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The Mavericks|In Time (10th Anniversary Deluxe / Behind The Songs)

In Time (10th Anniversary Deluxe / Behind The Songs)

The Mavericks

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Although they first broke into the limelight marketed as a country act in the 1990s, Miami's Mavericks, led by the soaring, Roy Orbison-like vocals of singer Raul Malo, and with a sound that blended country elements with Tex-Mex, Latin, and Cuban touches, along with pure pop, proved to be a little too diverse (OK, a lot diverse) for the narrow confines of Nashville's version of commercial country. The band parted ways as the decade closed, reunited for a single album in 2003, then split up again while Malo, always the focal point and the main songwriter in the group, went on to release several solo albums that explored different genre avenues before the Mavericks reunited once more in 2011. This album, In Time, is the result, and it's a further step away from anything resembling a mainstream country release, incorporating not only the Tex-Mex and Cuban influences the band was known for, but also the rhythms of polkas, tangos, and all manner of approaches, making them closer to a band like Los Lobos than to Tim McGraw or Jason Aldean, or whoever passes for the face of country music these days. Malo co-produced this set (with Niko Bolas), and he wrote or co-wrote all of the songs here, and his versatile and incredible vocals are, as they should be, the center of everything. Tracks like the floating shuffle "Back in Your Arms Again," the pop gem "Born to Be Blue," the Roy Orbison-like "That's Not My Name," and the powerful and relentless "(Call Me) When You Get to Heaven" (a stunning, passionate, and wrenching ballad that builds and rises to a honest-to-goodness bolero crescendo) prove that neither Malo nor the rest of the bandmembers have lost nary an inch during the layoff, and if anything, have grown much more explorative and adventurous. To say this album is a return to form wouldn't be quite correct. It's an extension of it.

© Steve Leggett /TiVo

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In Time (10th Anniversary Deluxe / Behind The Songs)

The Mavericks

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1
Looking Back On In Time (Commentary)
00:02:08

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

2
Back In Your Arms Again (Commentary)
00:01:28

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

3
Back In Your Arms Again
00:04:20

Gary Nicholson, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist - Seth Walker, ComposerLyricist

℗ 2012 Big Machine Records, LLC

4
Lies (Commentary)
00:00:44

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

5
Lies
00:03:33

Al Anderson, ComposerLyricist - Bob Dipiero, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

6
Born To Be Blue (Commentary)
00:00:57

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

7
Born To Be Blue
00:03:29

James House, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2012 Big Machine Records, LLC

8
Come Unto Me (Commentary)
00:02:05

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC

9
Come Unto Me
00:04:28

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2012 Big Machine Records, LLC

10
In Another's Arms (Commentary)
00:01:14

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

11
In Another's Arms
00:03:31

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

12
Fall Apart (Commentary)
00:01:13

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

13
Fall Apart
00:03:05

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

14
All Over Again (Commentary)
00:00:59

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

15
All Over Again
00:03:56

Al Anderson, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

16
Forgive Me (Commentary)
00:01:08

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

17
Forgive Me
00:03:19

Liz Rodrigues, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

18
Amsterdam Moon (Commentary)
00:01:54

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

19
Amsterdam Moon
00:02:37

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2012 Big Machine Records, LLC

20
That's Not My Name (Commentary)
00:00:35

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

21
That's Not My Name
00:03:06

Wally Wilson, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2012 Big Machine Records, LLC

22
As Long As There's Loving Tonight (Commentary)
00:01:33

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

23
As Long As There's Loving Tonight
00:03:24

Alan Miller, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist - Seth Walker, ComposerLyricist

℗ 2013 Big Machine Records, LLC

24
Dance In The Moonlight (Commentary)
00:01:41

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

25
Dance In The Moonlight
00:05:03

Alan Miller, ComposerLyricist - Eddie Perez, ComposerLyricist - Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

