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Shirley Collins|Folk Roots, New Routes

Folk Roots, New Routes

Shirley Collins, Davy Graham

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Langue disponible : anglais

This pairing of one of British folk's finest voices (Shirley Collins) with one of the country's finest acoustic guitarists (Davey Graham) had a notable influence on the U.K. folk scene, although it eluded wide acclaim at the time. Collins' rich, melancholy vocals were most likely an influence on Sandy Denny, Maddy Prior, and Jacqui McShee. Graham helped redefine the nature of folk accompaniment with his imaginative, rhythmic backing, which drew from jazz, blues, and a bit of Middle Eastern music as well as mainline British Isles folk. Performed with tasteful restraint and selected with imaginative eclecticism, the album also includes an instrumental showcase for Graham in "Rif Mountain," which provides evidence of his clear influence on guitarists such as Bert Jansch and John Renbourn, and the acoustic style of Jimmy Page.

© Richie Unterberger /TiVo

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Folk Roots, New Routes

Shirley Collins

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1
Nottamun Town
Shirley Collins
00:03:39

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

2
Proud Maisrie
Shirley Collins
00:04:03

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

3
The Cherry Tree Carol
Shirley Collins
00:03:20

Traditional, ComposerLyricist - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, 5-String Banjo, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

4
Blue Monk
Davy Graham
00:03:05

Thelonious Monk, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

5
Hares On The Mountain
Shirley Collins
00:02:59

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

6
Reynardine
Shirley Collins
00:02:31

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

7
Pretty Saro
Shirley Collins
00:04:18

Traditional, ComposerLyricist - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Guitar, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

8
Rif Mountain
Davy Graham
00:02:25

Gus Dudgeon, Engineer, StudioPersonnel - Davy Graham, Composer, Guitar, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

9
Jane, Jane
Shirley Collins
00:02:41

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

10
Love Is Pleasin'
Shirley Collins
00:02:34

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

11
Boll Weevil, Holler
Shirley Collins
00:02:59

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

12
Hori Horo
Shirley Collins
00:02:14

Traditional, ComposerLyricist - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

13
Bad Girl
Shirley Collins
00:02:42

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

14
Lord Gregory
Shirley Collins
00:03:36

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

15
Grooveyard
Davy Graham
00:03:01

Bobby Timmons, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

16
Dearest Dear
Shirley Collins
00:03:04

Traditional, Composer - Gus Dudgeon, Engineer, StudioPersonnel - Shirley Collins, Arranger, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Davy Graham, Arranger, Guitar, Work Arranger, MainArtist, AssociatedPerformer - Ray Horricks, Producer

℗ 1964 Decca Music Group Limited

Chronique

This pairing of one of British folk's finest voices (Shirley Collins) with one of the country's finest acoustic guitarists (Davey Graham) had a notable influence on the U.K. folk scene, although it eluded wide acclaim at the time. Collins' rich, melancholy vocals were most likely an influence on Sandy Denny, Maddy Prior, and Jacqui McShee. Graham helped redefine the nature of folk accompaniment with his imaginative, rhythmic backing, which drew from jazz, blues, and a bit of Middle Eastern music as well as mainline British Isles folk. Performed with tasteful restraint and selected with imaginative eclecticism, the album also includes an instrumental showcase for Graham in "Rif Mountain," which provides evidence of his clear influence on guitarists such as Bert Jansch and John Renbourn, and the acoustic style of Jimmy Page.

© Richie Unterberger /TiVo

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