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Charles Earland|Perceptions

Perceptions

Charles Earland

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Langue disponible : anglais

Earland, one of the leading proponents of the Hammond B-3 organ, meets Randy Muller, the innovator of brassy riffs with Brass Construction, for a crossover attempt. Muller produced the set, and his brass arrangements are OK, but it's Earland's powerful organ that stays on point throughout. The first side is more jazz-disco fusion, while side two is more quiet storm-ish (except for the funky, relentless, nine-minute "Over and Over"). "Smile," a beautiful piece with a stunning sax solo, is the closet thing to jazz. "I Like It" and "Let the Music Play" are earnest but unexpected shots at the disco market.

© Andrew Hamilton /TiVo

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Perceptions

Charles Earland

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1
Let The Music Play
00:06:51

Randy Muller, Producer, ComposerLyricist - Charles Earland, Producer, MainArtist

℗ 1978 UMG Recordings, Inc.

2
I Like It
00:05:05

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer - Larry Payton, Drums, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

3
Changes
00:02:23

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

4
Dance America
00:05:20

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

5
Over And Over
00:09:36

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer - Larry Payton, Drums, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

6
Smile
00:06:33

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer - Larry Payton, Drums, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Keith Larence, Saxophone, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

7
Broken Heart
00:03:43

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer, ComposerLyricist - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Larry Payton, Drums, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

8
Charley
00:00:31

Randy Muller, Producer, Keyboards, Recording Arranger, AssociatedPerformer - Skyy, Background Vocalist, AssociatedPerformer - JERRY SOLOMON, Engineer, StudioPersonnel - Charles Earland, Producer, Keyboards, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Larry Payton, Drums, AssociatedPerformer - Clifford Richmond, Guitar, Background Vocalist, AssociatedPerformer - Anibal Sierra, Guitar, AssociatedPerformer - Eddie Youngblood, Engineer, StudioPersonnel - Gregory Spotswood, Bass, Background Vocalist, AssociatedPerformer - Alfredo Rios, Jr., Conga, AssociatedPerformer - Daryle Moss, Drums, Background Vocalist, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

Chronique

Earland, one of the leading proponents of the Hammond B-3 organ, meets Randy Muller, the innovator of brassy riffs with Brass Construction, for a crossover attempt. Muller produced the set, and his brass arrangements are OK, but it's Earland's powerful organ that stays on point throughout. The first side is more jazz-disco fusion, while side two is more quiet storm-ish (except for the funky, relentless, nine-minute "Over and Over"). "Smile," a beautiful piece with a stunning sax solo, is the closet thing to jazz. "I Like It" and "Let the Music Play" are earnest but unexpected shots at the disco market.

© Andrew Hamilton /TiVo

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