26
(Call Me) When You Get To Heaven (Commentary)
00:01:50

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

27
(Call Me) When You Get To Heaven
00:08:16

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

28
Ven Hacia Mi (Come Unto Me) (Spanish Version / Commentary)
00:00:41

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

29
Ven Hacia Mi (Come Unto Me) (Spanish Version)
00:04:27

Raul Malo, ComposerLyricist - The Mavericks, MainArtist

℗ 2013 Big Machine Records, LLC

30
Tonight Is The Night (Commentary)
00:01:32

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

31
Tonight Is The Night
00:04:38

Al Anderson, ComposerLyricist - Eddie Perez, Guitar, AssociatedPerformer - Jay Weaver, Bass Guitar, AssociatedPerformer - Scott Johnson, Production Coordinator, StudioPersonnel - JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Richard Dodd, Mastering Engineer, StudioPersonnel - Raul Malo, Producer, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Nathan Yarborough, Recording Engineer, Mix Engineer, StudioPersonnel - NIKO BOLAS, Producer, Recording Engineer, Mix Engineer, StudioPersonnel - The Mavericks, MainArtist - Paul Deakin, Drums, AssociatedPerformer - Robert Reynolds, Guitar, AssociatedPerformer - Michael Guerra, Accordion, AssociatedPerformer - Allison Jones, A&R - Blackbird Studios, Studio

℗ 2023 Big Machine Label Group, LLC

32
Gentle On My Mind (Live / Commentary)
00:00:35

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

33
Gentle On My Mind (Live)
00:03:21

Eddie Perez, Guitar, AssociatedPerformer - JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Richard Dodd, Mastering Engineer, StudioPersonnel - Raul Malo, Guitar, Vocals, AssociatedPerformer - John Hartford, ComposerLyricist - The Mavericks, Producer, MainArtist - Paul Deakin, Drums, Percussion, AssociatedPerformer - Robert Reynolds, Guitar, AssociatedPerformer - Michael Guerra, Accordion, AssociatedPerformer - Elio Giordano, Bass Guitar, AssociatedPerformer

℗ 2023 Big Machine Label Group, LLC

34
Ven Hacia Mi (Come Unto Me) (Conjunto Version / Commentary)
00:00:14

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

35
Ven Hacia Mi (Come Unto Me) (Conjunto Version)
00:04:50

Eddie Perez, Guitar, Background Vocalist, AssociatedPerformer - JERRY DALE MCFADDEN, Keyboards, Background Vocalist, AssociatedPerformer - Richard Dodd, Mastering Engineer, StudioPersonnel - Raul Malo, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - The Mavericks, MainArtist - Paul Deakin, Drums, Percussion, AssociatedPerformer - Julio Díaz, Trumpet, AssociatedPerformer - Michael Reynolds, Producer - Michael Guerra, Accordion, AssociatedPerformer - Norman Jacob, Producer - Allan Casillas, Recording Engineer, Mix Engineer, StudioPersonnel - Ed Friedland, Bass Guitar, AssociatedPerformer - Lorenzo Molina Ruiz, Percussion, Trumpet, Background Vocalist, AssociatedPerformer - Maxwell Abrams, Saxophone, AssociatedPerformer

℗ 2023 Big Machine Label Group, LLC

36
Message To The Fans (Commentary)
00:00:40

The Mavericks, MainArtist, ComposerLyricist

℗ 2023 Big Machine Label Group, LLC.

Albumbeschreibung

Although they first broke into the limelight marketed as a country act in the 1990s, Miami's Mavericks, led by the soaring, Roy Orbison-like vocals of singer Raul Malo, and with a sound that blended country elements with Tex-Mex, Latin, and Cuban touches, along with pure pop, proved to be a little too diverse (OK, a lot diverse) for the narrow confines of Nashville's version of commercial country. The band parted ways as the decade closed, reunited for a single album in 2003, then split up again while Malo, always the focal point and the main songwriter in the group, went on to release several solo albums that explored different genre avenues before the Mavericks reunited once more in 2011. This album, In Time, is the result, and it's a further step away from anything resembling a mainstream country release, incorporating not only the Tex-Mex and Cuban influences the band was known for, but also the rhythms of polkas, tangos, and all manner of approaches, making them closer to a band like Los Lobos than to Tim McGraw or Jason Aldean, or whoever passes for the face of country music these days. Malo co-produced this set (with Niko Bolas), and he wrote or co-wrote all of the songs here, and his versatile and incredible vocals are, as they should be, the center of everything. Tracks like the floating shuffle "Back in Your Arms Again," the pop gem "Born to Be Blue," the Roy Orbison-like "That's Not My Name," and the powerful and relentless "(Call Me) When You Get to Heaven" (a stunning, passionate, and wrenching ballad that builds and rises to a honest-to-goodness bolero crescendo) prove that neither Malo nor the rest of the bandmembers have lost nary an inch during the layoff, and if anything, have grown much more explorative and adventurous. To say this album is a return to form wouldn't be quite correct. It's an extension of it.

© Steve Leggett /TiVo

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