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Eli Paperboy Reed|Nights Like This

Nights Like This

Eli "Paperboy" Reed

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Langue disponible : anglais

From the start, Eli "Paperboy" Reed has specialized in soul like they used to make back in the good old days, but being a revivalist only goes so far. Sooner or later, revivalists hit their glass ceiling, left with only two paths forward: either grind out a living on a blues circuit or place all their chits on a crossover. Reed opts for the latter on Nights Like This, his first album for Warner that also, for most intents and purposes, functions as a reboot of his entire career. He replaces his Stax foundation with a stack of Motown 7"s that are indeed more welcoming to his new style, a fashion heavily indebted to the productions of Mark Ronson, particularly his sharp neo-soul for Amy Winehouse. At times, Nights Like This quite explicitly draws connections between Ronson and Reed -- "Shock to the System" rides a Tamla bounce that's quite similar to "Valerie" -- but Reed also shows an awareness for sounds that have reached the charts in the 2010s. "Lonely Word" opens with a desolate piano plonk that's a dead-ringer for Katy Perry's "Roar," but Reed and his chief collaborator Ryan Spaker generally don't dive head-first into complete crossover territory (with its iciness, it's reminiscent of a warmer Ryan Tedder). He still favors tightly written, cannily structured songs, but this time favoring aggressively friendly melodies and R&B stomps to signifiers of authenticity, and that craftsmanship is why his music is appealing whether dressed in thrift-store suits or modern threads. Underneath all this gloss and glitz -- and, to be sure, there is a lot of razzle-dazzle here, enough so that it may alienate some fans of his earlier, simpler material -- Reed remains the same sharp, skillful soulman, one whose good taste and craft are hard to resist.

© Stephen Thomas Erlewine /TiVo

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Nights Like This

Eli Paperboy Reed

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1
Well, Alright Now
00:03:09

Roy Battle, Writer - Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - BattleRoy, Producer - Pat DiCenso, Mixer, Engineer, Programmer, Writer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

2
Grown Up Explicit
00:03:30

Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, Writer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

3
WooHoo
00:02:44

Brian Gardner, Masterer - Adam Hawkins, Mixer - Ryan Spraker, Producer, Programmer, Backing Vocals, All Instruments - Eric Frederic, Writer - Pat DiCenso, Programmer, All Instruments - Wallpaper, Producer - Ross Golan, Writer - Axident, Producer - Andreas Schuller, Writer - Eli "Paperboy" Reed, Lead Vocals, All Instruments, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2013 Warner Records Inc.

4
Nights Like This
00:02:57

Dave Bassett, Additional Production, Writer - Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, All Instruments - Michael Fitzpatrick, Writer - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

5
Lonely World
00:03:23

Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Rich Skillz, Producer, Writer - Pat DiCenso, Mixer, Engineer, Programmer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

6
Shock to the System
00:03:03

Dave Bassett, Additional Production, Writer - Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, All Instruments - Michael Fitzpatrick, Writer - Eli "Paperboy" Reed, Backing Vocals, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

7
Not Even Once
00:03:14

Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals - Dan Carney, Writer

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

8
Shoes
00:03:23

Keith Ciancia, Writer - Keefus Ciancia, Additional Keyboards, Additional Production - Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

9
Ain't Worth It (Goodbye)
00:03:04

Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, Writer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

10
Pistol Shot
00:03:21

Dave Bassett, Writer - Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, Writer, All Instruments - Michael Fitzpatrick, Writer - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

11
Two Broken Hearts
00:03:51

Brian Gardner, Masterer - Ryan Spraker, Producer, Programmer, Backing Vocals, Writer, All Instruments - Pat DiCenso, Mixer, Engineer, Programmer, Writer, All Instruments - Eli "Paperboy" Reed, Lead Vocals, MainArtist - Eli Husock, Writer - Dave Brophy, Drums - Eli Reed, Producer, Backing Vocals, All Instruments - Pamela Martin, Backing Vocals

© 2014 Warner Records Inc. ℗ 2014 Warner Records Inc.

Chronique

From the start, Eli "Paperboy" Reed has specialized in soul like they used to make back in the good old days, but being a revivalist only goes so far. Sooner or later, revivalists hit their glass ceiling, left with only two paths forward: either grind out a living on a blues circuit or place all their chits on a crossover. Reed opts for the latter on Nights Like This, his first album for Warner that also, for most intents and purposes, functions as a reboot of his entire career. He replaces his Stax foundation with a stack of Motown 7"s that are indeed more welcoming to his new style, a fashion heavily indebted to the productions of Mark Ronson, particularly his sharp neo-soul for Amy Winehouse. At times, Nights Like This quite explicitly draws connections between Ronson and Reed -- "Shock to the System" rides a Tamla bounce that's quite similar to "Valerie" -- but Reed also shows an awareness for sounds that have reached the charts in the 2010s. "Lonely Word" opens with a desolate piano plonk that's a dead-ringer for Katy Perry's "Roar," but Reed and his chief collaborator Ryan Spaker generally don't dive head-first into complete crossover territory (with its iciness, it's reminiscent of a warmer Ryan Tedder). He still favors tightly written, cannily structured songs, but this time favoring aggressively friendly melodies and R&B stomps to signifiers of authenticity, and that craftsmanship is why his music is appealing whether dressed in thrift-store suits or modern threads. Underneath all this gloss and glitz -- and, to be sure, there is a lot of razzle-dazzle here, enough so that it may alienate some fans of his earlier, simpler material -- Reed remains the same sharp, skillful soulman, one whose good taste and craft are hard to resist.

© Stephen Thomas Erlewine /TiVo

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