Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
The crime thriller A History of Violence, which concerns a Midwestern diner proprietor who may have a dark past revealed when he skillfully foils a robbery attempt, marks the 11th collaboration between director David Cronenberg and composer Howard Shore, who first got together early in their careers for The Brood (1979) and have also produced such disturbing works as Scanners (1980), Videodrome (1983), Dead Ringers (1988), and Crash (1996). Shore, meanwhile, became a mainstream Hollywood composer whose other scores include The Silence of the Lambs, Mrs. Doubtfire, Philadelphia, and the Academy Award-winning Lord of the Rings trilogy. For A History of Violence, he re-enters the decidedly weird world of Cronenberg, but he has provided a subtle, textured score that responds to the film's elements of doubt and internal conflict. Even though there are tracks here called "Run" and "Violence," he has not, for the most part, been called upon to underscore the action sequences. (In addition to the dramatic "Run," a notable exception is the portentous "Diner," accompanying the robbery scene.) Instead, this is minor key music taken at slow tempos, giving a continuing sense of uneasiness, but little resolution until the end. In his liner notes, Shore writes that the orchestration emphasizes the duality of the main character's nature, a duality between good and evil, "as the French horn and alto flute solos play duets with and against each other." Listeners are not likely to recognize this conflict between musical instruments or the composer's symbolism, though the conception no doubt helped him write. But it is worth noting that the French horn and the alto flute seem to be getting along well by the time the track "Ending" comes along, suggesting that the main character's dual nature has been resolved.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Howard Shore, Composer, MainArtist
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 Warner Bros. Entertainment Inc.
Albumbeschreibung
The crime thriller A History of Violence, which concerns a Midwestern diner proprietor who may have a dark past revealed when he skillfully foils a robbery attempt, marks the 11th collaboration between director David Cronenberg and composer Howard Shore, who first got together early in their careers for The Brood (1979) and have also produced such disturbing works as Scanners (1980), Videodrome (1983), Dead Ringers (1988), and Crash (1996). Shore, meanwhile, became a mainstream Hollywood composer whose other scores include The Silence of the Lambs, Mrs. Doubtfire, Philadelphia, and the Academy Award-winning Lord of the Rings trilogy. For A History of Violence, he re-enters the decidedly weird world of Cronenberg, but he has provided a subtle, textured score that responds to the film's elements of doubt and internal conflict. Even though there are tracks here called "Run" and "Violence," he has not, for the most part, been called upon to underscore the action sequences. (In addition to the dramatic "Run," a notable exception is the portentous "Diner," accompanying the robbery scene.) Instead, this is minor key music taken at slow tempos, giving a continuing sense of uneasiness, but little resolution until the end. In his liner notes, Shore writes that the orchestration emphasizes the duality of the main character's nature, a duality between good and evil, "as the French horn and alto flute solos play duets with and against each other." Listeners are not likely to recognize this conflict between musical instruments or the composer's symbolism, though the conception no doubt helped him write. But it is worth noting that the French horn and the alto flute seem to be getting along well by the time the track "Ending" comes along, suggesting that the main character's dual nature has been resolved.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 00:40:14
- Künstler: Howard Shore
- Komponist: Howard Shore
- Label: New Line Records
- Genre: Soundtracks Original Soundtrack
© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. Howard Shore Photo © 2004 Benjamin Ealovega/New Line Productions, Inc. ℗ 2005 This compilation WaterTower Music as licensee for Warner Bros. Entertainment Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.