Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
When Lone Justice exploded onto the L.A. club scene in 1983, plenty of folks expected them to become one of the biggest bands in the nation within a matter of months. The combination of Maria McKee's vocals (which suggested she could be Dolly Parton's little sister gone wild in the big city), Ryan Hedgecock's guitar (a blazing fusion of country, rockabilly and punk influences), Marvin Etzioni's bass (who anchored the melodies with his loping, rock-solid bottom end), and Don Heffington's drumming (some of the most profound shuffles ever captured by recording equipment) was joyously combustible, and everyone from Tom Petty to Dolly Parton stepped up to see them deliver the message on-stage in their hometown. However, Lone Justice was so universally expected to be the next big thing that Geffen Records overcooked their self-titled 1985 debut album with overbearing production and big-name guest stars, and the band never quite overcame the weight of the expectations set before them. But if you want to know what all that early hype was about, This Is Lone Justice: The Vaught Tapes, 1983 allows fans to hear what the band sounded like before outside hands started applying the polish. This Is Lone Justice is a 12-song demo cut live to two-track tape with engineer David Vaught in December 1983; the recording is clean and straightforward, offering a well-detailed but unadorned portrait of this music, and the band sounds brilliantly tight and intuitive, meshing perfectly and creating a forceful, organic sound that's more than the sum of the impressive parts. While McKee's voice is clearly the drawing card here -- if any performer could be called a charming flamethrower, it's her -- the band is a near-perfect match for her rollicking country-punk testimony, and it's not at all difficult to imagine how great they must have sounded on-stage in front of an enthusiastic crowd. While Lone Justice's debut album was too tricked up for its good, This Is Lone Justice: The Vaught Tapes is a bit too unadorned in spots, and a few judicious overdubs and a more artful mix might have better served these tunes (several of which never made it onto a Lone Justice album). But this remains a stronger and more engaging document of Lone Justice's brief moment of greatness than has ever seen authorized release, and 30 years on, this still sounds like a band that could have taken on the world if they'd been allowed to follow their own path.
© Mark Deming /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Jerry Leiber, Composer - BILLY EDD WHEELER, Composer - Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Marvin Etzioni, Composer - Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Maria McKee, Composer - Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Merle Haggard, Composer - Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Maria McKee, Composer - Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Lone Justice, MainArtist
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Albumbeschreibung
When Lone Justice exploded onto the L.A. club scene in 1983, plenty of folks expected them to become one of the biggest bands in the nation within a matter of months. The combination of Maria McKee's vocals (which suggested she could be Dolly Parton's little sister gone wild in the big city), Ryan Hedgecock's guitar (a blazing fusion of country, rockabilly and punk influences), Marvin Etzioni's bass (who anchored the melodies with his loping, rock-solid bottom end), and Don Heffington's drumming (some of the most profound shuffles ever captured by recording equipment) was joyously combustible, and everyone from Tom Petty to Dolly Parton stepped up to see them deliver the message on-stage in their hometown. However, Lone Justice was so universally expected to be the next big thing that Geffen Records overcooked their self-titled 1985 debut album with overbearing production and big-name guest stars, and the band never quite overcame the weight of the expectations set before them. But if you want to know what all that early hype was about, This Is Lone Justice: The Vaught Tapes, 1983 allows fans to hear what the band sounded like before outside hands started applying the polish. This Is Lone Justice is a 12-song demo cut live to two-track tape with engineer David Vaught in December 1983; the recording is clean and straightforward, offering a well-detailed but unadorned portrait of this music, and the band sounds brilliantly tight and intuitive, meshing perfectly and creating a forceful, organic sound that's more than the sum of the impressive parts. While McKee's voice is clearly the drawing card here -- if any performer could be called a charming flamethrower, it's her -- the band is a near-perfect match for her rollicking country-punk testimony, and it's not at all difficult to imagine how great they must have sounded on-stage in front of an enthusiastic crowd. While Lone Justice's debut album was too tricked up for its good, This Is Lone Justice: The Vaught Tapes is a bit too unadorned in spots, and a few judicious overdubs and a more artful mix might have better served these tunes (several of which never made it onto a Lone Justice album). But this remains a stronger and more engaging document of Lone Justice's brief moment of greatness than has ever seen authorized release, and 30 years on, this still sounds like a band that could have taken on the world if they'd been allowed to follow their own path.
© Mark Deming /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:33:13
- Künstler: Lone Justice
- Komponist: Various Composers
- Label: Omnivore Recordings
- Genre: Blues/Country/Folk Country
© 2014 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2014 McKee/Hedgecock/Etzioni/Heffington, under exclusive license to Omnivore Recordings
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.