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Janiece Jaffe|It Takes Two

It Takes Two

Janiece Jaffe

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For her second album as a leader, Indiana denizen Janiece Jaffe has chosen to limit her accompaniment to guitar and bass, each separately. Guitar player Marcos Cavalcante provides the support on six cuts, while bass player Tom Hildreth is on the remaining eight tracks. Jaffe is in good company with just the one instrument approach. Sheila Jordan recorded with bass players Arild Andersen and Harvie Swartz behind her. More recently, fine Chicago songstress Jackie Allen has recorded with bass player Hans Sturm. On the guitar/voice side, Nancy King has been to the studio with guitar player Glen Moore to turn out exceptional albums. With this sparse instrumental assistance, the singer has to be ready to carry more of the performance than she otherwise would. The results of Jaffe's efforts are mixed. She has exceptional range, good diction and works well with her accompanists. Her voice carries a slight vibrato which she uses to good effect, especially at the end of a phrase. On some cuts, however, she stays too long at the higher end of her range causing her voice to get a bit thin, as on "My Romance" and "Angel Eyes." Hildreth saves the track with some choice bass soloing. When Jaffe takes a more balanced direction, using her full vocal capacity, the results are more satisfying, as on a blusey "Just a Lucky So and So," highlighted by some good wordless vocalizing. Another outstanding rendition comes with "Gentle Rain." Both these cuts find her with Cavalcante's guitar, which fits her voice better than the bass, at least on this disc. The very good vocal/bass rendition of "Till There Was You," however, shows that it is possible for Jaffe to work well with a bass without straining. But this cut is the exception rather than the rule. Nonetheless, this CD has much to offer and will be a welcome addition to one's vocal collection.
© Dave Nathan /TiVo

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It Takes Two

Janiece Jaffe

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1
Blue Bossa
00:04:07

Janiece Jaffe, MainArtist - Dorham & Lawson, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

2
Til There Was You
00:02:53

Meredith Wilson, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

3
You Go To My Head
00:03:55

Janiece Jaffe, MainArtist - Coots & H. Gillespie, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

4
My Romance
00:03:35

RODGERS & HART, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

5
Blue Moon
00:05:25

Rogers, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

6
Ia Vie En Rose
00:03:27

Mark Gordon, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

7
Angel Eyes
00:05:10

Dennis & Brent, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

8
Harlem Nocturne
00:03:17

Hagan, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

9
Rain On The Roses
00:04:01

AC Jobim, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

10
The Nearness of You
00:02:55

Janiece Jaffe, MainArtist - Carmichael & Washington, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

11
Just A Lucky So and So
00:05:04

Janiece Jaffe, MainArtist - Ellington/David, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

12
Prelude To A Kiss
00:03:04

Janiece Jaffe, MainArtist - Ellington, Gordon & Mills, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

13
Lotus Blossom
00:03:19

Billy Strayhorn, Composer - Janiece Jaffe, MainArtist

1997 Janiece Jaffe 1997 Janiece Jaffe

14
Gentle Rain
00:04:43

Janiece Jaffe, MainArtist - Dubay/Bomfa, Composer

1997 Janiece Jaffe 1997 Janiece Jaffe

Albumbeschreibung

For her second album as a leader, Indiana denizen Janiece Jaffe has chosen to limit her accompaniment to guitar and bass, each separately. Guitar player Marcos Cavalcante provides the support on six cuts, while bass player Tom Hildreth is on the remaining eight tracks. Jaffe is in good company with just the one instrument approach. Sheila Jordan recorded with bass players Arild Andersen and Harvie Swartz behind her. More recently, fine Chicago songstress Jackie Allen has recorded with bass player Hans Sturm. On the guitar/voice side, Nancy King has been to the studio with guitar player Glen Moore to turn out exceptional albums. With this sparse instrumental assistance, the singer has to be ready to carry more of the performance than she otherwise would. The results of Jaffe's efforts are mixed. She has exceptional range, good diction and works well with her accompanists. Her voice carries a slight vibrato which she uses to good effect, especially at the end of a phrase. On some cuts, however, she stays too long at the higher end of her range causing her voice to get a bit thin, as on "My Romance" and "Angel Eyes." Hildreth saves the track with some choice bass soloing. When Jaffe takes a more balanced direction, using her full vocal capacity, the results are more satisfying, as on a blusey "Just a Lucky So and So," highlighted by some good wordless vocalizing. Another outstanding rendition comes with "Gentle Rain." Both these cuts find her with Cavalcante's guitar, which fits her voice better than the bass, at least on this disc. The very good vocal/bass rendition of "Till There Was You," however, shows that it is possible for Jaffe to work well with a bass without straining. But this cut is the exception rather than the rule. Nonetheless, this CD has much to offer and will be a welcome addition to one's vocal collection.
© Dave Nathan /TiVo

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