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Tasmin Little|Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little, John Lenehan

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The British violinist Tasmin Little has announced her retirement at age 55. She has played most of this repertory in the past, and one suspects that the album -- featuring not unknown, but not terribly familiar music by female composers -- was a project she had personally wanted to realize before that date. These works have been played before by others, but probably not together, and almost certainly not as songfully. The Violin Sonata in A minor, Op. 34, of American composer Amy Beach, is probably the most-explored piece of the group, but Little brings great sympathy to it. Sample the end of the "Largo con dolore" slow movement and the unusually integrated, truly Brahmsian way it leads into the finale: Little gets the excitement here and carries it all the way to the end. The work makes a good pairing with the rather similar and slightly earlier work by Britain's Ethel Smyth, whose music is returning to the recorded repertory just as Beach's did about 10 to 15 years ago. There are also the three Romances for violin and piano, Op. 22, of Clara Schumann, which you would be hard-pressed to pick out from lesser-known work of Robert Schumann, and two short works by Beach to bring the album to a close. The album is beautifully recorded and is recommended to Little fans, those interested in music by women, or really anyone else.

© TiVo

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Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little

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Sonata, Op. 34 (Amy March Cheney Beach)

1
I. Allegro moderato
00:09:11

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

2
II. Scherzo. Molto vivace
00:04:23

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

3
III. Largo con dolore
00:07:45

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

4
IV. Allegro con fuoco
00:06:59

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

Drei Romanzen, Op. 22 (Clara Schumann)

5
I. Andante molto
00:02:53

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

6
II. Allegretto
00:02:21

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

7
III. Leidenschaftlich schnell
00:03:41

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

Sonata, Op. 7 (Ethel Smyth)

8
I. Allegro moderato
00:08:38

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

9
II. Scherzo. Allegro grazioso
00:02:34

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

10
III. Romanze
00:07:15

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

11
IV. Finale. Allegro vivace
00:05:24

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

12
Romance in D Major, Op. 23: Romance, Op. 23
00:06:19

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy Beach, Composer

2019 Chandos Records 2019 Chandos Records

13
Invocation, Op. 55
00:03:54

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

Chronique

The British violinist Tasmin Little has announced her retirement at age 55. She has played most of this repertory in the past, and one suspects that the album -- featuring not unknown, but not terribly familiar music by female composers -- was a project she had personally wanted to realize before that date. These works have been played before by others, but probably not together, and almost certainly not as songfully. The Violin Sonata in A minor, Op. 34, of American composer Amy Beach, is probably the most-explored piece of the group, but Little brings great sympathy to it. Sample the end of the "Largo con dolore" slow movement and the unusually integrated, truly Brahmsian way it leads into the finale: Little gets the excitement here and carries it all the way to the end. The work makes a good pairing with the rather similar and slightly earlier work by Britain's Ethel Smyth, whose music is returning to the recorded repertory just as Beach's did about 10 to 15 years ago. There are also the three Romances for violin and piano, Op. 22, of Clara Schumann, which you would be hard-pressed to pick out from lesser-known work of Robert Schumann, and two short works by Beach to bring the album to a close. The album is beautifully recorded and is recommended to Little fans, those interested in music by women, or really anyone else.

© TiVo

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