ray Williams, Composer, Bass - John Schroeder, Producer - Man, MainArtist - Micky Jones, Vocals - Brian Humphries, Engineer - Clive John, Composer, Keyboards - Deke Leonard, Electric Guitar - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

3
Spunk Box
00:05:52

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Brian Humphries, Engineer - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

4
My Name Is Jesus Smith
00:04:04

Jeff Jones, Drums - Jeffrey Jones, Composer - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Brian Humphries, Engineer - Clive John, Keyboards - Deke Leonard, Composer, Electric Guitar - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

5
Parchment and Candles
00:01:51

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Vocals - Brian Humphries, Engineer - Clive John, Keyboards - Deke Leonard, Composer, Electric Guitar - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

6
Brother Arnold's Red and White Striped Tent
00:05:05

Jeff Jones, Drums - Ray Williams, Bass - John Schroeder, Producer - Man, Performance, MainArtist - Micky Jones, Composer, Vocals - Brian Humphries, Engineer - Clive John, Keyboards - Deke Leonard, Electric Guitar - Roger Leonard, Composer - Alan Florence, Engineer - Howard Barrow, Engineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

7
A Sad Song (Grasshopper)
00:05:13

Man, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

8
Walkin' the Dogma (Early Version of ''Spunk Box'')
00:06:04

Man, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

9
My Name Is Jesus Smith (Alternate Version)
00:05:11

Jeffrey Jones, Composer - Man, Performance, MainArtist - Deke Leonard, Composer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

Albumbeschreibung

The title of this two-CD set is on the grand side, considering it's basically a straight reissue of Man's first two albums, Revelation and 2 Ozs. of Plastic With a Hole in the Middle, with a few marginal extras. Those extras are a few mono single mixes of three Revelation tracks and, from the second album sessions, alternate versions of "My Name Is Jesus Smith" and "Spunk Box" (here retitled "Walkin' the Dogma"), as well as the previously unreleased "A Sad Song." Fans of the slightly more pop-aligned side of psychedelia will prefer the Revelation material on disc one, as Man try on several shades of psych for style with both imagination and awkwardness, uneasily flitting between heavy blues-rock, operatic backup vocals, West Coast-influenced moody organ-based passages, early space rock, and even an instrumental ("Erotica") that sounds like nothing less than the freaked-out soundtrack to a porn movie, complete with quite convincing wordless female moans. (For those who diligently track the rarest of variations, the mono single mix of "Erotica" is from a "non-U.K. issue" -- presumably the version used in one, some, or all European territories in which the track was issued as a single.) On disc two, 2 Ozs. of Plastic With a Hole in the Middle finds the band moving toward a harder, more progressive style of rock with lengthy instrumental passages, sometimes with casual similarity to the astral sound of groups like Pink Floyd, though retaining a bent for lumpy bluesy rock. Of the bonuses here, "A Sad Song" is a modest instrumental ballad with blues slide guitar that sounds like a vocal-less backing track; the "early version" of "Spunk Box" isn't much different from the finished one; and the alternate of "My Name Is Jesus Smith" just combines a previously unissued extended instrumental version with a previously unissued extended vocal version. In all it's not enough to make a case for Man as a major psychedelic/progressive band, but it's certainly impressively packaged, and David Wells' excellent lengthy liner notes are quite entertaining.

© Richie Unterberger /TiVo

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