Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Nominally a country artist -- she's signed to Warner Nashville and has written with Sam Hunt, her first single "More Hearts Than Mine" cracked the Billboard Country Airplay Top 10 in 2019 -- Ingrid Andress doesn't follow the conventional contours of the genre on her 2020 debut, Lady Like. Largely comprised of songs released as digital singles and EPs over the course of 2019 (just three tracks make their debut here), Lady Like does indeed feel like music designed to be played on streaming services: it's bright, glossy, and amorphous, shifting styles from verse to chorus. Often, music this multipurpose feels rootless and overcooked, but Andress is a slyly powerful singer and a sharp songwriter and slyly powerful singer, so the country-pop hybrids on Lady Like seem like a reflection of her personality, not calculated. Andress favors aural melodrama, opting for sweeping choruses and cavernous arrangements, a trait that's balanced by her knack for intimate lyrical details. She deftly draws a portrait of her parents on "More Hearts Than Mine," unspools a series of poor decisions on "Bad Advice," and makes a persuasive case that the relationship on "We're Not Friends" isn't anything but a romance. These vivid tales hearken back to country tradition but Lady Like doesn't take the genre's conventions to heart; if it's a throwback to anything, it's the overly shiny pop albums of Y2K. Unlike Sam Hunt, who consciously expanded country's borders with his hip-hop-R&B fusions, Andress isn't working within a chosen genre, she's making music that defies easy categorization. Lady Like is thick with appealing contradictions -- it's grandiose yet intimate, sincere yet cinematic, slick but soulful -- and to be that dense and accessible within the course of a mere eight songs is something of an achievement, especially for a debut album.
© Stephen Thomas Erlewine /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Erik Madrid, Mixer, MixingEngineer - Andrew Mendelson, Masterer - David Angell, Violin - Jamie Moore, Acoustic Guitar, Writer - Monisa Angell, Viola - Carole Rabinowitz, Cello - Dave Davidson, String Arranger, Violin - Devin Malone, Electric Guitar, Baritone Guitar, Steel Guitar - Sam Ellis, Producer, Acoustic Guitar, Keyboards, Piano, Programmer, Digital Editor, AdditionalEngineer - Derrick Southerland, Writer - Aaron Mattes, Assistant Mix Engineer - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Court Blankenship, Assistant Production - Tylor Pollert, String Recording Engineer
© 2020 Warner Music Nashville LLC ℗ 2020 Warner Music Nashville LLC
Andrew Mendelson, Masterer - Tony Lucido, Bass - Alex Wright, Organ, Piano, Synthesizer - Jeff Braun, Mixer - Miles McPherson, Drums, Percussion - Jordan Schmidt, Producer, Acoustic Guitar, Electric Guitar, Programmer, Writer, Recorded by - Derrick Southerland, Writer - Todd Lombardo, Banjo, Acoustic Guitar - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Bryce Roberts, Assistant - Alyson McAnally, Co-ordinator Production - Tyler Chiarelli, Electric Guitar
© 2020 Warner Music Nashville LLC ℗ 2019 Warner Music Nashville LLC
Erik Madrid, Mixer - Andrew Mendelson, Masterer - Sam Ellis, Banjo - Tim Galloway, Banjo, Guitar, Mandolin - Derrick Southerland, Writer - Nate Cyphert, Writer - Aaron Mattes, Assistant Mix Engineer - AJ Pruis, Producer, Guitar, Keyboards, Programmer, Writer, Background Vocals, Bass, RecordingEngineer - Evan Hutchings, Drums - Ingrid Andress, Producer, Vocals, Writer, Background Vocals, MainArtist - Cremaine Booker, Cello
© 2020 Warner Music Nashville LLC ℗ 2019 Warner Music Nashville LLC
Erik Madrid, MixingEngineer - Andrew Mendelson, Masterer - Sam Ellis, Producer, Acoustic Guitar, Electric Guitar, Keyboards, Programmer, Background Vocals, Digital Editor, Bass, Hammond B3 Organ, AdditionalEngineer - Ryan Lafferty, Writer - Justin Schipper, Steel Guitar - Aaron Mattes, Assistant Mix Engineer - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Jared Kneal, Drums - Court Blankenship, Assistant Production - Thomas Dulin, AdditionalEngineer
