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Britny Fox|Long Way To Live

Long Way To Live

Britny Fox

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Due to membership upheavals and the genocide of hair metal, you're messing with a leaner, meaner son of a Britny Fox on the quartet's first live disc. Opening strong with a Dirty Harry sound bite, "Six Guns Loaded" and quasi-smash "Long Way to Love," diminutive Johnny-come-lately frontman Tom Paris holds the crowd with his funny and cool stage patter (naturally relying on a common four-letter colloquialism). He tucks the Fox chestnut "Dream On" into Supertramp's glittering "Give a Little Bit" (long before the Gap commercial). The band still subsists on those early tracks somehow, but many songs come from the charmingly titled Bite Down Hard, and the boys whip up a metal maelstrom by mid-show with "Closer to Your Love" and "Black and White." Obviously a very visual assemblage, Britny Fox turns out a sonically satisfying live work, admirable simply because of the band's survival. Billy Childs is an amiable bassist who looks like C.C. DeVille's mellow older brother (If you don't know who C.C. is, why are you reading?) and acoustically opens "Over and Out" (not the Drill song), which starts like "Find Your Way Back" (the Jefferson Starship song). Drummer Johnny Dee's solo is wisely omitted, as these are aural wastes, live or on disc. German guitarist and Fox founder Michael Kelly Smith throws out some fire from the cityscape painted on his BC Rich, but, by his prolonged solo, no one really cares. Luckily, Tommy always wins the crowd back. The show wraps with Fox's raison d'etre "Girlschool" and "Midnight Moses," a sensational Alex Harvey discovery that defines what a remake should be: a powerful rekindling of a forgotten flame. Burn on! This brilliant blue-collar rummage through the smoldering ashes of the brilliant music that led up to the heady daze of tight trous and high hair hopefully indicates the future of the Fox.
© Doug Stone /TiVo

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Long Way To Live

Britny Fox

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1
Six Guns Loaded
00:04:20

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

2
Long Way To Love
00:05:35

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

3
Lonely Too Long
00:05:05

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

4
Liar
00:03:56

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

5
Dream On
00:04:44

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

6
Closer To Your Love
00:03:51

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

7
Black & White
00:03:52

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

8
Guitar Solo
00:01:31

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

9
Shot From My Gun
00:04:06

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

10
Louder
00:04:13

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

11
Over & Out
00:05:17

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

12
Turn On
00:04:00

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

13
Girlschool
00:05:28

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

14
Midnight Moses
00:05:34

Britny Fox, MainArtist

2003 Indieblu Music 2003 Indieblu Music

Albumbeschreibung

Due to membership upheavals and the genocide of hair metal, you're messing with a leaner, meaner son of a Britny Fox on the quartet's first live disc. Opening strong with a Dirty Harry sound bite, "Six Guns Loaded" and quasi-smash "Long Way to Love," diminutive Johnny-come-lately frontman Tom Paris holds the crowd with his funny and cool stage patter (naturally relying on a common four-letter colloquialism). He tucks the Fox chestnut "Dream On" into Supertramp's glittering "Give a Little Bit" (long before the Gap commercial). The band still subsists on those early tracks somehow, but many songs come from the charmingly titled Bite Down Hard, and the boys whip up a metal maelstrom by mid-show with "Closer to Your Love" and "Black and White." Obviously a very visual assemblage, Britny Fox turns out a sonically satisfying live work, admirable simply because of the band's survival. Billy Childs is an amiable bassist who looks like C.C. DeVille's mellow older brother (If you don't know who C.C. is, why are you reading?) and acoustically opens "Over and Out" (not the Drill song), which starts like "Find Your Way Back" (the Jefferson Starship song). Drummer Johnny Dee's solo is wisely omitted, as these are aural wastes, live or on disc. German guitarist and Fox founder Michael Kelly Smith throws out some fire from the cityscape painted on his BC Rich, but, by his prolonged solo, no one really cares. Luckily, Tommy always wins the crowd back. The show wraps with Fox's raison d'etre "Girlschool" and "Midnight Moses," a sensational Alex Harvey discovery that defines what a remake should be: a powerful rekindling of a forgotten flame. Burn on! This brilliant blue-collar rummage through the smoldering ashes of the brilliant music that led up to the heady daze of tight trous and high hair hopefully indicates the future of the Fox.
© Doug Stone /TiVo

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