Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
One can take the release of Ursula Bogner's recordings via Jan Jelinek's label Fatiche one of two ways -- either at total face value, that these are selections from 20 years of recordings by a German musician who worked on them while she otherwise went about a conventional enough daily life, or as some sort of elaborate concept on the part of Jelinek himself. The latter certainly wouldn't be surprising, as any fan of the Aphex Twin could tell you, and there's certainly something very Richard James about songs like "Inversion" and "Begletitung fur Tuba." Whatever the exact provenance, the selections on Recordings 1969-1988, while generally sounding more like impressions than complete compositions, make for a delightful enough listen, a blend of quirk and murkiness, either unavoidable or rather intentional. A definite point of comparison, no matter what the songs' background, would be Raymond Scott's later works, with the same mix of playfulness and suggestive rough electronic melancholy evident on songs like "2 Ton" and "Atmosphere 1." Disruptive moments like the squawk on "Proto" help keep things from sounding too samey, though at points everything blends into everything else almost too easily. There's a hidden bonus track as well, though aside from a variety of synthetic gurgles there's not much else to say. Whether a planned curio or a randomly found one, it's still a good album, though not one to shout about from the rafters.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Ursula Bogner, Performer - Jan Jelinek, Composer
Faitiche Faitiche
Albumbeschreibung
One can take the release of Ursula Bogner's recordings via Jan Jelinek's label Fatiche one of two ways -- either at total face value, that these are selections from 20 years of recordings by a German musician who worked on them while she otherwise went about a conventional enough daily life, or as some sort of elaborate concept on the part of Jelinek himself. The latter certainly wouldn't be surprising, as any fan of the Aphex Twin could tell you, and there's certainly something very Richard James about songs like "Inversion" and "Begletitung fur Tuba." Whatever the exact provenance, the selections on Recordings 1969-1988, while generally sounding more like impressions than complete compositions, make for a delightful enough listen, a blend of quirk and murkiness, either unavoidable or rather intentional. A definite point of comparison, no matter what the songs' background, would be Raymond Scott's later works, with the same mix of playfulness and suggestive rough electronic melancholy evident on songs like "2 Ton" and "Atmosphere 1." Disruptive moments like the squawk on "Proto" help keep things from sounding too samey, though at points everything blends into everything else almost too easily. There's a hidden bonus track as well, though aside from a variety of synthetic gurgles there's not much else to say. Whether a planned curio or a randomly found one, it's still a good album, though not one to shout about from the rafters.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 17 Track(s)
- Gesamte Laufzeit: 00:43:22
- Künstler: Ursula Bogner
- Komponist: Jan Jelinek
- Label: Faitiche
- Genre: Electronic
Faitiche Faitiche
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.