© 2020 Warner Music Nashville LLC ℗ 2020 Warner Music Nashville LLC
Erik Madrid, MixingEngineer - Andrew Mendelson, Masterer - Devin Malone, Acoustic Guitar - Jamie Floyd, Writer - Sam Ellis, Producer, Keyboards, Piano, Programmer, Digital Editor, AdditionalEngineer - Zach Abend, Producer, Keyboards, Programmer, Writer, Digital Editor - Justin Schipper, Pedal Steel Guitar - Aaron Mattes, Assistant Mix Engineer - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Carl Miner, Acoustic Guitar, Mandolin - Court Blankenship, Assistant Production - Zack Abend, AdditionalEngineer
© 2020 Warner Music Nashville LLC ℗ 2020 Warner Music Nashville LLC
MANNY MARROQUIN, Mixer - Andrew Mendelson, Masterer - Chris Galland, MixingEngineer - Devin Malone, Guitar - Sam Ellis, Producer, Guitar, Acoustic Guitar, Electric Guitar, Keyboards, Piano, Programmer, Writer, Background Vocals, Bass - Derrick Southerland, Writer - Ingrid Andress, Producer, Vocals, Writer, MainArtist - Robin Florent, Assistant Mix Engineer - Scott Desmarais, Assistant Mix Engineer
© 2020 Warner Music Nashville LLC ℗ 2019 Warner Music Nashville LLC
Erik Madrid, MixingEngineer - Andrew Mendelson, Masterer - Devin Malone, Cello, Steel Guitar - Jesse Thomas, Writer - Sam Ellis, Producer, Banjo, Electric Guitar, Keyboards, Piano, Programmer, Digital Editor, AdditionalEngineer - Aaron Mattes, Assistant Mix Engineer - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Jason Yik Nam Wu, Writer - Court Blankenship, Assistant Production
© 2020 Warner Music Nashville LLC ℗ 2020 Warner Music Nashville LLC
MANNY MARROQUIN, Mixer - Andrew Mendelson, Masterer - Chris Galland, MixingEngineer - Devin Malone, Cello, Guitar - Sam Ellis, Producer, Banjo, Acoustic Guitar, Keyboards, Piano, Programmer, Writer - Derrick Southerland, Writer - Ingrid Andress, Producer, Vocals, Writer, MainArtist - Robin Florent, Assistant Mix Engineer - Scott Desmarais, Engineer
© 2020 Warner Music Nashville LLC ℗ 2019 Warner Music Nashville LLC
Albumbeschreibung
Nominally a country artist -- she's signed to Warner Nashville and has written with Sam Hunt, her first single "More Hearts Than Mine" cracked the Billboard Country Airplay Top 10 in 2019 -- Ingrid Andress doesn't follow the conventional contours of the genre on her 2020 debut, Lady Like. Largely comprised of songs released as digital singles and EPs over the course of 2019 (just three tracks make their debut here), Lady Like does indeed feel like music designed to be played on streaming services: it's bright, glossy, and amorphous, shifting styles from verse to chorus. Often, music this multipurpose feels rootless and overcooked, but Andress is a slyly powerful singer and a sharp songwriter and slyly powerful singer, so the country-pop hybrids on Lady Like seem like a reflection of her personality, not calculated. Andress favors aural melodrama, opting for sweeping choruses and cavernous arrangements, a trait that's balanced by her knack for intimate lyrical details. She deftly draws a portrait of her parents on "More Hearts Than Mine," unspools a series of poor decisions on "Bad Advice," and makes a persuasive case that the relationship on "We're Not Friends" isn't anything but a romance. These vivid tales hearken back to country tradition but Lady Like doesn't take the genre's conventions to heart; if it's a throwback to anything, it's the overly shiny pop albums of Y2K. Unlike Sam Hunt, who consciously expanded country's borders with his hip-hop-R&B fusions, Andress isn't working within a chosen genre, she's making music that defies easy categorization. Lady Like is thick with appealing contradictions -- it's grandiose yet intimate, sincere yet cinematic, slick but soulful -- and to be that dense and accessible within the course of a mere eight songs is something of an achievement, especially for a debut album.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:26:29
- Künstler: Ingrid Andress
- Label: Atlantic - Warner Music Nashville
- Genre: Blues/Country/Folk Country
© 2020 Warner Music Nashville LLC ℗ 2020 Warner Music Nashville LLC
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.